Prints and Multiples

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 x 6 inches (175 x 150 mm). There is an inscription...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). Signed...

Set of offset lithographs printed on 200g Arctic Volume paper Edition of 250 70 x 50 cm (27.5 x 19.6 in) each Not signed or numbered Mint. Minor imperfections may appear due to the p...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Salvador Dali (1904-1989) Heaven 33 - Prayer of Saint Bernard Color woodcut with the signature printed in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. ...

This original opening invitation card for the exhibition "Men in the Cities, lithographs 1982-1985" held at the Brooke Alexander Gallery from November 9th to December 5th, 1985, was ...

Rembrandt - Etching - Artist's Mother with her Hand on her Chest: Small Bust . In good condition measures 22x21

'Sunflower' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand...

Medium: original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Si...

Werner Bronkhorst Sail Away, 2025 Giclée print on 310gsm Smooth Cotton Rag using Epson archival inks Shadow box framed in FSC certified timber with a smooth white finish and 3mm mu...

Medium: lithograph (after the woodcut). Printed in Paris in 1954 by Mourlot and published by Berggruen for a scarce catalogue. Image size: 5 1/2 x 3 inches (140 x 73 mm). There is an...

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.09 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. ...

ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...

14-colour screenprint with a varnish overlay
 75 x 56 cm
 Edition of 72 of 125 + 12 AP Signed and numbered by the artist published by Nicolai Wallner

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Plafond de l'Opéra de Paris, par Marc Chagall, 1965. Published ...

LADIES WITH PARROTS is an original hand drawn lithograph printed using hand lithography techniques on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, 1953. Published by A...

Original, Linen backed New Orleans Jazz & Heritage Festival poster from 1983. A fun image with a crawfish holding an umbrella with streamers. 1983 JAZZ & HERITAGE FESTIVAL PRO-MO ...

Asiatic Elephants Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Sarah Lucas Winter Song, 2020 Offset lithograph poster Limited Edition of 50 27 3/5 × 19 7/10 inches Unframed and unsigned Published by the Consortium Museum, Dijon France Limited E...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

This reproduction poster features a painting by Mark Rothko, originally created in 1952. Horizontally oriented, the artwork contrasts a dark red band over a largely green area at the...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...

Artist: PABLO PICASSO (AFTER ) Title: La Colombe de L'avenir Year: 1962 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Rives BFK paper Printed by Mourlot Edition: 200...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Dear Prudence" first released as on The White Album by the Beatles in 1968 . It was written when Len...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Sonia DELAUNAY Flamenco : Spanish Dancer, 1972 Original lithograph (Printed in Mourlot workshop) Unsigned On heavy paper 31 x 24 cm (c. 12 x 10 inch) Edited by San Lazzaro in 1972 ...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Seals Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Jean Dubuffet painted his New Orleans Jazz Band series in 1944, but there is no specific record of him having visited New Orleans. Instead, Dubuffet was inspired by American jazz mus...

A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...

This lithograph is a part of my private collection from the early 1970's. It is artist pencil signed in the lower right corner, and numbered in the lower left. Published : Guild de l...

Artist Name: Romare Bearden Title: Girl in the Garden Year: 1979 Medium Type: Lithograph on Arches Archival Paper Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in...

Framed in an ornate wood frame with a front profile of 1 1/2 inches and a side profile of 1 inch, this piece is elegantly seated behind a 4-inch mat. This is Edition #669/900, publis...

Medium: original lithograph. This original Henry Moore lithograph was printed in 1972 for XXe Siecle and published in Paris by San Lazzaro. Size 12 1/4 x 9 3/8 inches (310 x 238 mm)....

Hand signed, dated and numbered by artist with pencil. Etching and watercolour Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs.

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting sin...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Orient Seven-colour aquatint etching on paper, edited in 1974. Limited edition of 245 copies, numbered as 79/245 in lower left corner. Hand-signed by artist in pencil in the lower r...

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Artist: Joan Miro Title: Joan Miro (Plate 5) Medium: Original lithograph Portfolio: Joan Miro Year: 1956 Edition: Unnumbered Framed Size: 16 1/4" x 22" Sheet Size: 9" x 14 3/4" Signa...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

The 2000 Roland Garros poster by Antoni Tàpies is a compelling fusion of sport and abstract art. Its textured, abstract composition and philosophical undertones make it a standout pi...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

This piece, titled "Groovin' High", is a printer's proof created by the renowned artist and civil rights activist Faith Ringgold. The print is signed and numbered, printed on heavy p...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Rembrandt Van Rijn Self-Portrait Etching At A Window (1648). In good condition measures 25x24

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Keith Haring (after) Champions / The Contemporary Art Center of Cleveland Poster, 1984 (Hand signed by Keith Haring), 1988 Offset lithograph (Hand sig...

Owl's Head, Maine by Gretchen Dow Simpson is a stunning limited edition silkscreen print that captures the idyllic charm of this coastal location. Published by Pamplemousse Press and...

Two cheetahs, lying in tall grass, occupy the foreground of an engraving defined by clean, refined outlines. Their posture—both relaxed and tinged with alertness—reflects the inheren...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). There ...

Original Vintage 1981 Cappiello Exhibition Poster held at the Paris Grand Palais. Celebrating the Iconic Artwork of Leonetto Cappiello. Linen backed in very good condition without an...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches paper 100% acid free. Rich, vi...

DAMIEN HIRST (BORN 1965) Taytu Betul, from 'The Empresses' (H10-5), 2022 signed in pencil on the publisher's label affixed verso, stamp-numbered, laminated giclée print with screenpr...

Artist: Salvador Dali Medium: Heliogravure Title: The Mock Turtle's Story Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: ...

Clare Leighton, 'Snow Shovellers, New York', 1929, wood engraving, edition 45, Boston Public Library 146. Signed, titled, and numbered '29/45' in pencil. A...

"Aerial View of the Auaris Area, in the Parima Mountain Range, Parima Forest Reserve, Yanomami Indigenous Territory, State of Roraima, Brazil" by Sebastião Salgado Sebastião Salgado...

Lights of Mong Kok, Kowloon, Asian architecture photograph by Richard Heeps. The artwork captures the spirit of walking the streets in Hong Kong, the overwhelming buzz of the compet...

Artist: PABLO PICASSO (AFTER ) Title: Vive le Paix (Long Live Peace) Year: 1954 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Lana paper (Blind stamp JPG attached) P...

Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. The museum features temporary and p...