1960s Abstract Prints

Sam Francis Untitled 1968 Lithograph, Edition of 3, experimental proof 66 x 47 cms (26 x 18 1/2 ins) SF15155

Applause is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in chi...

Jean Arp, French (1886 - 1966) - La Maitre-Cloueur, Portfolio: Vers Le Blanc Infini, Year: 1960, Medium: Etching on BFK Rives, Edition: 349/499, Image Size: 10.75 x 8.5 inches, ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Aquatint, 1962 Handsigned by the artist in pencil and numbered 74/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 342] 52.00 cm. x 80.50 cm. 20.47...

Lithograph, 1968 Edition : 30/125 Publisher : Éditions Paris Book Center (New York) Printer : Mourlot (Paris) Catalog : [Sorlier 128, p. 106] 65.00 cm. x 50.00 cm. 25.59 in. x 19.69...

Myril Adler Untitled c.1960s Collagraph ink on paper 10"x8.25" unframed Estate stamp on reverse Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and imm...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Free Arrangements of Equal Parts by Herbert Bayer, Austrian (1900–1985) Date: circa 1968 Screenprint, signed and numbered in pencil Edition of 12/75 Size: 29.75 x 29.5 in. (75.57 x 7...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, ...

"From Head to Toe" belongs to the late graphic series that represent the high point of his graphic work. He impressively demonstrates his talent in dealing with colour and impressive...

Lithograph on vélin paper. Paper Size: 12.4 x 28.95 inches, with bifold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, a...

Artist: Marc Chagall (Russian/French) (1887-1985) Title: Lovers with Bouquet, Front Cover of Chagall Lithographe vol 1 Date: 1960 Medium: Color Lithograph Sheet size: 12 7/8 x 10 ¾ i...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 11.75 x 15.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156,...

Bianchi e Neri II (Acetates) - Plate A  is a Contemporary artwork realized by Alberto Burri in 1969. Hand-signed  in pencil on the lower right margin Hand-numbered in pencil on low...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIIe Année, N° 14, Jui...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141, 1963. Published by Aimé Mae...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 17.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

Russell’s Way by Al Held, American (1928–2005) Date: 1969 Aquatint on Somerset paper, signed, dated, and numbered in pencil verso Edition of 37/50 Image Size: 35.5 x 44.5 inches Size...

A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...

Andre Masson, French (1896 - 1987) - Galerie Louis Leiris (Peintures), Year: 1962, Medium: Lithograph Poster, Image Size: 21.5 x 18 inches, Size: 24.5 x 19.5 in. (62.23 x 49....

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 6.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018...

Andre Masson, French (1896 - 1987) - Dame au Jules, Year: 1968, Medium: Etching on Japon, signed and numbered in pencil, Edition: 6/50, Image Size: 10.5 x 8.25 inches, Size: 15 ...

Pierre Soulages (1919-2022) Walnut Stain (Antagonisms), 1960 Lithograph (Mourlot workshop) Stone-set by Charles Sorlier under Soulages' supervision Signed in pencil Numbered / 150 c...

Andre Masson, French (1896 - 1987) - Galerie Louis Leiris (Gravures), Year: 1968, Medium: Lithograph Poster, Image Size: 25 x 18 inches, Size: 26 x 19 in. (66.04 x 48.26 cm), P...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

A lithograph poster by Alexander Calder for the Los Angeles County Museum of Art (LACMA), created in 1965. The dynamic composition is signed and dated in the plate. Exhibition Poste...

Myril Adler "Duo" c.1960s Collagraph ink on paper 2."x2.5" unframed Signed and titled in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and im...

People is an original artwork realized by Alexander Calder in 1966. Original mix colored lithograph on double page. The artwork was the cover design for the art review "Derriere Le...

Rufino Tamayo, Mexican (1899 - 1991) - Capitulo XXI, Portfolio: Apocalypse de Saint Jean, Year: 1959, Medium: Lithograph on BFK Rives, Edition: 93/255, Size: 13 x 10 in. (33.02 x 25....

R.B. Kitaj POGANY, 1966 17 colour Screenprint and Photo-screenprint 24 × 36 inches Pencil signed and numbered from the Limited Edition of 70 Hand-signed by artist, Signed & numbered ...

Lithograph, 1969 Handsigned by the artist in pencil and Annotated "Epreuve artiste" Artist proof Edition : 75 ex. 59.00 cm. x 71.50 cm. 23.23 in. x 28.15 in. (paper) 50.00 cm. x ...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 11.75 x 15.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 13 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018)...

Benita Sanders, Canadian (1930 - ) - Biomorphic Shapes, Year: circa 1969, Medium: Embossed Etching and Aquatint on Arches, signed, titled and number...

Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127, 1961. Published by Aimé Mae...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 179, 1969. Published by Aim...

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Silkscreen on Paper, signed and numbered in pencil Edition: 31/50 Paper Size: ...

Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in black ink, numbered from the edition of 75 (the total edition included 15 impressions numbe...

Ian Tyson Study for Sculpture, 1966 Artist Proof, from an edition of 12 + 3 AP hand-signed, numbered and titled by the artist in pencil, on the front Ian Tyson (1933–2021) was a Bri...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif XII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Prudhomme-Estève, Monique, et al. Maurice E...

Cosmic Garden is an original black and white etching realized by Raffaele Castello in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/1...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 173, 1968. Published by Aimé Mae...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Lithograph on vélin paper. Paper Size: 11 x 15 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 173, 1968. Published by Aimé Mae...

Boris Margo is one of the artists whose work is instantly identified with 'Mid-century American Modernism.' Usually abstract with a spiky surrealist edge, it speaks to extensive inno...

Arthur-Luiz Piza, Brazilian (1928 - 2017) - Etoiles, Year: 1965, Medium: Etching on Arches, signed and numbered in pencil, Edition: 12/60, Image Size: 17 x 12 inches, Size: 26 x...

Horse and Rider is an original etching contemporary artwork realized by Marino Marini in 1963. Good conditions. Edition of 100 copies. Not signed, as issued. The artwork is depict...