Horizontal Abstract Prints

This piece titled "Fragments" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 19"w. Born in Mexico City, A...

Joan Miró Litografia Original IV Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.36 Publisher: Ma...

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floate...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Senza Titolo 11 by Victor Pasmore, 1989 Additional information: Medium: etching with aquatint 40 x 57 cm 15 3/4 x 22 1/2 in signed with initials, dated and numbered 78/90 in pencil ...

This abstract limited edition print features a blue heron bird in flight (facing left). The background is an abstract rectangular pattern with blue and gold rectangles, which blend i...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Maurice ESTÈVE (1904-2001) Découpage VIII Original screen print (silkscreen) Printed signature in the plate On LanaPrime 250g/m² vellum 20 x 25 cm (c. 8 x 10 in) Limited to 500 copi...

**ANNUAL SUPER SALE UNTIL APRIL 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Limited edition of 30 museum quality Giclee prints o...

Printemps à mille cœurs is an artwork realized by the French artist Jean Messagier. Etching on paper, hand-signed on the lower right corner "Messagier", titled Printemps à mille coe...

Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...

Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 37/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Lit...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Gráfica Contemporánea, Milan; printed by La Polígrafa, Barcelon...

Artist: Alan Parker, Canadian Title: Lowest House Year: 1992 Medium: Etching with Aquatint, signed and numbered in pencil Image Size: 12.5 x 17.5 inches Size: 22 x 29.5 in. (55.88 ...

"The Outsider" - Original 1989 Screen Print on Paper Original black and white screen print of abstracted figures by Jane Leddy (American, 1925-2019). Figures are seen in white with ...

ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...

Artist: Stanley Hayter, British (1901 - 1988) Title: IV from the Aquarius Suite Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x ...

Fulton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 23 inche...

Stockton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 17 x 23 inc...

Stockton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 24 inc...

Cragmont by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 17 x 23 inc...

Diablo by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 24 inche...

Benita Sanders, Canadian (1930 - ) - Octet, Year: 1969, Medium: Embossed Etching and Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 10/25, Image Size: ...

Limited edition of 5, signed by the author.

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...

White Finger Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this ...

This print was featured in “Dreamland”, the first solo exhibition of Chicano artist Frank Romero at MOLAA (Museum of Latin American Art). The freeway and car culture of southern Ca...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper...

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman: The Paintings (Yellow) Year: 1992 Medium: Screenprint, signed and numbered in pencil Image: 15 x 39 inches Size: 3...

Derriere le miroir, no. 87-88-89. Pages 6-7 Terres de Grand Feu, (Land of Great Fire) Color lithograph, 1956 From: Derriere le Miroir, Volume 87-88-89, 1956 Unsigned as issued by DL...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of blue, green, yellow. Jean Carzou (Armenian: Ժան Գառզու, 1 January 1907 – 12 August 2000) was a French–Armenian artist, painter, and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus. Carzou was born Karnik Zouloumian (Armenian: Գառնիկ Զուլումեան) in Aleppo, Syria to an Armenian family. Carzou later created his name from the first syllables of his name and surname, and added a Parisian nickname, "Jean". He was educated in Cairo, Egypt before moving to Paris in 1924 to study architecture. Carzou belonged to the art movement called "La Jeune Peinture" ("Young Picture") of the School of Paris, with painters like Bernard Buffet, Yves Brayer, Jansem, Jean Carzou, Louis Vuillermoz, Pierre-Henry, Daniel du Janerand, Gaston Sébire, Paul Collomb, Jean Monneret, Jean Joyet and Gaëtan de Rosnay. He started working as a theater set decorator but quickly realized he preferred drawing and painting. In 1938, more than a hundred exhibitions of his works were organized in Paris, in the French provinces and abroad. In 1949, he received the coveted Hallmark prize. Carzou, like his contemporaries Salvador Dali, and Pablo Picasso was part of a generation that witnessed many wars and was deeply affected by it. Carzou made his first lithograph in 1951 and was prolific in both the lithographic and etching medium. He had solo exhibitions throughout the world and was elected to the French Academy of Fine Arts in 1977. In 1952, he created costumes and sceneries for Les Indes Galantes of Rameau at the Opéra de Paris. He continued with Le Loup (1953) for "Les Ballets" of Roland Petit, Giselle (1954) and Athalie (1955) at the Opéra and "La Comédie française". Carzou mastered a number of mediums, though his line drawing and engraving would become well known as illustrations for some of the 20th century's most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. Carzou produced stunning work of painted glass and porcelain, in pencils, gauche and pastels as well as oil painting, often choosing to work on textured or irregular fabrics and papers rather than traditional canvas. Carzou was elected a member of the Institut de France, Académie des beaux-arts, succeeding in the seat left vacant by the death of painter Jean Bouchaud in 1977. He was also awarded the National Order of Merit of France. Among his closest friends were the painters Daniel du Janerand, Gabriel Deschamps, Louis Vuillermoz, Pierre-Henry, André Vignoles, Pierre Gaillardot, Rodolphe Caillaux...

