Impressionist Figurative Prints
IMPRESSIONIST STYLE
Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.
The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.
Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.
Find a collection of authentic Impressionist art on 1stDibs.
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Style: Impressionist
Lonely dreamers .1992. Paper, etching, watercolor, 22x14 cm
Located in Riga, LV
Lonely dreamers
1992. Paper, etching, watercolor, 22x14 cm.
Roman Lapp (1961. 24. VII Moscow) – painter
Artist learned drawing to M. Zuhovickis.
He graduated Art Academy of Latvia,...
Category
1990s Impressionist Figurative Prints
Materials
Paper, Watercolor, Etching
Andre Minaux "Tete de Femme" Original Lithograph c.1960s
By Andre Minaux
Located in San Francisco, CA
Andre Minaux "Tete de Femme" Original Lithograph c.1960s
From a limited edition of only 90. This lithograph is pencil signed and numbered by the artist.
Dimensions 22" x 29 1/2". T...
Category
Mid-20th Century Impressionist Figurative Prints
Materials
Lithograph
Rare 1922 German Jewish Judaica Zion Woodcut Woodblock Print Hermann Fechenbach
By Hermann Israel Fechenbach
Located in Surfside, FL
Title: Zion
Subject: Various biblical images depicting Creation and prayer
1922
Medium: woodcut
Frame: 14" x 18"
Image: 12.5" x 16.75"
Provenance: owned and signed verso by Peter Keil.
Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis.
Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community.
He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg.
As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period.
His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition.
In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure.
In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students.
In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival.
Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable.
Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available).
In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius.
They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed.
In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period.
In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success.
In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany.
In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art.
Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...
Category
1980s Impressionist Figurative Prints
Materials
Woodcut
New York : Break in Central Park - Original handsigned lithograph
Located in Paris, IDF
Harold ALTMAN
New York : Break in Central Park
MEDIUM : Stone lithograph
SIGNATURE : Handsigned
LIMITED : Artist Proof
PAPER : Arches vellum
SIZE : 56 x 76 cm (c. 22 x 30 in)
INFORMATION : Bears the blind stamp of the printer "Atelier Desjobert...
Category
Late 20th Century Impressionist Figurative Prints
Materials
Lithograph
Paysage de Normandie
Located in San Francisco, CA
This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece.
About the artist:
Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...
Category
Early 20th Century Impressionist Figurative Prints
Materials
Aquatint
Women Mingling, Impressionist Etching by Raoul Dufy
By Raoul Dufy
Located in Long Island City, NY
Raoul Dufy, French (1877 - 1953) - Women Mingling, Year: c 1920, Medium: Etching, signed and titled in pen, Image Size: 10 x 8.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Descri...
Category
1920s Impressionist Figurative Prints
Materials
Etching
Chartreux Jouant du Violo - Etching by Edouard Moyse - Late 19th Century
Located in Roma, IT
Chartreux Jouant du Violoncelle is a black and White etching realized by Edouard Moyse in the Late 19th Century.
Titled in the lower
Image Size: 32x23
Very good impression.
Real...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Vue de La Tamise - Etching by Francis Seymour Haden - Late 19th Century
Located in Roma, IT
Vue de La Tamise is a black and White etching realized by Francis Seymour Haden in the Late 19th Century.
Titled in the lower
Image Size: 12x28
Very good impression.
Realized by...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
"Eternal Problem" - 1924 Etching on Paper
Located in Soquel, CA
"Eternal Problem" - 1924 Etching on Paper
Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...
Category
1920s Impressionist Figurative Prints
Materials
Paper, Ink, Etching
Olga Picasso Portrait after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Olga Picasso". The original painting was completed in 1922. In t...
Category
1980s Impressionist Figurative Prints
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Original "The American Red Cross is spending Ten Million" vintage poster
Located in Spokane, WA
Original American Red Cross vintage poster. Linen backed and ready to frame.
The Red Cross nurse warming thousands, feeding thousands, hea...
Category
1910s Impressionist Figurative Prints
Materials
Lithograph
Le Déshabille, Impressionist Etching with Aquatint by Manuel Robbe, circa 1907
By Manuel Robbe
Located in Long Island City, NY
This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...
Category
Early 1900s Impressionist Figurative Prints
Materials
Etching, Aquatint
Lake at Carcaron II
Located in San Francisco, CA
This artwork titled "Lake at Carcaron II" c.1990 in an original color etching with aquatint by British artist Frances St. Clair Miller, b.1947. It is hand signed, titled and numbered...
