Abstract Abstract Prints

Anne Youkeles' work blurs the line between painting and sculpture. Her works on paper, like "Mon Plaisir" (My Pleasure), are made with several folded pieces of paper, cut, colored, a...

Luis Feito (Spain, 1929-2021) 'Guadarrama VI', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-064 Hand-signed by author

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Mark Tobey, American (1890 - 1976) - Sonata, Year: 1975, Medium: Screenprint on Richard Des Bas, signed and numbered in pencil, Edition: 100, Image Size: 16 x 19.5 inches, Size: 21...

A cosmic abstract lithograph by Mexican artist, Leonardo Nierman. The print is hand-signed and numbered in pencil. Nicely framed. Abstraction 1 Leonardo Nierman, Mexican (1932) Lit...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Engraving, 1989 Handsigned by the artist in pencil and numbered II/XXVI Printer : Atelier pasnic (Paris) 75.00 cm. x 56.00 cm. 29.53 in. x 22.05 in. (paper) Moulin Laroque paper Ce...

21S1G-2021 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 19. Image size: 39.5 x 54.5 / 15.5 x 21.5 in Paper size: 50 x 65 cm / 19.7 x 25.6 in Clément's work...

Ibram Lassaw Continuity #1 1971 Screenprint Visible: 19.5 x 25.5 inches Framed: 27 x 32.5 x 1 inches Edition: 100 Signed, titled, dated and numbered in pencil along lower edge COA pr...

Photography, printed as fine art print, limited edition of 15, signed by the author.

Myril Adler Figurative in Red and Yellow c.1960s Collagraph ink on paper 1.5"x2.5" unframed Estate stamp Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus)...

Multilayer 301 unique abstract photo paper collage (1 of 1), signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, Germa...

Vintage Exhibition Poster is a vintage Offset print realized for the exhibition of Jean Fautrier in 2006. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris...

Antoni Tapies (Spain, 1923-2012) 'Scotch', 1974 lithograph on paper 35.5 x 24.9 in. (90 x 63 cm.) Edition of 120 Unframed ID: TAP1162-032 Hand-signed by author Cat. Galfetti, nº 393 ...

Daniel Buren Blue, from 1000 Placements, 1977 Rubber stamp print on Bristol paper Limited Edition of 250 This work - Blue, from 1,000 Placements, is one of four color schemes, each p...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 50. The paper size is 37 inches h x 35 inches w and an image size of...

linocut printed in 25 colors on Hahnemuhle paper For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...

This work is immediately recognizable as the work of Haku Maki (1924-2000). It is one of his well-known abstract compositions. The print is in very good condition, with no flaws noted on the surface. There is some very, very light toning in the margins, barely visible only under bright light. Maki Haku (巻白, 1924–2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He was a sōsaku-hanga artist in 20th Century Japan. During World War II, Maejima Tadaaki was trained as a kamikaze pilot in the Japanese air force, but the war ended before he was assigned a mission. Haku had no formal art training, but studied for two years with the sōsaku-hanga artist Onchi Kōshirō...

Damien Hirst (British, b. 1965) H9-7 Loyalty, 2021 Medium: Diasec-mounted Giclée print on aluminium composite panel Dimensions: 120 x 96 cm Edition of 1067: Hand-signed and numbered ...

Amas is an artwork realized by Jean Dubuffet (Le Havre 1888 - 1985 Paris), 1959. Sheet 17 for the portfolio Eaux, Pierres, Sable. Lithograph. Artist Proof. Signed, dated and tit...

Alexander Calder Sun-Moon-Universe: Rare vintage mid century French poster, 1956 Offset lithograph Plate signed (printed signature) 20 × 17 1/2 inches Unframed Rare Mid Century mode...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

Artist: Josef Albers Title: Portfolio 1, Folder 9, Image 1 from Portfolio: Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 1...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Artist: Eric Newton, British (1893 - 1965) Title: Untitled - Abstract with Red and Yellow Year: circa 1955 Medium: Linocut Print, signed and numbered in pencil Edition: EA Image Size...

Lithograph, 1975 Handsigned by the artist in pencil Signed on the plate Edition : 220 ex. Publisher : Philips Data Systems 39.00 cm. x 48.00 cm. 15.35 in. x 18.9 in. (paper) 32.50 ...