The swallow is a contemporary artwork realized by Amintore Fanfani in 1972.   Mixed colored lithograph   Hand signed and dated on the lower margin.   Edition of 60 prints. Good c...

Linocut on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Völker, Brigitte, et al. Henri Laur...

This artwork titled "Peacock Nebula" c.2000, is an original colors woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed and titled in pen...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 9/50 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

YELLOW FIELDS is a rarely seen, original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches paper, 100% acid free...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Sam Durant The Other Side/El Otro Lado (Regionalism, Nationalism, Imperialism), 2005 United States and Mexican flags with embroidery Stamp numbered 70 from the edition of 100 24 × 37...

Screenprint in 3 colours plus white under print on Fabiano 5 paper Edition of 75 48.9 x 80 cm (19.2 x 31.5 in) Signed, numbered, dated and titled on the front Artwork in excellent co...

"My Bedroom Windows in the Middle of the Night" Etching in Ink on Paper, #13/25 Bold surrealist etching by Ernesto Lombardi (Puerto Rican, 1929-2016). Several figures are floating i...

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 35/100. ...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Triangle M Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 60 Ima...

Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing. SHIPS ROLLED IN TUBE David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide. A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying. His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain. His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes. This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own. Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques. His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats. EDUCATION MLA University of Colorado 2002 Landscape Architecture MFA University of Pennsylvania 1977 Sculpture & Printmaking BA Princeton University 1971 Architecture & Design SELECTED EXHIBITIONS Consulate of Japan, San Francisco, CA 1999, 1998 Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999 Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996 "Duets" Delaware Museum of Art, Wilmington, DE 1995 MacLaren/Markowitz Gallery, Boulder, CO 1991 Retrospective: McKissick Museum of Art, Columbia, SC 1990 Retrospective: The Art Complex Museum, Duxbury, MA 1988 Pucker Gallery, Boston, MA 1981, 1984, 1988 Gibson Gallery, SUNY at Potsdam, NY 1987 Arlene McDaniel Galleries, Simsbury, CT 1986 Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986 Gallerie Obussier, Nantucket, MA 1985 New Acquisitions Gallery, Syracuse, NY 1983 Everson Museum of Art, Syracuse, NY 1983 COMMISSIONS: Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994 Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994 Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994 Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992 Balletté; Southworth Library, Canton College, Canton, NY 1991 A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991 Festivale; K. B. K. Foundation, Boston, MA 1990 A Une Passante; SUNY Potsdam, Potsdam, NY 1989 Balletté; Ensign-Bickford Corp., Simsbury, CT 1987 Torus; Stratus Computer, Inc., Marlboro, MA 1986 Rondella; BNWC, Brandeis University, Waltham, MA 1985 Viole, Ayre; Asset Management, Inc., Essex, CT 1983 Cantata; Horne Library, Babson College, Wellesley, MA 1981 COLLECTIONS Museums Art Complex Museum, Duxbury, MA Ashmolean Museum, Oxford University, England Asian Art Museum, San Francisco, CA British Museum, London, England Columbia Museum of Art, Columbia, SC Currier Gallery & Museum, Manchester, NH Danforth Museum, Framingham, MA Davis Museum of Art, Wellesley, MA DeCordova Museum, Linclon, MA Delaware Museum of Art, Wilmington, DE Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Everson Museum of Art, Syracuse, NY Farnsworth Museum of Art, Rockland, ME Fine Arts Center at Cheekwood, Nashville,TN Fitzwilliam Museum, Cambridge University, England Gibbes Museum of Art, Charleston, SC Gibson Gallery & Museum, SUNY Potsdam, NY Greenville County Art Msueum, Greenville, SC Hara Museum of Contemporary Art, Tokyo, Japan Johnson Museum of Art, Ithaca, NY McKissick Museum of Art, Columbia, SC Minneapolis Institute of Art, Minneapolis, MN Munson-Williams-Proctor Institute of Art, Utica, NY Museum of Fine Arts, Boston, MA Museum of Fine Arts, Springfield, MA Muskegon Museum of Art, Muskegon, MI National Museum of American Art, Washington, DC Nelson Museum of Art, Kansas City, MO New Britain Museum of American Art, New Britain, CT Portland Museum of Art, Portland, ME Portland Art Museum, Portland, OR Princeton University Art Museum, Princeton, NJ Rose Art Museum, Waltham, MA San Diego Museum, San Diego, CA Smith College Museum of Art, Northampton, MA Taylor Museum/CSFAC, Colorado Springs, CO University of Michigan Museum of Art, Ann Arbor, MI Victoria & Albert Museum, London, England Wadsworth Athenaeum, Hartford, CT Williams College Museum of Art, Williamstown, MA Yale University Art Gallery, New Haven, CT Institutions American Embassy, Tokyo, Japan [selected] Arjo Wiggins/Arches S.A., Annonay, France Bank of America, Boston, MA Boso Yusi Company, Tokyo, Japan Boston Ballet, Boston, MA Canadian Foreign Ministry, Ottawa, Canada Chase Manhattan Bank, Vietnam Embassy of Japan, Abu Dhabi, United Arab