Category
Late 20th Century Impressionist Figurative Prints
Materials
Aquatint
Passage de la Ternoise - Etching by Théophile-Narcisse Chauvel-Late 19th Century
Located in Roma, IT
Passage de la Ternoise is a black and White etching realized by Théophile-Narcisse Chauvel in the Late 19th Century.
Titled in the lower
Image Size: 23x32
Very good impression.
...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Elegant original French Line vintage cruise line travel poster
Located in Spokane, WA
Original vintage poster: FRENCH LINE cruise line.
Archival linen-backed original travel by cruise line vintage poster.
"Greet Europe Relaxed & Refreshed by France- Afloat." Frenc...
Category
1950s Impressionist Figurative Prints
Materials
Offset
Menhirs de Meneck - Etching by Armand Queyroy - Late 19th Century
Located in Roma, IT
Menhirs de Meneck is a black and White etching realized by A. Queyroy in the Late 19th Century.
Titled in the lower
Image Size: 31x22
Very good impression.
Realized by Cadart fo...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Badajoz Fiestas de SAn Juan 1954 original vintage Spanish travel poster
Located in Spokane, WA
Original vintage Badajoz Fiesta de San Juan linen backed poster. Very good condition, ready to frame.
Printed: Lit. Ortega, Valencia. Archival linen backed. No tears, no stain...
Category
1950s Impressionist Figurative Prints
Materials
Lithograph
CHANGING FLIES
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
CHANGING FLIES c. 1930
Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...
Category
1930s Impressionist Figurative Prints
Materials
Etching
Rue des Marmousets - Etching by Jules Herau - Late 19th Century
Located in Roma, IT
Rue des Marmousets is a black and White etching realized by Jules Herau in the Late 19th Century.
Titled in the lower.
Image Size: 20x26.
Very good impression.
Realized by Cadar...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Original "This Way Out!" Mather & Company work incentive vintage 1923 poster
Located in Spokane, WA
Original vintage poster: Very rare original 1923 vintage archival linen backed poster: This Way Out! Pick your Exit - Now. Which way out will you take should a fire occur here today? Don't wait for the emergency and then start to run. Decide how and where to get out now. The poster is in B condition and has had restoration on the lower left border. Wear consistant with its age in the lower left as well. See images for more detail.. Original work motivaton or incentive poster. Mather Work...
Category
1920s Impressionist Figurative Prints
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
La Mare Aux Grenouille - Etching by J. Desbrosses - Late 19th Century
Located in Roma, IT
La Mare Aux Grenouilles is a black and White etching realized by J. Desbrosses in the Late 19th Century.
Titled in the lower
Image Size: 16x25
Very good impression.
Realized by ...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Environs - Etching by Balthasar Jean Baron - 1860s
Located in Roma, IT
Environs is a black and White etching realized by Balthasar Jean Baron in the 1860s.
Titled in the lower.
Image size: 32x15.
Very good impression with w...
Category
1860s Impressionist Figurative Prints
Materials
Etching
"Family Reunion" Large original color serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....
Category
Late 20th Century Impressionist Figurative Prints
Materials
Screen
Les Taupes - Etching by Félix Bracquemond - 1860s
Located in Roma, IT
Les Taupes is a black and White etching realized by Félix Bracquemond in the 1860s.
Titled in the lower.
Image size: 27x19.
Very good impression with wide margins and a very fres...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Vanneux et Sarcelles - Etching by Félix Bracquemond - Late 19th Century
Located in Roma, IT
Vanneux et Sarcelles is a black and White etching realized by Félix Bracquemond in the Late 19th Century.
Titled in the lower
Image Size: 35x24
Very good impression.
Realized ...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Pour les Pauvres - Etching by Ludovic-Napoléon Lepic - Late 19th Century
Located in Roma, IT
Pour les Pauvres is a black and White etching realized in the Late 19th Century.
Titled in the lower
Image Size: 35x26
Very good impression.
Realized by Cadart for the "Société ...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Knaresborough
Located in Storrs, CT
Knaresborough (after a watercolor by Peter De Wint, 1784-1849). c. 1904. Mezzotint. Hardie catalog 80 state ii. 7 7/16 x 11 3/8 (sheet 13 3/8 x 18). A very rich impression, printed o...
