Oversized Abstract Prints

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Charles Garabedian’s “Cultural Escape - Behavior” (1988) is a bold and expansive etching that captures the artist’s unique approach to exploring cultural themes through abstract and ...

Archival pigment ink print on canvas, edition of 15 - artwork can be shipped in a tube or framed in a crate

Museum quality fine-art print; limited edition (18 signed and numbered prints + two artist proofs) from a multi-award winning artist/designer. This image is from Marvin Berk’s “Expl...

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Titled lower left: "Neadson II"; signed and dated lower right: "John Thompson 2014". A fine impression in fine condition.

Archival print on canvas - artwork can be shipped in a tube or framed in a crate

Charles Garabedian’s “Cultural Escape - Inquisitions” (1988) is a vibrant and thought-provoking etching that encapsulates the artist’s exploration of history, culture, and the human ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Monotype 47 x 34 inches framed

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 51/68 in pencil. Printed by Heinrici Silkscreen, New York. Published by Brooke Alexander...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Museum quality fine-art print; limited edition (18 signed and numbered prints + two artist proofs) from a multi-award winning artist/designer. This image is from Marvin Berk...

Sarah Morris (American, born 1967) Taurus (Origami), 2009 Medium: 9-part leporello, digital pigment print on paper Dimensions: 32 x 225 cm (12½ x 88½ in) Edition of 75: Hand-signed a...

La Limite - 150 x 130 cm - oil on canvas - 2018

"Black Triangle" is an original black etching by Pop artist James Rosenquist. The artist signed the piece lower right, wrote the title and edition number (72/78) lower left, and "2nd State" lower center. This piece is part of Rosenquist's "Tripartite" series, where he divides the composition into three juxtaposed images. This piece features a rocking chair and rocking horse, an irregular circle with a flower within, and a folded American flag...

Print on plexiglass - artwork can be shipped in a crate

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Acrylic on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Archival ink print on canvas - artwork can be shipped in a tube or framed in a crate

Acrylic on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

The Three Graces Acrylic+Digital+Diasec Plexi Plexi Ed. 1/3 120 x 90 cm / 47 x 35 in

Glitch Tapestry 21, 2012 Jacquard woven tapestry made of dyed cotton thread. 60 x 80 inches The Digital Tapestry Project continues my exploration of notions of materiality, craft,...

PETER HALLEY (American, b. 1953) Cartoon Explosion, 1999 Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued) Dimensions: 49.21 x 12.60 in (125....

iPad drawing on German Etching Matt Fine art- paper of archival standard. This mould-made etching paper features a distinct textured surface. Printed from t...

iPad drawing on German Etching Matt Fine art- paper of archival standard. This mould-made etching paper features a distinct textured surface. Printed from t...

One, 2014 Unique Jacquard-Woven Tapestry 60 x 80 inches

Bill, Max. Dada in Zurich, 1980, Offset Max Bill, (born December 22, 1908, Winterthur, Switzerland—died December 9, 1994, Berlin, Germany), Swiss graphic artist, industrial designer...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

A very good impression of this large color lithograph on white Arches cover paper. Signed and numbered 16/100 in pencil, and titled in pencil within the image. Printed by Styria Stud...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...

A whimsical composition rendered in tones of pink, white and black - an excellent example of Scharf’s contemporary style, influenced by the street art of New York.

Original Vintage Poster. New Shell Lubricating Oils Motor Oils 1937 Color lithograph 1937, On Linen.33 1/2" x48." Image size: 29.25 x 44.50. Fine Condition. Edward McKnight Kauffer...

"Silent Reality Everywhere" Print 53" × 40" inch Ed. 1/10 by Kate Garner Signed and numbered by the artist. Not framed. Ships in a tube. Kate Garner is an English photographer, fine artist, and singer. Garner has photographed a wide range of musicians and celebrities, including Dr. Dre, Leigh Bowery, JT LeRoy, Angelina Jolie, Cate Blanchett, Anne Hathaway, David Bowie, Cameron Diaz, PJ Harvey, John Galliano, Björk, and Kate Moss. Her work has appeared in the American and British versions of Vogue and Harper’s Bazaar as well as W magazine, Interview, GQ, Vanity Fair, Elle, and The Sunday Times. Kate Garner was expelled from high school at the age of 16 and became a runaway who joined The Children Of God. To escape the grasp of the cult she hitchhiked from London through Eastern Europe to India in 1970, where she lived for a year as a traveler before being located by her parents. She attended art school at Blackpool in the North of England and later moved to London, where she began to both photograph and model for up-and-coming magazines such as The Face and i-D. Kate Garner first came widely into the public eye as one-third of the 1980s avant-garde, new wave pop project Haysi Fantayzee, along with other members Jeremy Healy and Paul Caplin. Emanating from street art scenes such as the Blitz Kids that were cropping up in London in the early 1980s, Haysi’s music combined reggae, country, and electro with political and sociological lyrics couched as nursery rhymes. Catapulted to stardom by their visual sensibilities, Haysi Fantayzee combined their extreme clothes sense – described as combining white Rasta, tribal chieftain, and Dickensian styles – with a quirky musical sound comparable to other new wave musical pop acts of the era, such as Bow Wow Wow...

A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Exposition Swatch , La Collection Blum 1994 Troxker's posters are represented in the most renowned design collections worldwide, including the Museum of Modern Art in New York City...

Charles Garabedian’s “Cultural Escape - Collective Logic” (1988) is an intriguing and vibrant etching that exemplifies the artist’s ability to blend abstract and figurative elements ...

Charles Garabedian’s “Cultural Escape - Thumps” (1988) is an evocative etching that continues the artist’s exploration of cultural and abstract themes through his signature use of vi...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 44 inches h x 60 inches w with an image size of 40...

Hindenlang, Charles [Karl]. Gewerbemuseum, Basel/Licht Reklame. 1928. Color lithograph. Printed by Wasserman, Basel. 35 1/5 x 50 1/4." Hiddenlang was known primarily as a muralist with interests in painting, glassware, ceramics, stage and graphic design. Born in Basel and educated at the city's Gewerbeschule. The Kunsthalle Basel dedicated to him in 1965 along with Dick and Karl Otto...

Ugo Rondinone's Targets are sprayed, blurry rings of color that, despite their apparent simplicity, pulsate, creating an illusion of depth. The illusory visual energy generates a psy...

Bloom Algorithm No. 1 from the Bloom Series by Norman Mooney Digital pigment print, mounted and framed Edition #6 of 25 Inspired by the work of the 19th century biologist Ernst Haec...

Louise Nevelson ( 1899 - 1988 ) - hand-signed Silk-screen on hand-made paper, 1975 Additional information: Material: Silk-screen on hand-made paper Edited in 1975 Limited edition in...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. The image is printed at full bleed to the edge of the paper. Bo...

This illusionistic work on canvas titled "Busta" is a collaboration between two artists, Joe Doyle and Diane Rosenblum. The surface of the canvas is completely flat but a remarkable ...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. The image is printed at full bleed to the edge of the paper. Bo...

Text by Sevan Injejikian Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative. Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking. "Reflections V" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of fluorescent turquoise and fuschia that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

TECHNICAL INFORMATION: Victor Vasarely Door 1982 Screenprint 43 x 23 1/2 in. Edition of 325 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Conditi...

Intersect # 201503 (Abstract photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...