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Prints and Multiples For Sale
Style: Impressionist
Style: Post-Impressionist
'Hostellerie des Chiens du Guet' — British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy.
In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Monotype
The Angel with the Candlestick - French, Russian Art - Lithograph - Fauvism
Located in London, GB
MARC CHAGALL 1887-1985
[Shagal, Mark, Zakharovich, Moses]
Vitebsk, Belarus 1887 - 1985 Saint-Paul-de-Vence (Russian / French)
Title: The Angel with the Candlestick L’Ange au Chand...
Category
1970s Fauvist Prints and Multiples
Materials
Lithograph
Becquet
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
Mid-19th Century American Impressionist Prints and Multiples
Materials
Drypoint, Etching
Portrait of a Man Facing Left
Located in Fairlawn, OH
Portrait of a Man Facing Left
Monotype printed in brown ink, c. 1880-1914
Signed in ink lower left: Chase (see photo)
Provenance:
Helen Chase Storm (the artist's daughter)
Jackson Chase Storm (her son)
Chapellier Galleries (as agent)
James Bergquist, Boston
References And Exhibitions:
Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos)
Reference:
Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry)
William Merritt Chase (1840-2016)
Born in Nineveh, Indiana Died New York, New York
In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902.
On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre.
In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...
Category
1890s Impressionist Prints and Multiples
Materials
Monoprint
Boats, Print on Canvas, ready to hang
Located in Granada Hills, CA
Artist: Vahe Yeremyan
Work: Print on Canvas
Subject: Boats,
SIZE: 14" x 26" x 0.8''inch, 36x66x2cm
Unframed, Stretched on the wooden bar, Gallery Wrapped, Ready to Hang
All works a...
Category
2010s Impressionist Prints and Multiples
Materials
Printer's Ink
"Tulips Detail" - Botanical Still Life Lithograph
Located in Soquel, CA
Wonderful color botanical lithograph of tulips by Sam (Calman) Maitin (American, 1920-2004). Signed "S Maitin" on the original over-mat preserved on the back paper cover. "T.P" to in...
Category
1980s American Impressionist Prints and Multiples
Materials
Paper, Ink, Lithograph
'Provençal Landscape', Academie Chaumiere, Salon des Artistes Françaises, Paris
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '19/175'.
Georges Lambert first studied in Paris at the Academie de la Gra...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
19th century engraving landscape bridge industrial river scene ink signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category
1870s Impressionist Prints and Multiples
Materials
Etching
Landscape
By Carson Gladson
Located in San Francisco, CA
About the artist:
Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...
Category
21st Century and Contemporary American Impressionist Prints and Multiples
Materials
Lithograph
Earl Horter, (European Fountain)
By Earl Horter
Located in New York, NY
Signed in pencil. A European town square with fountain and tower.
Category
Early 20th Century American Impressionist Prints and Multiples
Materials
Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Chien et Chat (Bouvet 90), circa 1920, Etching by Pierre Bonnard
Located in Long Island City, NY
Chien et Chat (Bouvet 90)
Pierre Bonnard, French (1867–1947)
Date: circa 1920
Etching, signed in the plate
Size: 12.5 in. x 9.75 in. (31.75 cm x 24.77 cm)
Category
1920s Impressionist Prints and Multiples
Materials
Etching
Pierre-Auguste Renoir 'Portrait of a Woman with black veil' Lithograph
Located in Brooklyn, NY
Printed on Arches paper, a high-quality, heavyweight paper known for its durability and fine texture, this lithograph belongs to the printer's proofs. These proofs are typically prod...
Category
1980s Impressionist Prints and Multiples
Materials
Lithograph
'Grau du Roi, Camargue', Salon des Artistes Francaises, Academie Chaumiere
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Grau du Roi' and inscribed lower left 'Epreuve d'Artiste' with number and limitation 12/25.
An Artist...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”.
Little crack and fold on lower left margin of the sheet.
Some small traces of oxidati...
Category
1880s Post-Impressionist Prints and Multiples
Materials
Drypoint, Etching
"Les Martigues" pochoir
Located in Henderson, NV
Medium: lithograph with pochoir coloring (after the 1885 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published...
Category
1940s Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Garden Moments II
Located in San Francisco, CA
Artist: Ellen Gunn (1951- )
Title: Garden Moments II
Medium: Screenprint
Image size: 22 x 26.75 inches
Sheet size: 22 x 26.75 inches
Signature: lower right
Edition: 375 This one: 35...
Category
1990s Impressionist Prints and Multiples
Materials
Paper, Screen
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
Victor Hugo, de Face (State 5), Impressionist Etching by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Victor Hugo, de Face (State 5), Year: 1885, Medium: Etching on Arches, signed in the plate, Edition: 60, Image Size: 8 x 6.25 inches, Size: 17...
Category
1880s Impressionist Prints and Multiples
Materials
Etching
Petite Fleur Suite II
Located in San Francisco, CA
Artist: Ellen Gunn (1951- )
Title: Petite Fleur Suite II
Medium: Screenprint
Image size: 11 x 14 inches
Sheet size: 18 x 20 inches
Signature: lower right
Edition: 375 This one: 148/...