Category
Early 1900s Impressionist Figurative Prints
Materials
Mezzotint
Etang de la Canau - Etching by Leo Drouyn - Late 19th Century
Located in Roma, IT
Etang de la Canau is a black and White etching realized by Leo Drouyn in the Late 19th Century.
Titled in the lower
Image Size: 24x32
Very good impression.
Realized by Cadart fo...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Un Jour de Recompense - Etching by François Chifflart - 1860s
Located in Roma, IT
Un Jour de Recompense is a black and White etching realized by François Chifflart in the 1860s.
Titled in the lower.
Image size: 24x32.
Very good impression with wide margins and...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Une A Sienne - Etching by Leconte de Roujou - Late 19th Century
Located in Roma, IT
Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.
Titled in the lower
Image Size: 32x26
Very good impression.
Realized by Cadart ...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Le General Grant - Etching by Louis-Sébastien Mercier - 1860s
Located in Roma, IT
Le General Grant is a black and White etching realized by Louis-Sébastien Mercier in the 1860s.
Titled in the lower.
Image size: 32x24.
Very good impression with wide margins and...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Courtesans at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper
By Utagawa Yoshiiku
Located in Soquel, CA
Courtesan at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper
Full color woodcut print of two women in elaborate gowns by Utagawa Yoshiiku (Ochiai Yoshiiku) (Japanese, 1833-1904). Two women are dressed in colorful robes with crossed arms. They are underneath a plum blossom tree in bloom, at night. In the background there is a building with many rooms. Valuable polychrome woodblock print of vertical large oban (大判) format made by Utagawa Yoshiiku (歌川芳幾), the famous artist also known as Ochiai Yoshiiku (落合芳幾), and depicting the courtesan Shizuka (しづか), of the house of pleasure Matsumotoro (松本楼), together with her young kamuro (禿) assistant. The couple is escorted by a kanabohiki (金棒引き) watchman holding a lantern and a metal rod with rings to make noise and alert the crowd.
The work, produced in August 1869 by the publisher Tsunajima Kamekichi (綱島亀吉), is taken from the “Twelve Months of Yoshiwara” (よし原十二ヶ月のうち), an elegant series of prints dedicated to the famous red light district of Edo (江戸), and is paired with the “month of leaves” Hazuki (葉月), that is August.
Ochiai Yoshiiku (Japanese, 1833-1904) was an ukiyo-e artist from the end of the Edo Period to the Meiji Period. He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsukioka Yoshitoshi collaborated together, and “Shimbun (newspaper) Nishiki-e” that illustrated Meiji news articles with ukiyo-e.
Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master.
Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...
Category
1860s Impressionist Figurative Prints
Materials
Paper, Ink, Woodcut
"What Will Your Answer Be" What did YOU do to help. original vintage poster
Located in Spokane, WA
Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW.
Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...
Category
1910s Impressionist Figurative Prints
Materials
Lithograph
La Priere - Etching by Théodule Ribot - 1860s
Located in Roma, IT
La Priere is a black and White etching realized by Théodule Ribot in the 1860s.
Titled in the lower
Image Size: 23x31
Very good impression.
Realized by Cadart for the "Société d...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Un Chevalier Louis XIII - Etching by Frédérique Émilie Auguste-Late 19th Century
Located in Roma, IT
Un Chevalier Louis XIII is a black and White etching realized in the Late 19th Century.
Titled in the lower
Image Size: 29x19
Very good impression.
Realized by Cadart for the "S...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age.
About the artist:
Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin.
At the age of 11 he became a water boy...
Category
Early 20th Century Impressionist Figurative Prints
Materials
Etching
Venus
Located in New York, NY
A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
Category
1850s Impressionist Figurative Prints
Materials
Drypoint, Etching
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Unknown (Esther Gentle Reproduction)
Located in Kansas City, MO
Abraham Rattner (after)
Title: Unknown
Year: Unknown
Lithograph
Size: 26.25x20 inches
Esther Gentle, Reproduction, 1952
Signed in the stone
Annotated verso
COA provided
Ref.: 924802-...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Adoration de la Croix le Vendredi - Etching by Henri Guérard - 1860s
Located in Roma, IT
Adoration de la Croix le Vendredi Saint en Italie is a black and White etching realized by Henri Guérard in the 1860s.
Titled in the lower.
Image size: 32x24.