Signed, lower right, 'Estève' for Maurice Estève (French, 1904-2001) and inscribed, lower left 'E d'A' for Epreuve d'Artiste. Provenance: Collection of Ann and Norman Bikales, Pebble Beach, California. Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. In 1913, he joined them in Paris, where he discovered the Louvre Museum and was particularly impressed by Uccello's Battle of San Romano...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

abstract photography, signed by the author, limited 3.

JOHN CHAMBERLAIN Leo Castelli Invitation, 1976 Offset Lithograph invitation 21 1/2 × 16 inches Unframed This rare vintage offset lithograph invitat...

Sam Francis, American (1923 - 1994) - The Museum of Contemporary Art, Year: circa 1985, Medium: Poster, Size: 26.5 x 35 in. (67.31 x 88.9 cm), Printer: The Litho Shop, Inc., Sa...

Farandole is a contemporary artwork realized by Hans Hartung in 1970 Lithograph  Hand signed and numbered in pencil, 1970. Edition 39/75, From Suite ", table III, Ediciones Polig...

The Origin Blue is an artwork realized by Karolina Szewczyk the 2020s. Etching, Aquatint. Hand-signed. Numbered. Edition 3/10.

Abstract figurative lithograph with a lively jumble of abstracted animal and figurative forms by Michael William Eggleston (American, 20th Century). Titled (illegible), numbered ("5/...

Wood engraving, 1965 Handsigned by the artist in pencil and numbered 187/300 Publisher : Geigy A.G., Bâle, Suisse Catalog : [Arntz 245] 58.50 cm. x 39.50 cm. 23.03 in. x 15.55 in. (...

Luis FEITO (1929-) Balance Original etching and aquatint Handsigned in pencil Numbered / 75 On BFK Rives vellum 91.5 x 62.5 cm (c. 36.5 x 25 inch) Very good condition, light defect...

Christmas Card '65 is an artwork realized by Umberto Maria Casotti in 1965. Watercolor Drawing with and hand-written inscription. Penmarks and pen on paper.  Mint conditions.  Ch...

PABLO RUIZ PICASSO Untitled, from ‘Suite 156’. 1972 Signed and dated on plate. 37/50 Numbered in pencil. 41 x 47,5 cm.

Eric Orr, (American 1939-1998) In Barcelona, 1989, Color lithograph, hand signed in pencil and numbered from edition of 75 sheet 30 x 22", Published by Poligrafia Eric Orr (1939–1...

Rafael Canogar (Spain, 1935) 'Carácter', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: CAN1205-010-001_1 Hand-signed by author

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

JOAN MIRO (1893 – 1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro Lithograph in colors on Arches paper c. 1975 Signed in pencil by artist, lower margin Impression...

Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...

A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Lithograph, 1970 Handsigned by the artist in pencil and numbered 42/50 Publisher : Galerie Alexandre Iolas Printer : Clot, Bramsen et Georges (Paris) Catalog : [Ulm 17, p. 80] 88.50 ...

Myril Adler Untitled c.1960s Collagraph ink on paper 10"x8.25" unframed Estate stamp on reverse Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and imm...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Wedding Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 13 x 35 inches Size: 18 ...

Unknown Artist - Abstracted Screen, Medium: Lithograph, Image Size: 12 x 12.5 inches, Size: 15 x 16 in. (38.1 x 40.64 cm), Description: Signed "Kathy Salleut" in pencil lower right

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income fr...

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...

Figure and Creek Please note that insitu images are purely an indication of how a piece may look Figure and Creek is a unique contemporary print by Graham Fransella. The warm orange...

David Roth (b. 1942) Untitled 1, 1979 Silkscreen in colors on wove paper Edition 11/150 Each signed, numbered, and dated in pencil along lower edge Image 22 3/4in H x 22 3/4 in L In...

JOHN CHAMBERLAIN Untitled, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 9 1⁄4” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s, but it wa...

This work is framed. Dimensions: 27 x 27 inches. Rachelle Krieger received a BFA from Pratt Institute in 1989. She also studied at the New York Studio School and the Art Students League in New York City. Krieger’s work has recently been featured in The Heckscher Museum of Art’s inaugural Biennial as well as in exhibitions at Mark Humphrey...

Zao Wou-Ki Composition Original lithograph, 1971 Size 31 x 24 cm (c. 12,2 x 9,5 in) Edited by XX Siecle, San Lazarro REFERENCES : Catalog raisonne Agerup #211 Very good condition

Vintage Exhibition Poster is a vintage Offset print realized for the exhibition of Jean Fautrier held in 2006. Good condition, no signature. The exhibition was held in Galerie Di M...