Emirates FIA Institute, Tokyo, Japan Fidelity Ventures & Associates, Boston, MA Frederik Meijer Sculpture Gardens, Grand Rapids, MI Gauteng Legislature, Gauteng, South Africa German Embassy to Vietnam, Hanoi, Vietnam Helix Technology Corporation, Longmont, CO Ito-En Company, Tokyo, Japan JAFCO America Ventures, Boston, Palo Alto, Tokyo Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA Japanese Foreign Ministry, Tokyo, Japan Japan External Trade Organization, New York, Tokyo Kepner-Tregoe Company, Princeton, NJ Kobe Steel, Ltd Tokyo, Kobe Mochida Medicines, Inc., Tokyo Monsanto, European Division, Brussels, Belgium New England Conservatory of Music, Boston, MA Nueva Set-Kei, Inc. Tokyo, Japan Opinion Research Company, Princeton, NJ PAR Associates, Inc., Boston, MA Price, Waterhouse & Company, Greenwich, CT Princeton Club of Japan, Tokyo, Japan Saint Joseph's Heart Hospital, Lexington, KY Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO Temple Society of Concord, Syracuse, NY T. Rowe Price, Inc., Colorado Springs, CO University of Wisconsin School of Business, Madison, WI Vietnam Embassy to Canada, Ottawa, Canada Yankelovich, Skelly & White, Stamford, CT COLLABORATIONS Johannesburg, South Africa (& Artist Proof Studio) 1997 Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi Vietnam (& Indochina Arts Project) 1995 Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong Studio Duetts 1995-2001 With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer) China (PRC) 2001-2004 Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD. HIGHER EDUCATION Visiting Artist [Associate Professor One-year appointment] 1990/1991 Art Department, University of South Carolina Adjunct Professor 1991-1994 Art Department, Rivier College, Nashua, NH Fellow/Panelist The Aspen Institute Aspen, CO 2000 Conference on World Affairs [Univ of Colo, Boulder] 1990-1998 Visiting Artist Haverford School, Bryn Mawr, PA 1999 Clemson University, Clemson, SC 1997, 1998 African Institute of Art, FUNDA Soweto, South Africa 1997 Princeton University 1996 Williams College 1995 Bradford College 1994, 1998 College of Charleston 1994 University of Pennsylvania 1993 University of South Carolina 1990, 1994 SUNY Albany 1992, 1993 Pine Manor College 1987, 1989 Bentley College 1988 Simon's Rock/Bard College 1988 Brandeis University 1986 Lyme Academy of Fine Arts 1985, 1986 Emerson College 1985 Harvard University 1984, 1985 Mount Holyoke College 1984 Syracuse University 1983 Colorado College 1977 Director; Artist in Residence 1974-1977 Arts College House, University of Pennsylvania Taught Drawing (figure & still-life) and Photography Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art SCHOOLS & PROGRAMS Instructor, Photography & Visual Arts 1974-1976 Adirondack Lakes Center for the Arts Chair, Performing Arts Department 1971-1974 Purnell School Instructor, Visual Arts Department 1970-1974 Purnell School [Taught (& developed syllabi for) 21 Studio arts courses] Juror, College Entrance Examination Board Area: Fine Arts 1972 AWARDS Selection Who's Who: in American Art; in the East; in the World Grants Krasner-Pollack Foundation Emergency Grant, 1999 Indochina Arts Project (Ford Foundation) 1994 Individual Artist Grant, South Carolina Arts Commission 1991 K. B. K. Foundation, 1991, 1994 High Meadow Foundation, 1990 Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977 Haas Memorial Fund Fellowship, 1976 GRANTS IN KIND Kodak, Rochester, NY Papeteries Canson & Montgolfier, Annonay, France; Royal Talens BV Oil Paints, Apeldoorn, Holland Takach Etching Press Corp., Albuquerque, NM South African Airlines; American Airlines Korean Airline; Trans World Airlines PUBLICATIONS Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999 Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992 Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990 David Godine, Publisher Boston, MA Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982 Award: Red Ribbon Category: The Arts American Film Festival, New York INTERVIEWS All Things Considered, National Public Radio Weekend Edition, Monitor Radio & Public Radio International CNN Headline News, Atlanta, GA International News Scene, Reuters Press International, New York/Hong Kong Terra Infirma, Corp. for Public Broadcasting BBC World, London Art Scene, S. Carolina Public Radio Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI WBZ-TV Boston, MA WCNY-TV Syracuse, NY WNPE-TV Watertown, NY WSBK-TV Boston, MA WERS-Radio Boston, MA RELATED EXPERIENCE Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975 Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973 Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971 Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973 School for International Training, Experiment in International Living, Putney, VT 1973 Graduate Credits Teaching Studio Art Institute, Colorado College, 1972 Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91 "How to create, fund and impliment a self-sufficient world-class sculpture collection" Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000 "Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994 "Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993 "Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992 "On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993 "Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991 Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ; Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet) 1967-1971 Album: "Another Summer...