Very good impressio...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Une Barque a Maree Basse - Etching by Adolphe Hervier - Late 19th Century
Located in Roma, IT
Une Barque a Maree Basse is a black and White etching realized by Adolphe Hervier in the Late 19th Century.
Titled in the lower
Image Size: 24x32
Very good impression.
Realized ...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Souvenirs de Voyage - Etching by Jules-Fernand Jacquemart - 1862
Located in Roma, IT
Souvenirs de Voyage is a black and White etching realized by Jules-Fernand Jacquemart in 1862.
Titled in the lower
Image Size: 24x34
Very good impression.
Realized by Cadart for...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Le Forgeron - Etching by Georges Gassies - Late 19th Century
Located in Roma, IT
Le Forgeron is a black and White etching realized by Georges Gassies in the Late 19th Century.
Titled in the lower
Image Size: 32x24
Very good impress...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
Une Bergerie - Etching by Albert Brendel - 1862
Located in Roma, IT
Une Bergerie is a black and White etching realized by Albert Brendel in 1862.
Titled in the lower
Image Size: 23x32
Very good impression.
Realized by Cadart for the "Société des...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Fantaisies - Etching by A. Constantin - Late 19th Century
Located in Roma, IT
Fantaisies is a black and White etching realized by A. Constantin in the Late 19th Century.
Titled in the lower
Image Size: 24x31
Very good impression.
Realized by Cadart for th...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Etching
The Old House
Located in San Francisco, CA
This artwork titled "The Old House" c.1980 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by th...
Category
Late 20th Century Impressionist Figurative Prints
Materials
Etching
Portrait of the Print Connoisseur Johan Philip van der Kellen Netherlands
Located in Soquel, CA
Jan Pieter Veth (1864 - 1925) was a Dutch portrait painter and academic. During the first two decades of the twentieth century, Veth was one of the most popular portrait painters in...
Category
1860s Impressionist Figurative Prints
Materials
Laid Paper, Engraving
Paris, Le Pont Neuf
Located in San Francisco, CA
This artwork titled "Paris, Le Pont Neuf" c.1990 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is signed with initia...
Category
Late 20th Century Impressionist Figurative Prints
Materials
Etching
Red Cross Annual Roll Call original vintage poster
Located in Spokane, WA
Original Annual Roll Call vintage poster. Archival linen backed. Original fold marks touched up during linen backing.
With the red cross ship sailing on the horizon in this image; the two lost survivors floating on wooden planks out at sea can now be rescued. Saved by the Red Cross. Possibly a different outlook during wartime on the "Loose Lips Sink Ships" Very little information is documented about this artist, E. Seaver.
Linen-backed, post-World War 1 Red Cross poster...
Category
1920s Impressionist Figurative Prints
Materials
Lithograph
"Study 6" - 1975 Figurative Lithograph on Paper
By Jim Smyth
Located in Soquel, CA
"Study 6" - 1975 Figurative Lithograph on Paper
Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down.
Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75."
Presented in a brown mat.
Mat: 16"H x 12"W
Paper: 10 1/2"H x 8"W
Image:9 1/4"H x 6 1/2"W
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...
Category
1970s Impressionist Figurative Prints
Materials
Paper, Ink, Etching, Lithograph
"City Market" Juarez, Mexico El Paso Texas Artist extrememly detailed etching
By Lewis Teel Jr.
Located in San Antonio, TX
Lewis Teel Jr. 1913-1995 El Paso Artist Image Size: 9 x 7 Frame Size: 16 x 14 Medium: Etching Circa 1930s "City Market" Juarez, Mexico
Biography
Lewis Teel Jr. 1913-1995
Lewis Woods...
Category
1930s Impressionist Figurative Prints
Materials
Etching
"Young Woman Washing" - Signed Framed Late 20th Century Nude Print
Located in New Orleans, LA
A lovely drawing by Cortland Butterfield, signed, in an edition of 200 (this one numbered 110). Professionally float-framed and ready to hang. He...
Category
Late 20th Century Impressionist Figurative Prints
Materials
Paper
Paysanne au Puits (Peasant Woman at the Well)
Located in New York, NY
Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...
Category
1890s Impressionist Figurative Prints
Materials
Etching, Aquatint
Impressionist figurative prints for sale on 1stDibs.
Find a wide variety of authentic Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Michel Delacroix, Norman Rockwell, Leroy Neiman, and Jean-Gabriel Domergue. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Impressionist figurative prints, so small editions measuring 1 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $75,000, while the average work sells for $1,200.