Category
1990s Impressionist Prints and Multiples
Materials
Paper, Screen
Waiting Game
Located in San Francisco, CA
This artwork titled "Waiting Game" 1991 is a color offset lithograph by noted African/American artist Yvonne Cole Meo, 1923-2016. It is hand signed, da...
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
1940s Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
19th Century Engraving by American Impressionist Herman Hyneman
Located in New York, NY
Herman Hyneman (American, 1849-1907)
Untitled, c. 1880
Engraving
Sight: 13 x 8 1/2 in.
Framed: 26 1/2 x 20 1/2 x 3/4 in.
Signed bottom
The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island."
Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master.
In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay.
In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...
Category
1880s American Impressionist Prints and Multiples
Materials
Engraving
Evening Lily
Located in San Francisco, CA
Artist: Joseph Raffael – American (1933-)
Title: Evening Lily
Year: 1981
Medium: Lithograph in colors on Arches paper
Sheet size: 40 x 30 inches.
Framed size: 44 x 34 inches
Signat...
Category
1980s American Impressionist Prints and Multiples
Materials
Lithograph
MARC CHAGALL "Le joueur de flûte"
By Marc Chagall
Located in Los Angeles, CA
MARC CHAGALL 1887 - 1985
"Le joueur de flûte"
1958
Colour lithograph
25.5x44 cm, illustration; 38.3x57.3 cm, sheet size
Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste".
This is an artist’s proof, aside from the edition of 90.
Catalogue Raisonné : Mourlot 197
Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...
Category
Mid-19th Century Impressionist Prints and Multiples
Materials
Paper, Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Haze in the Forest, " Framed Limited Edition Giclee Print, 16" x 20"
By Ken Elliott
Located in Westport, CT
This abstract landscape limited edition print by Ken Elliott features a cool violet-blue palette, capturing an abstracted scene of a forest in the winter. The trees are depicted in s...
Category
2010s Impressionist Prints and Multiples
Materials
Digital, Giclée
Le Repos - Original Lithograph After G. Braque - 1967
Located in Roma, IT
Le Repos is an original lithograph realized by Georges Braque (After) (Argenteuil, 1882 - Paris, 1963) in 1967.
Original Lithograph on paper.
Published by Maeght Editeur, Paris. Credits printed on rear.
Mint Conditions.
Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category
1960s Fauvist Prints and Multiples
Materials
Lithograph
Spring Day from Derrier Le Miroir, Impressionist Lithograph by Marc Chagall
By Marc Chagall
Located in Long Island City, NY
Marc Chagall, Russian (1887 - 1985) - Spring Day from Derrier Le Miroir, Year: 1972, Medium: Lithograph, Size: 15 x 11 in. (38.1 x 27.94 cm), Printer: Mourlot, Paris, Publisher: Ma...
Category
1970s Impressionist Prints and Multiples
Materials
Lithograph
Gulli I /// Impressionist Anders Zorn Swedish Etching Antique Girl Face Portrait
By Anders Zorn
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920)
Title: "Gulli I"
Series: Gulli
*Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower right
Year: 1914 (second state of two)
Medium: Original Etching on cream Van Gelder Zonen laid paper
Limited edition: approx. 50 impressions
Printer: the artist Zorn himself, Mora, Sweden
Publisher: the artist Zorn himself, Mora, Sweden
Reference: Asplund No. 265; Hjert & Hjert No. 162
Sheet size (irregular margins): 12.88" x 10.13"
Image size: 5.13" x 3.5"
Condition: Faint UV stain. Minor toning to sheet and minor paper loss at bottom center margin. It is otherwise a strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Santa Fe, NM. Fleur-de-lis shield (Van Gelder Zonen) watermark at left center margin. Pencil inscribed "Gulli No. 1" lower right in margin. Retains old paperwork from previous framing.
Biography:
Anders Leonard Zorn...
Category
1910s Impressionist Prints and Multiples
Materials
Etching, Laid Paper, Intaglio
Open Gate
By John Hall Thorpe
Located in San Francisco, CA
This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...
Category
Early 20th Century Impressionist Prints and Multiples
Materials
Woodcut
Sonoma Mountain Meadow Landscape
Located in Soquel, CA
A beautiful soft landscape Giclee of a glowing meadow in the Sonoma Mountains by Donna McGinnis (American, 20th century). Signed "Donna McGinnis", titled "Sonoma Mountains", and numbered "5/195", lower edge. Limited edition Giclee, high resolution long life inkjet print, Edition 5/195, printed on Epson Somerset velvet cotton rag paper. Displayed in a custom mat and wood Italian classical frame. Image size 29"H x 39"W. Paper size, 32.5"H x 42.5"W.
Donna McGinnis was born in Spokane, Washington. McGinnis grew up in an artistic family. Her mother was an artist, her grandmother a musician and her father a photographer. Drawing came naturally to her as she had very vivid memories of admiring her father’s black and white photography. These silvery prints inspired McGinnis. Through his love affair with the still image, McGinnis learned composition, chiaroscuro (light and dark tonality), form and line, in essence the basics of formal art theory. McGinnis had a childhood babysitter and mentor who taught her and her two sisters art...
