Prints and Multiples

Original Philadelphia Fly TWA vintage American travel poster created by master artist David Klein. Professional acid-free linen backe...

Artist: Dali, Salvador Title: Rocket Series: Hommage a Leonardo da Vinci (Great Inventions) Date: 1975 Medium: drypoint engraving with stenciled color Framed Dimensions: 37.5" ...

Original vintage winter sport travel poster for the Aosta Valley in Italy - Vallee d'Aoste (Italie) Courmayeur Gressoney La Thuile Pila Ayas Champoluc Valtournance Breuil - featuring...

Alkyd on cut out steel. Hand signed, titled, dated and numbered on verso by the artist. Edition 24/25 ( there were also 6 artist's proofs). Published by the artist and Éditions de...

Vintage 1970s Black and White plate after the original by Pablo Picasso for the Vollard Suite. This artwork is highly desirable due to its age and artistic significance to both Picas...

Prefab77 (20th Century) Lick London, circa 2011 Screenprint with spray paint on Somerset Fine Art paper Edition: 1/2 Signed and numbered in ink along lower edge Published by the arti...

Le goût du Bonheur - 8.10.64 II is a black and white lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original ar...

Original vintage Guinness poster - Under the spreading chestnut tree A glass of Guinness stood. The smith, a mightier man is he His Guinness did him good. And would it do the same fo...

Vintage 1970s Black and White plate after the original by Pablo Picasso for the Vollard Suite. This artwork is highly desirable due to its age and artistic significance to both Picas...

Joan Miro - Abstract Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Biography Joan Miró i Fer...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. | 11.02 ...

Vintage 1970s Black and White plate after the original by Pablo Picasso for the Vollard Suite. This artwork is highly desirable due to its age and artistic significance to both Picas...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...

Pen, ink and pastels. These limited-edition Giclee prints are created on Epson archival paper using the finest Epson inks available and which Nora has determined most closely capture the look of her original drawings. Fine art prints are custom made to order by a Chico, California professional printmaker. Prints are shipped unframed as we prefer you make this selection with your framer of choice. Each print is signed by Nora and professional packaged for shipping. Prints are shipped from Nora Pineda...

A very good impression of this lithograph on Rives BFK. Signed, inscribed "state I" and numbered 111/150 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blin...

Alexander Calder ( 1898 - 1976 ) - L’albero del bene e del male - hand-signed lithography, 1975 Additional information: Material: color lithography on paper Edited in 1975 Limited e...

African Forest is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is ...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

Reclining Nude, Left Leg Raised is a lithograph from the portfolio " Erotica " after Egon Schiele, realized in 2007. It is a reproduction of the homonym pencil drawing realized by ...

Heart Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante ge...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...

Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...

A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...

A very good impression of this color lithograph on wove paper. Signed, dated and numbered 23/90 in pencil.

Sku: YY2953 Artist: Robert Longo Title: Eric 1984 Year: 1986 Signed: No Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 83.82 x 59.055 cm ) Image Size: 33 x 23.25 inches ( ...

Original vintage car advertising poster for Porsche Sport der Personlichkeit Fahren in seiner schonsten Form / Sport of personality Driving in its finest Form featuring an illustrati...

Original vintage poster: Quality Workmanship A sound Foundation on which to build one's future Cooperative Thoughtful Skilful Dependable Careful This lithograph was printed in 1940 by Elliott Service in NYC. Very good condition with only a minor tear on the bottom, which was laid down during linen-backing. Similar in design to Mather’s Work Incentive posters...

Keep 'em Flying!, artist: C. C. Beall: original linen-backed, excellent condition, World War Two vintage poster. The poster of Uncle Sam is constructed with several vignettes of workers, soldiers, scientists, the U. S. flag, and more. I have provided several details of this fabulous and uniquely designed vintage poster. The 1941 U.S. World War II (WWII) Home Front poster ("Keep 'em flying-Airplanes-flags-Machines-production-Nothing lags. Put your shoulder To the wheel; Courage staunch With nerves of steel. Greet each day, Or pledge a toast-"Keep 'em flying" is our boast. Here's a slogan For us all-An answer to Our country's call. Keep 'em flying; Keep 'em clear. The time is ripe, The time is HERE To pull together-One bold front-Each one prepared To do his stunt. Workers and The men who hire-Housewives-children-All aspire To help and work With little pause-One mind, one heart, One goal, one cause. So-'KEEP 'EM FLYING!' - Jack Childs"; "Presented by the United States Army Recruiting Service") featuring collage art of soldiers and other personnel overlaid with an image of Uncle Sam by Cecil Calvert Beall. Incredible design with the military, red cross nurse, American Flag, chemist, pilots, farmer, steel worker, and Navy guns...

