Medium Abstract Prints

Lithograph, 2006 Handsigned by the artist in pencil and numbered 2/20 56.00 cm. x 77.00 cm. 22.05 in. x 30.31 in. (paper) 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (image) On B...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "Certificate of Authenticity" issued by the artist is included. Want it origina...

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe II, Plate VI Portfolio: Joan Miro Lithographe II Year: 1975 Edition: Unnumber...

Reclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman. Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913. In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States. In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show." The Cellist...

Allan D'Arcangelo Paris Review, 1964-5 Silkscreen 32 × 26 inches Signed and numbered from the limited Edition of 150 pencil signed, numbered and dated on the front Unframed Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...

Lithograph, 2006 Handsigned by the artist in pencil and numbered 2/20 56.00 cm. x 77.00 cm. 22.05 in. x 30.31 in. (paper) 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (image) On BFK...

Alain LE YAOUANC Flying Elements Original lithograph Handsigned in pencil On Arches vellum, 76 x 56 cm (c. 30.4 x 22,4 inch) Excellent condition

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

Artist: Stanley William Hayter (1901-1988 ) Title: Calculus Date: 1971 Medium: Etching and soft-ground etching Image Size: 23.5 x 19 inches Sheet size: 30 x 22 inches – BFK Rives paper Signature: signed, dated lower right Publisher: La Tortue Gallery, Santa Monica, CA Printer: Hector Saunier Catalogue Raisonne: B&M 353 Edition: 100 plus 5 artist’s proofs. This one: 57/100 This exceptional color viscosity etching is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. This is an absolutely beautiful print; it is an exceptional composition with rich, saturated colors. The print is titled “Calculus”. It was published in 1971, and is B&M 353 in the catalog raisonne. The print has full margins and is in very good condition, never framed. There is a bit of slight rippling on the upper and lower edges, barely visible. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

Ed Ruscha On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010 Letterpress on paper with die-cut photograph tipped in by hand to a blind debos...

Colors Vibration is an screen print realized by Umberto Maria Casotti in 1971. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of 27/80 prints The st...

Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Untitled VII Year: 1984/1990 Medium: Etching, signed in pencil Edition: P.P. Image Size: 23.5 x 17.75 inches Paper Size: 30.75 x ...

Bold collotype by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along the bottom edge ("AP Kimono 14 Patricia A Pearce"). No frame. Patricia Pearce (Ame...

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes Le Phenix MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISHER: Art et ...

Abstract Composition is an original Screen Print realized by Max Bill in 1970s. Good conditions. The artwork is depicted harmonious colors in a well-balanced composition.

Composition  is a lithograph and embossing artwork on paper realized by  Lucio del Pezzo. It belongs to the series "Decalogue". Edition of 39/75. The artwork represents a geometri...

serigraph with hand embellishments float mounted in custom shadow box frame

Ends and Bends by Michael Challenger, British (1939) Date: 1979 Screenprint, signed and numbered in pencil Size: 28 in. x 25 in. (71.12 cm x 63.5 cm)

Gilbert & George Gilbert and George Major Exhibition, Tate Modern (Hand Signed), 2007 Offset Lithograph Poster Hand signed by Gilbert & George on the front 30 x 20 inches Unframed E...

An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...

Artist: Pablo Picasso (1881-1973) Title: Le vert Galant Year: 1982 Medium: Lithograph on Arches paper Size: 21.5 x 26.5 inches Edition: 201/1000; 1000, plus proofs Condition: Good In...

Blue Square Tetsuo Araki, Japanese (1937–1984) Date: circa 1970 Etching with Aquatint, signed and numbered in pencil Edition of 69/120 Image Size: 19.5 x 15.5 inches Size: 30 x 22 in...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Nuances is a color etching and aquatint on paper, realized in 1980 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Doraz...

Green Composition is an original contemporary artwork realized by Mauro Reggiani in 1976. Mixed colored screen print. Hand signed on the lower right. Numbered on the lower left. E...

Melissa Meyer Love Me Tender, 2003 Color etching on wove paper Pencil signed and numbered from the edition of 30 on the front 27 inches × 25 inches Edit...

Sam Francis, American (1923 - 1994) - Galerie Pudeklo, Year: 1972, Medium: Poster, Size: 27.5 x 19.75 in. (69.85 x 50.17 cm)

Abstract landscape print of a country farm in earth tones of beige, orange, and brown 12 x 24 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton,...

