Prints and Multiples

Original concert poster: Joan Baez in Concert Under the Stars, Oct 31, 1975, Orange County, CA. Artist: Rick Griffin. Size: 9.75" x 23 3/8". Blac...

Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...

KAWS (after) NGV Melbourne Blue Color Offset Lithograph exhibition poster Year: 2019 Size: 23.1 × 16.4 inches Publisher: NGV Melbourne Unsigned Still Wrapped Brian Donnelly, know...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

"The Retreat From Long Island" - 1932 Etching On Paper Black and white etching titled "The Retreat from Long Island" (from the portfolio ​“The Bicentennial Pageant of George Washing...

Artist: Itzchak Tarkay (1935-2012) Title: Quiet Afternoon Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 10.75 inches Edition: 123/750, plus 100 Remarques Condition: ...

CPT.OLF Paradox x CPT.OLF 16-19 (I) - The Exhibition (Urban Art, Snapshot, Exploration) Exhibition Poster for "URBAN SPREE Galerie, Berlin" Year: 2019 Size: 33.07 x 23.62 inches (84...

"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...

Autumn Trees Close Up - Woodblock Print on Paper #12/15 Abstracted landscape detail woodblock by Janet Wheeler (American, 1922-2001). This piece shows abstracted details of trees in autumn. There are branches cutting across the scene, which is full of vibrant yellow and orange. Numbered "12/15" in the lower left corner. Signed "Janet P Wheeler...

Hand signed and numbered by the artist. Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 100. Frame size approx 37 x 29 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Pose (Jordan Nickel...

Super cool Invader map designed to look like a pirate treasure map. Limited edition. Has the locations of 58 Invader mosaic tile artworks spread over Djerba Island in Tunisia up till...

Artist: Harold Altman (American, 1924-2003) Title: Parc Monceau, Paris Year: c.1985 Medium: Color lithograph Edition: Inscribed H.C. (Hors Commerce) ...

Uber Rare Invader Bad Men Catalog Part 1. Contains the Invasion Map of Cologne printed inside book. Limited Edition of only 1000. Contents include street pics of all the Invader Stre...

This artwork titled "Alexandria" 1991 is an original color serigraph by noted American artist Susan Rios, b.1950. It is hand signed and numbered H.C 50/70 in pencil by the artist. With the blind stamp of the publisher Martin Lawrence Editions, Printed by American Serigraph, Los Angeles, CA. The image size is 27 x 22 inches, sheet size is 34 x 27.85 inches. It is in excellent condition. About the artist: Susan Rios was born in Terre Haute, Indiana, and spent her early years nurturing her natural artistic talent, eventually earning an art scholarship to California State University, Northridge in Los Angeles. Upon graduating, Rios began working for an advertising agency and later became a floral designer. This influence can be seen in her unique artwork, which does not ring true of any particular artistic style; instead, Rios blends realism and impressionism to her own personal techniques, creating something novel that appeals to all kinds of people. “No heart is so hard that it doesn’t respond to flowers,” Rios explained. Her warmth and gentle also touch countless people because her creations depict “the private times. They’re the details that people remember. Her beautiful, delicate creations are collected worldwide and her fans include Walter Matthau, Patty Duke Astin, and Priscilla Presley...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Sandra Chevrier Title: La Cage: Briser les Chaînes Medium: Giclée print on 300gsm Moab paper Dimensions: 44.4 x 36 in (112.8 x 91.4 cm) Edition: Limited edition of 25 Year: 2020 Sign...

Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Hand signed and numbered by the artist. 12 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 150. Artwork is in excellent condit...

KAWS Holiday Changbai Mountain (KAWS black Changbai): A beautifully composed KAWS COMPANION published to commemorate KAWS' larger-scale sculpture of same, at Changbai Mountain in Jil...

Drew Straker Palestine Protest (Palestine Conflict, Street Art, Graffiti Art, Sprayer) 2018 Giclée print on Hahnemühle Velvet 185gsm Size: 38.97 x 24.01 inches (99 x 61cm) Signed in...

Screen print in colors on paper. Hand signed and numbered by Futura. From the edition of 80. Custom framed as pictured. Frame size approx 40 x 28 inches. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Futura 2000 is a contemporary American graffiti artist. Over the course of his career, he transitioned from making New York-based subway graffiti in the early 1970s, to exhibiting at Fun Gallery in the 1980s alongside major artists such as Jean-Michel Basquiat, Keith Haring, and Kenny Scharf. McGurr’s major contribution to graffiti art was his use of abstraction, adopting a style of painting characterized by its blending of text and imagery. Born Leonard McGurr on November 17, 1955 in New York, NY, he went on to collaborate with the punk...

CPT.OLF Paradox x CPT.OLF 16-19 (II)- The Exhibition (Urban Art, Snapshot, Exploration) Exhibition Poster for "URBAN SPREE Galerie, Berlin" Year: 2019 Size: 33.07 x 23.62 inches (84...

'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Copper-line engraving with original hand-colouring by M Griffith after Charles Hamilton Smith, 1827. Depicts the Sewessissing, chief of the Iowa Indians. Charles Hamilton Smith (1...

18 color screen print on 300 gsm somerset paper. Hand signed lower right front by Fanakapan. Hand numbered 52/125 lower left front. Artwork size 31 x 22.4 inches. Frame size appr...