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in a black and white palette by Post War artist Josef Albers. The artwork is from an edition...

Willibrord Haas Blue Dripping (Blaues Tropfen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1976 Size: 16.7×20 on 26.1×29.7in Edition: 50 Signed, number...

Artist: Gisela Beker, German/American (1932 - 2015) Title: Labyrinth Year: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 24 in. x 31 in. (6...

Raymond Parker (also known as Ray Parker) 1980s Art Dealers (Hand Signed by Raymond Parker), 1980 Rare Offset Lithograph Poster. Hand Signed in Pencil by Ray Parker Hand signed by Ray Parker on the front 25 × 38 inches Unframed This is a collectible hand signed vintage offset lithograph poster on blind stamped wove paper, published on the occasion of an exhibition of works by renowned Abstract Expressionist painter Ray Parker, hand signed as well as plate signed. This traveling exhibition was hosted by multiple galleries, all listed on the poster including Betty Cuningham, Susan Caldwell, The Grippi Gallery...

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman Chronology of Work Year: 1992 Medium: Screenprint, signed and numbered in pencil Image: 22 x 38 inches Size: 30 x ...

Mark Tobey (American, 1890-1976) Awakening Evening, 1974 Etching Edition in pencil lower left: 71/150 Signed Tobey (lower right) Published by Ateliers Rigal. Printed by Transwo...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 111, 1958. Published by Aim...

Diane Williams (American), "Afternoon Treasures" 21/150, Abstract Screen Print Serigraph, 26 x 32.50, Late 20th Century Colors: Blue, Green, Brown, Red, Black, Turquoise

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VI, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif Cover, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Image Size: 17 x 22 inches, Size: ...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif X, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...