Modern Abstract Prints

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

David Morris Four Colours Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or matted. Reference: Delaunay, Sonia. Sonia Delaunay Patterns and Designs in Full Color. Dover Publications, Inc., 1989, page 1. Callu, Florence, et al. Sonia et Robert Delaunay: BibliothèQue Nationale, [Paris, 15 déCembre 1977-29 Janvier 1978]. Bibliothèque nationale, 1977, illustration number 456. Notes: From the folio, Compositions, couleurs, idées: Sonia Delaunay, 1930. Compositions conceived and created 1926-28 and issued as an album of separate loose sheets. Published and printed by Éditions d'Art, Charles Moreau, Éditeur, Paris, 1930. Excerpted from the volume, Sonia Delaunay Patterns and Designs in Full Color, Sonia Delaunay: Ses Peintures, Ses Objets, Ses Tissus Simultanés, Ses Modes (pp. 1-20), was published by Librairie des Arts Décoratifs, Paris [1925]). In addition to the plates by Delaunay, it contained poems by Joseph Delteil, Blaise Cendrars, Tristan Tzara and Philippe Soupault. In a preface, the painter and writer Andre Lhote makes the point that, with a few exceptions, the designs use no florals or other identifiable motif, the representation of nature being replaced by an interplay of abstract elements in a pure state, Forms are organized according to an casily perceived thythm. (The Delaunays frequently thought of their art in musical terms.) In this treatment, according to Lhote, everyday objects offer the artist the greatest challenge. In fact, Sonia Delaunay devoted her talents to all sorts of designs, from furniture and pottery to bookbindings and clothing. Her fashions were much in demand, not so much for originality of silhouette or construction as for inventive-ness of patterning and use of fabric. Lhote says of these designs: "In an epoch when fashion sometimes so indiscrectly unveils the form, it is necessary that the bit of fabric used to cover it be decorated in the most abstract manner, so that the eye is for an instant attracted by the figures different from those born in intimacy." (Translation by H. C. Perleberg:) Compositions, Couleurs, Idées (pp. 21-60) was published by Editions d'Art Charles Moreau, Paris [1930]. The plates reveal Sonia Delaunay's further explorations with abstraction, playing color against color and form against form. SONIA DELAUNAY (1885-1979) was a French artist born to Jewish parents, who spent most of her working life in Paris. She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Monster is a beautiful original lithography artwork realized by an Anonymous Artist of the XX century. In good conditions. The artwork represents a monster-like creature with many...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

David Morris Breezin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 154, 1965. Published by Aim...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Graham Sutherland
 Apollinaire, Le Bestiaire, 1979 Etching and aquatint Numbered 56/75
 Signature in pencil lower right 
 Image Size: 11 x 8 cm Sheet Size: 30 x 21 cm
 Edition of 75...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacre aux Papiers Colles de Georges Braqu...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe IV Catalogue Raisonne. Nicely framed. Lithographs II ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

This artwork titled "Illegal Graffiti #3" 1998is a original color screen print on wove paper by American artist Betty Rees Heredia A.K.A Betty Snyde...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 94-95, 1957. Published by Aimé Maeght, Éditeur, Paris; ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Composition is an original black and white lithograph by the German artist Fritz Baumgartner. In good conditions except for diffused foldings and stains. The artwork represents an abstract composition through strong and confident strokes in a well-balanced composition with perfect hatching. Discover the last generation of talented engravers! Fritz Baumgartner (Aurolzmümnster 1929 / Austria - Munich 2006). Austrian painter and graphic artist, naturalized German, Fritz Baumgartner, is an incredible interpreter of neo cubism...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré a George...

Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

These wonderful lithographs from the imagination of the Glasgow artist Robert Colquhoun are full of colour and dynamism. Robert Colquhoun (1914-1962) Poems of Sleep and dream Three ...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 250, 1982. Publish...

Peasant, fine art print, limited edition 10, signed by the author.

Abstract Urban Landscape  is an original print, realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition...

Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...

Artist: Pierre Marie Brisson (French, born 1955) Title: Trois Rythmes Egyptiens III Year: 1985 Medium: Carborundum color etching with embossing and hand embellishment. Edition: Numbe...

Panel with similar color palettes by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. There two other colors: Red a...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

Abstract Urban Landscape is a print realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition, ex. 15/10...

A very good impression of this large color lithograph on Arches. Signed and numbered 94/100 in pencil by Calder. Printed and published by Mourlot, Paris.

This artwork "Untitled #5" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist. The artwork...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

This colorful modern lithographic poster by Wassily Kandinsky was printed in 1972 at the Atelier Mourlot in Paris to promote an exhibition of his watercolors and drawings at the Gale...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Edith Schiele mit Hund Lord", an original artwork realized by Egon Schiele in 1917. The portfolio, that includ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 247, 1981. Published by Aimé Maeght, Éditeur, Paris; pr...

Memory of the Songs is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimen...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...

Menashe Kadishman Clothes 2, 1973 Silkscreen on wove paper Signed and numbered 31/70 on the front 23 1/4 × 32 1/2 inches Edition 31/70 Chris Prater of Kelpra Studio, Kentish Town, En...

Marc Chagall (French/Russian, 1887-1985), "Nude Floating in Vase", Lithograph in Colors on Paper, numbered edition "380/400" lower left, signed in plate lower right, lacquered wood ...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., New York; rendered and printed by Albert Carman, City Island...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 116, 1959. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 179, 1969. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, N° 1, 1938. Published and printed under the direction ...

Oskar Kokoschka, Austrian (1886 - 1980) - Musizierender Faun, Year: 1976, Medium: Lithograph on laid paper, signed and numbered in pencil, Edition: 100, Image Size: 10.25 x 8 inche...

Printing on metal foil Title "Silver Profile"

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 247, 1981. Published by Aimé Maeght, Éditeur, Paris; pr...

Ossip Zadkine Galerie Im Erker Exhibition (Hand Signed), 1961 Off-set Lithograph Poster (Signed by Zadkine) Signed in ink on lower right front 33 1/2 × 21 1/2 inches Unframed Provena...