Calligraphy Lithograph, 1969 Edition: 260 Signed in script by the artist (see photo) Signed with initials and dated by the artist (see photo) Publication for the Print Club of Cleveland, No. 47 for 1969 Printer: Hollander Workshop, New York, with their chopstamp (see photo) Ulfert Wilke (1907–1987) was an internationally recognized painter, calligrapher and art collector connected to the abstract expressionism movement. He was born in Bavaria, Germany, and immigrated to the United States in 1938. He is best known for his large canvas paintings...

Artist: Tracey Emin Title: Curled Up Year: 2022 Medium: Screenprint on Rives BFK paper, deckled edges Edition: 100; signed, titled, dated and numbered in pencil Sheet: 23 3/5 × 30 i...

Original "Beware Spreading Vital Information Will Undermine Our War Effort. Do your Part In Silence" vintage World War 2 poster. Ori...

The Lion's Court is an srtwork realized in 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the suite "Le Bestia...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey was born on Nov. 17, 1930, in Council Bluffs, Iowa. His father, Willard, worked in radio advertising and moved the family from city to city in the Midwest. Bill was in his early teens when his father died. His mother, Marjorie (Cheyney) Bailey, was a homemaker who later worked as an accountant for her second husband, Fred...

Lyonel Feininger (1871-1956), Wagon Crossing a Bridge (Wagen auf einer Brucke), woodcut, c. 1941, signed in pencil lower left, with the artist’s work number lower center (1867). Reference: Prasser W 82, only state. In very good condition, with margins, 3 1/2 x 4 3/4, the sheet 4 7/8 x 6 7/8 inches. A fine fresh proof impression of this intricate cubist composition, printed in black ink on a thin Japan wove paper. Prasser notes a few proofs, on various papers, some unsigned. This print was included as No. 5 of the portfolio Ten Woodcuts by Lyonel Feininger, 1941, edition of 30; as with many of his small woodcuts...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Original New England American Airlines vintage travel poster. Size 30” x 40”. Archival linen backed, untrimmed, A condition. This original vintage poster from the 1950s captures the essence of New England and American Airlines flights to the region. Designed by Bern Hill...

Original “Proper Care Before Birth” vintage poster. Archival linen backed in excellent condition, ready to frame. Size 20.5” x 27”; circa 1917. The Original "Proper Care Before Births" vintage poster is a rare find for collectors of World War 1 memorabilia...

Jewish Wonderwoman Fine Art print on Hahnemuhle Photorag 308 gsm paper Size: 11.7 x 16.5 inches Signed, numbered, and embossed by the artist Edition of 75

Archival pigment print on Innova Etching Cotton Rag 315 gsm

Paper Size: 27.5 x 39.5 inches ( 69.85 x 100.33 cm ) Image Size: 27.5 x 39.5 inches ( 69.85 x 100.33 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Hand-colored engravings after bird illustration by William Hayes (1735-1802) from "Portraits of the Rare and Curious Exotic Birds, with their description...

The Horse and the Wolf is an artwork realized in 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the suite Le ...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the high road with a nod to one of my favori...

This unframed, signed, limited edition pigment print printed on natural cotton rag paper by world renown artist Robert Kelly exists in an edition of 30 that is available as a single ...

The Raven and the Fox is an artwork realized in 1974. Etching and drypoint with stencil, 1974. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the sui...

Original motivational – theater - sports poster. Linen backed in excellent condition, ready to frame. This linen-backed 1970 vintage poster, created by The Perfection Form Company, features a captivating image of men on a track field...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. 11.02 i...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print on pure Cotton paper 270gr. Format :30x42 cm Edition Size : 12 signed and numbered copies. This is number 4 from an edition of 12. OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...

Letter H from the Alphabet series is a lithograph realized by Rafael Alberti in 1972. Hand-signed. Artist's Proof. Edition, VII/XX prints. The state of preservation is very good. ...

Sku: CB1511 Artist: Alex Katz Title: American Dance Festival Year: 1993 Signed: No Medium: Lithograph Paper Size: 60 x 24 inches ( 152.4 x 60.96 cm ) Image Size: 60 x 24 inches ( 152...

Original vintage travel poster featuring a great mid-century design - Travel the easy way Fly Aer Lingus Irish Air Lines - depicting a hand of a pilot as a comfortable chair holding ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

KAWS Holiday Changbai Mountain (KAWS Changbai white): A beautifully composed snowy-white KAWS COMPANION published to commemorate KAWS' larger-scale sculptu...

After PABLO PICASSO (1881-1973) Colorful Flowers 1958 Dimensions: 65 x 50 cm Signed and dated in the plate Edition Succession Picasso, Paris (posthumo...