Tobiolo - Abstract Composition is an original Contemporary artwork realized in 1995 by Toti Scialoja. Original lithograph. Hand-signed. Stamp of Rubin Art Roma. Numbered. Editio...

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100

Joe Goode Floating Cards, 1969 Lithograph on Arches paper with two deckled edges. Hand Signed. Dated. Annotated Hand signed, dated and annotated Artists Proof on the lower front 22 1/4 × 29 4/5 inches Published by Mourlot, Paris Provenance: Reese-Palley Gallery, Atlantic City, New Jersey Unframed Part of Joe Goode's five part 1960s series "Floating Cards". Rarely to market. The provenance of this print is from the Reese-Palley Gallery. The famous dealer and adventurer Reese Palley of Atlantic City New Jersey - was the second gallerist in the 1960s - after Paula Cooper - to set up shop in SOHO. Hand signed, dated, and annotated Artist's Proof aside from the regular edition. Pop art pioneer Joe Goode (born 1937) was born in Oklahoma City, Oklahoma, in 1937. In 1959 he moved to Los Angeles, California, where he attended the Chouinard Art Institute until 1961. First recognized for his Pop Art milk bottle paintings and cloud imagery, Goode's work was included along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Robert Dowd, Edward Ruscha, and Wayne Thiebaud, in the 1962 ground-breaking exhibit New Painting of Common Objects, curated by Walter Hopps...

Composition  is a lithograph and embossing artwork on paper realized by Lucio del Pezzo. It belongs to the series "Decalogue". Edition of 35/75. The artwork represents a geometric...

"Space And Space" - 1988 Offset Lithograph on Paper Offset lithograph titled "Space and Space" by Susumu Endo (Japanese, B- 1933). Two bottles are depicte...

Sonia DELAUNAY (after) Tribute to Sonia Delaunay, 1975 Stone lithograph (printed in Arts-Litho workshop) Printed signature in the plate On wove paper 65 x 50 cm (c. 26 x 20 inch) ...

This raucous scene by Latin American Surrealist Roberto Matta shows leaping nude figures flying through the air above what look like boulders. Their bodies are warped and stretched a...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Alexander Calder Stabiles Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer: Arte Paris Editor: Maeght 77 x 55 cm (c. 30.3 x 21.6 in) Excellen...

Artist: Gilou Brillant Title: Untitled 2 Year: 1974 Medium: Aquatint Etching, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Lithograph Handsigned by the artist in pencil and numbered 3/50 66.50 cm. x 52.00 cm. 26.18 in. x 20.47 in. (paper) 64.00 cm. x 50.00 cm. 25.2 in. x 19.69 in. (image) After the “Bl...

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Press Charges Artist: William Schwedler,...

This artwork titled "Abstract I" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 30/150 in pencil by the artist...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 15/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

Untitled is an artwork realized by the English artist Martin Bradley in 1971. Lithograph on paper, hand-signed and dated on the lower righ...

Mono prints with litho on Fabriano paper. Edition of 1

Composition  is a lithograph and embossing artwork on paper realized by  Lucio del Pezzo. It belongs to the series "Decalogue". Edition of 29/75. The artwork represents a geometri...

John Baldessari Flowers of Life for Central America/Flores de Vida por Centro America (Hand Signed), 1984 Rare Offset Lithograph (Hand signed by Baldessari) 24 3/5 × 18 inches Boldly signed in white sharpie by Baldessari lower front The separate regular, unsigned edition was only approx. 100, though the present work was, exceptionally, uniquely hand signed by the artist Extremely rare vintage political poster...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Linocut Year: 1974 Signed, numbered and dated by hand Edi...

Edition 14/90, signed on the lower right, dated on the lower center, numbered on the lower left. Provenance: Galleria La Salita, Roma.

Untitled is an artwork made by Fritz Wotruba, (1907-1975). Lithograph 65x50 cm Signed and numbered (copy 29/65) in pencil on the front. Blind stamp Kettere - Monaco Good cond...

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 60/150.

Joan Miro Escalade de la butte 1976 Original etching and aquatint in colors on BFK Rives paper Hand signed in pencil and numbered 35/50 from the edition of 50 Published by Atelier La...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Screen Print realized by Rafael Alberti as a creative reworking of his signature. Published in 1973. Not signed and not numbered.