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Period: 18th Century and Earlier
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving
Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle
Located in Middletown, NY
Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Ink, Handmade Paper, Laid Paper, Woodcut
The Artist's Mother
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: The Artist's Mother
Year: 1631
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 3.35 x 2.5 inches
Framed size. 22...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Self Portrait, Drawing at the Window
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Self Portrait, Drawing at the Window
Year: 1648
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 6.35 x 5.25 inch...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Christ and the Woman of Samaria
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Christ and the Woman of Samaria
Year: 1634
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 4.75 x 4.25 inches
Fr...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Pierre Auguste Renoir, "Mère et Enfant , " rare drypoint
Located in Chatsworth, CA
Pierre Auguste Renoir
Mère et Enfant, 1896
Drypoint in brown and green
From a very rare edition of 100 impressions on cream-toned Van Gelder laid paper
Reference: Delteil #10
Printed...
Category
Impressionist 18th Century and Earlier Prints and Multiples
Materials
Drypoint
'Adam and Eve Expelled from Eden' by Albrecht Dürer, Woodcut Print
Located in Oklahoma City, OK
This 18.75" x 15.75" framed, woodblock print was produced by German Renaissance artist, Albrecht Dürer, circa 1511. The 5.75" x 4.63" print floats on white mat board and is presented...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Woodcut
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Handmade Paper, Engraving
The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Laid Paper, Ink, Woodcut
Bust of a Man Wearing a High Cap, The Artist's Father
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Bust of a Man Wearing a High Cap, The Artist's Father
Year: 1630
Medium: Etching
Paper: Verge paper
Image (plate mark) size: ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752)
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Mezzotint by R. Houston
Image size 10 x 14 in
Framed size 13 x 17 in
James Seymour w...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Mezzotint
Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling.
[Björklund's second state ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Watercolor
Harbour with a Round Tower
Located in Middletown, NY
1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...
Category
French School 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Etching
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching, Aquatint
Carte Pour Servir a l'Histoire Philosophique.. - Etching by Rigobert Bonne- 1780
Located in Roma, IT
Etching on paper.
From Guillaume-Thomas Raynal, Histoire philosophique et politique des établissemens et du commerce des Européens dans les deux Indes, Geneva 1780.
This interestin...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line.
Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching, Aquatint
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Rococo 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Antique Birds - 17th Century Hand Watercolor Engraving
Located in Soquel, CA
Antique Birds - 17th Century Hand Watercolored Etching
Antique Birds, from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Di...
Category
French School 18th Century and Earlier Prints and Multiples
Materials
Paper, Watercolor, Engraving
$627 Sale Price
35% Off
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
Piazza del Popolo con Obelisco Egizio
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8.25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Bellos Consejos (Wonderful Advice)
Located in Chicago, IL
An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime.
References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1
Prado ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Aquatint, Etching
A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Limon Lavrae: A 17th C. Hand-colored Engraving of Lemon Anatomy by G. Ferrari
By Giovanni Battista Ferrari
Located in Alamo, CA
This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50
Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Antique French Copper Engraving - Doric Order Architectural Style
Located in Houston, TX
Beautifully-detailed antique copper engraving depicting a traditional building in the Doric Order architectural style from Recueil d'Architecture, 1780.
O...
Category
18th Century and Earlier Prints and Multiples
Materials
Ink, Paper
Southern & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Estats de L'Empire des Turqs en Europe, ou sont les Beglerbeglicz our Gouvernements" was originally created by Nicholas Sanson d'Abbeville and this version was published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts the territories of the Ottoman Empire in Europe, predominantly Eastern Europe. Highlights include, the Mediterranean Sea, the Adriatic Sea, the Black Sea, the Dalmation Coast including present day Croatia, Bosnia and Herzegovina, Montenegro, Serbia, Slovenia, Italy, Greece, North Macedonia, Turkey, Romania, Hungary, Albania, Kosovo, Bulgaria, Transylvania, Moldova and southern portions of France, Switzerland, Germany, and Poland..
The map consists of two sheets joined as one along a vertical joint. The map has original hand-coloring. It is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 24.88" high and 38" wide. There is a central vertical joint, as issued. The map is in very good condition.
Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Le Chat Sauvage - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat Sauvage is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditions.
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Engraving
White-throated Capuchin Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
A Man of Mangea 1784 final voyage of Captain Cook by John Webber
By John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Le Leopard - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Leopard is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
$178 Sale Price
40% Off
Que se la Llevaron! - Etching by Francisco Goya - 1799
Located in Roma, IT
Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series.
The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition.
Good conditions.
Los Caprichos.
Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799.
The work is an etching and aquat...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Oban yokoe.
Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Paper, Woodcut
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Bust - Original Etching by Filippo Morghen - Late 18th Century
Located in Roma, IT
Ancient Roman Bust, from the Series Antiquities of Herculaneum is an original etching on paper realized by Filippo Morghen.
Signed on the plate, on the lower right.
Good conditions ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Heracles in Combat With Centaur - Etching by Filippo Morghen - 18th Century
Located in Roma, IT
Heracles in Combat With Centaur from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen after Camillus Paderni in the 18th C...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm).
A classic example of a world ma...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
Le Margay - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Margay is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category
Northern Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching, Aquatint, Laid Paper
$3,080 Sale Price
20% Off
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint, Etching
Le Fer a Cheval - Etching by Juste Chevillet - 1771
Located in Roma, IT
Le Fer a Cheval is an etching realized in 1771 by Juste Chevillet (1729–1802)
Signed in plate.
The piece belongs to the suite "Histoire naturelle, géné...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Chiesa Dedicata a Sant'Ignacio - Etching by G.B. Falda
Located in Roma, IT
Chiesa dedicata a Sant’Ignatio is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanbattista Falda.
Signed on plate on the lower left margin "Giò Batta...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Serval - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Serval is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
$143 Sale Price
40% Off
The Beheading of St. John the Baptist - Etching by Rembrandt - 1640
Located in Roma, IT
Beautiful proof of I state on III before the white space under the sword is covered.
Without Margins.
Very good condition.
Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Mars driven away from Peace and Abundance by Minerva
By Agostino Carracci
Located in Middletown, NY
Agostino CARRACCI, after Jacopo TINTORETTO
Sapientia Martem depellente Pax et Abundantia cogaudent; Mars driven away from Peace and Abundance by Minerva
Engraving on handmade laid ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Ink, Handmade Paper, Laid Paper, Woodcut
Landscape - Original Etching by Adam Pérelle - 18th Century
By Adam Perelle
Located in Roma, IT
Landscape is an etching realized by Adam Pérelle in 18th Century.
Good conditions.
Signed on Plate.
The artwork is depicted through confident strokes.
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Surrender of Tahiti to Captain Wallis: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"A Representation of the Surrender of the Island of Otaheite to Capt.n Wallis, by the Supposed Queen of Oberea" is an original 18th century engraving created by Sparrow, from a drawi...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Self Portrait in a Velvet Cap with Plume, Etching on Somerset paper
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self Portrait in a Velvet Cap with Plume, Year: Of Original 1638, Medium: Etching on Somerset paper, Image Size: 5 x...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
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