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

Hand-Embellished Print on Archival Bamboo Paper with Unique Painted Stencil Signed and Numbered Edition of 25 with 5 APs The Rolling Stones, The Rolling Stones Tongue...

Screen print, hand-finished with stencil and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 42/50. Fra...

Artist: Hijack Title: Puzzled Medium: Unique silkscreen on Archival Fine Art Paper Size: 22 x 30 Inches Edition: 38 of 45 Year: 2006 Notes: "Puzzled," released as an edition of 45 w...

Seven color screen print on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 66 of 100. Artwork is in excellent condi...

Kenny Scharf Looky, 2021 15-colour screen print on Mohawk Superfine UltraWhite, 160 lb cover paper. Signed by the artist, numbered and stamped by the publishers, JRP Editions. 61 cm...

„Pride“ (3D) (2021) by Insane51 9-Color Screen Print with Spot Varnish on 310gsm Tub Sized Somerset Satin Size: 60 cm x 60 cm Edition of 125 (#104/125) Signed and numbered by the art...

Screenprint on wood panel. Hand signed and numbered on front and verso by the artist. Edition 1 of 6. Custom framed as pictured. Artwork is in excellent condition. All reasonable...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

'Countdown To Violence' by Prefab77, 2012 Size 60 x 90 cm Limited Edition of 10 (#4/10) 5 layer spraypaint stencils & 1 layer gloss black screenprint, on hand painted, hand-deckled F...

"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...

Serigraph with collage on canvas. 40/45 Clemens Briels grew up in a large family. He wanted to become an artist from an early age. In 1965 he started a course at the Academy for Indu...

G Girl (2009) by Hush Five Colour Screen Print with Spot Varnish 28 x 60 cm Edition 150 Signed and Numbered (75/150) by the artist HUSH is a British mixed media artist who trained a...

JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...

"Falling for You," Eric Orr, 2022 Silkscreen on 290 gram Coventry Rag paper Dimensions: 13 3/4" x 17 1/4" Signed and numbered by the Artist in pencil An editio...

Hand finished hand pulled screen print on 310 GSM archival art paper. Hand signed, dated and numbered by the artist. Edition of 20. Frame size approx 34 x 26 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Dutch artist FAKE from Amsterdam was born on May 15th 1980 and has been doing graffiti and street art half his life. FAKE is self-taught and started experimenting and combining styles early on to come to a unique signature. FAKE’s work is some of the cleanest stuff around. His clean, taut work, full of color, has been in shows all over the world; from Holland, Norway, Denmark and the UK until the US and even countries as Iran. Apart from being a perfectionist, FAKE’s signature style is that of storytelling. Stencils give him the power to use any image on any desired background and give it a humorous or ironic twist. One of his most iconic works, FAKE love...

Zevs (b. 1977) Liquidated Google, 2013 Screenprint in colors on Arches 88 300gsm paper Edition 28/75 Signed and numbered in pencil along lower edge Full sheet: 16-3/4 x 25-1/4 inches...

Ben Eine 3 x prints Rise Up, Stand Up, Speak Up 1 layer blend with black overlay on Somerset printmaking paper 50 x 50 cm - each 19.69 x 19.69 in Edition of 150 Ben Eine is a promin...

Artist: Mark Drew Title: Ski Mask Way (AP Edition), 2024 Edition: Artist Proof (AP), limited edition out of 200 Dimensions: 16.5" x 11" (29.7 x 41.9 cm) Medium: Screen print on woven...

Copyright - Sadness Screen - Pink Date of creation: 2016 Medium: Silkscreen, acrylic and spray paint on paper Edition: 25 Size: 50 x 35 cm Condition: In perfect conditions and never ...

This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...

„Loveletter I“ by Cryptik Serigraph Print on 280gsm Sirio Ultrablack Paper Size 71 × 71 cm Signed and numbered (42/99), in pencil along lower edge Cryptik is a Los Angeles based artist who creates from a palette of wonder, where all science, math, and true art spring from equal mystery. His is a clear-eyed art...

Hand-Finished screen print on mirrored acrylic. Hand signed on front. Signed, numbered, dated, and thumbprint on verso. Custom framed by the studio. Frame size 27.75 x 33.75 inches. ...

Original poster: The Sesquicentennial International Exposition Philadelphia. June First to December First, 1926. "The Voice of the Liberty Bell." Original vintage poster, line...

This artwork titled "Daughters" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 72/...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Basquiat Downtown 81 (Basquiat New York Beat): Vintage original movie exhibition poster produced in conjunction with the film, Downtown 81's theatrical release in 2001. A rare, uniqu...

Archival Ink on Entrada Cotton Rag paper. Hand-signed by the artist duo; numbered and stamp-dated on reverse Edition of 310. Artwork is in excellent condition. Certificate of au...

- hand-pulled screen print - - Naturalis Absolute White Matt paper 250 gsm  - 19.7 x 19.7 in (50 x 50 cm) -edition of 125 -Signed and comes with COA

Three color screen printed figure & varnish on 300 somerset paper. Hand signed and numbered by Kunstrasen. Form the edition of 125. Frame size approx 26 x 26 inches. Artwork is...

Collaboration between Matt Gondek and J Balvin. Wood print on birch. Hand signed and numbered on verso by Matt Gondek. From the edition of 300. Certificate ...

Untitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair L...

Working almost entirely in black and gray tones against white backgrounds, the artworks by Robert Kipniss exude a haunting and lonely quality to them, as though all of the people hav...