Category
Early 2000s American Impressionist Prints and Multiples
Materials
Laid Paper, Giclée
'Port de Vendres', Côte Vermeille, France, California Post Impressionist Harbor
Located in Santa Cruz, CA
Signed verso, 'Ant McNaught', (American, born 1952), inscribed '(After Derain, 1905)', with edition number inscribed over limitation of '375', titled 'Port de Vendres' and dated 2020. (Photograph shows example of the inscription. Edition number will vary).
A substantial, Post-Impressionist harbor...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Canvas, Giclée
Roussel, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Market with Oranges
Located in San Francisco, CA
Artist: Harold Altman– American (1924-2003)
Title: Market with Oranges
Year: 1980
Medium: Etching
Sight size: 17.75 x 23.75 inches.
Sheet size: 22.5 x 28 inches
Publisher: Lemont E...
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Etching, Paper
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Female Figure Underwater Realist Etching --"Separation" by Carol Bennett
Located in Soquel, CA
Female Figure Underwater Realist Etching --"Separation" by Carol Bennett
Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...
Category
1990s American Impressionist Prints and Multiples
Materials
Etching, Laid Paper
Grand Canyon, Print on Paper, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan
Work: Print on Paper,
Subject: Grand Canyon,
Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm,
Ready to Hang, Metal Frame with the Glass, Plastic Wrapped.
A...
Category
2010s Impressionist Prints and Multiples
Materials
Color, Satin Paper
Afternoon Tea
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Afternoon Tea
Year: Circa 2000
Medium: Silkscreen on wove paper
Size: 26 x 31.5 inches
Edition: 189/199, plus p...
Category
Early 2000s American Impressionist Prints and Multiples
Materials
Screen
Original "The Chateaux of the Loire, Go by Train" vintage poster
Located in Spokane, WA
Original vintage poster: The Chateaux of the Loire, Go By Train, artist J. Jacquelin, size: 24" x 39", year: 1956. Original vintage European travel poster...
Category
1950s American Impressionist Prints and Multiples
Materials
Lithograph
German Artist Impressionist Etching Judaica Jewish Sephardic Jewish Bezalel Era
Located in Surfside, FL
Yemenite or Moroccan Sefardic rabbi portrait.
Framed 11 X 9 sight 6 X 4.5
Hermann Struck (6 March 1876 – 11 January 1944) was a German Jewish artist known for his etchings.
Hermann...
Category
Early 20th Century Impressionist Prints and Multiples
Materials
Etching
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Woodcut
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph, Mulberry Paper
Reine de Joie - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 28.3 x 20 cm.
Reine de Joie is a chromolithographed poster, signed on plate on the lower left margin by the French bohemian artist Hen...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Moorea" Contemporary Impressionist Serigraph of Tahiti
Located in Laguna Beach, CA
"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist Prints and Multiples
Materials
Etching
French Contemporary Art by Jean Duquoc - L’Été Indien
By Jean Duquoc
Located in Paris, IDF
Lithography on paper, e.d 1/10
Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color,...
Category
2010s Impressionist Prints and Multiples
Materials
Paper, Lithograph
'The Pont Neuf with Notre Dame in the Distance', Tokyo Fine Arts Academy
By Kazunari Ogata
Located in Santa Cruz, CA
Signed lower right, 'K. Ogata' with number and limitation, 120/275, lower left. Accompanied by a Certificate of Authentication from the Societe de Verification de la Nouvelle Gravure...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
St. Raphael (Provence, seascapes, countryside art, Impressionist)
By Ella Fort
Located in Kansas City, MO
Ella Fort
St. Raphael (Provence, seascapes, countryside art, Impressionist)
Color lithograph
Signed, numbered or inscribed
Edition: 390 + 10 E.A.
size:...
Category
1980s Impressionist Prints and Multiples
Materials
Lithograph
'Falaise de l'Étretat', French Post-Impressionist, Academie Chaumiere, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left with number and limitation, '238/270'.
Georges Lambert first studied in Paris at the Academie de l...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Bomber and Buckeroos by Till Goodan, Westward Ho Company
Located in Phoenix, AZ
Bomber And Buckeroos ca. 1939
Till Goodan
Offset Lithograph
PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE
All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby.
Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches
The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company.
Tillman Parker Goodan 1896-1958
To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years.
After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy.
As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist.
In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts.
He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric.
By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl.
Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...
Category
1930s American Impressionist Prints and Multiples
Materials
Lithograph
Femme a L'Eventail, Philippe Henri Noyer
Located in Fairfield, CT
Artist: Philippe Noyer (1917-1985)
Title: Femme a L'Eventail
Year: circa 1969
Medium: Lithograph on Arches paper
Edition: 25/50 E.A., 375, plus proofs
Size: 29 x 41.75 inches
Conditi...
Category
1960s Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
The Master Smith
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Anna Held dans Toutes ces Dames, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Drowsy Bums" - Mid Century Figurative San Francisco Dock Landscape
By John Stoll
Located in Soquel, CA
Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...
Category
1940s American Impressionist Prints and Multiples
Materials
Paper, Printer's Ink, Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.