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Mid-18th Century Prints and Multiples

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Period: Mid-18th Century
Veduta del Ponte Lugano sull'Anione - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 45x65.6. Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....
Category

Mid-18th Century Prints and Multiples

Materials

Etching

St. Christophe (St. Kitts): Bellin 18th Century Hand Colored Map
Located in Alamo, CA
Jacques Bellin's copper-plate map of the Caribbean island of Saint Kitts entitled "Carte De De l'Isle St. Christophe Pour servir á l'Histoire Genle. des V...
Category

Other Art Style Mid-18th Century Prints and Multiples

Materials

Engraving

(Large!) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTRO VITTORIE
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (1710-1778) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE, (Focillon 330, Wilton-Ely 463) 1750-1756 Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by Jean Barbault...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category

English School Mid-18th Century Prints and Multiples

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving

View of the Castle of Versailles - Etching - 1748
Located in Roma, IT
Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5
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Modern Mid-18th Century Prints and Multiples

Materials

Etching

Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category

Rococo Mid-18th Century Prints and Multiples

Materials

Engraving

Purple Martin Bien Ed. J.J. Audubon rare hand colored chromolithograph
Located in Paonia, CO
Two adult Purple Martins are feeding their two fledglings at the nest. This chromolithograph is from The Birds of America by John James Audubon and is ...
Category

Mid-18th Century Prints and Multiples

Materials

Lithograph

Putti in an allegorical love game / - The Ambivalence of Eros -
Located in Berlin, DE
Francesco Bartolozzi (1728 Florence - 1815 Lisbon), Putti in an allegorical love game, around 1764. Crayon engraving on laid paper after a drawing by Guercino, 21 cm x 29 cm (plate s...
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Realist Mid-18th Century Prints and Multiples

Materials

Paper

Ancient Views of Paris - Etching - 1748
Located in Roma, IT
4 Etchings on paper realized in 1748. Each cm. 17x22. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5
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Modern Mid-18th Century Prints and Multiples

Materials

Etching

Veduta della Piazza della Rotonda - Early Lifetime Impression
Located in Roma, IT
The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...
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Mid-18th Century Prints and Multiples

Materials

Etching

Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
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Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving, Mezzotint

Jacob blesses his sons - Flemish School, 18th Centruy
Located in Middletown, NY
Engraving on light wove paper with a large Amsterdam Coat of Arms watermark, 9 5/16 x 7 1/2 inches (236 x 190 mm), narrow margins. Scattered lig...
Category

Flemish School Mid-18th Century Prints and Multiples

Materials

Black and White, Engraving

A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category

Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving

The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
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French School Mid-18th Century Prints and Multiples

Materials

Handmade Paper, Engraving, Laid Paper

Veduta Della Gran Curia Innocenziana from Vedute di Roma, 1752
Located in San Francisco, CA
This exceptional mid-18th century etching by Giovanni Battista (Giambattista) Piranesi (b. 1720-1778) is titled “Veduta della Gran Curia Innocenziana” (“View of the Palazzo di Montecitorio”). It is from Piranesi’s Vedute di Roma...
Category

Realist Mid-18th Century Prints and Multiples

Materials

Etching

Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Laid Paper, Etching

Phinée - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Phineus. Beautiful plate with fresh impression and sharp details, from the volume “Le Temple des Muses”, pu...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Landscape - Etching by Pierre Quentin Chedel - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized f...
Category

Mid-18th Century Prints and Multiples

Materials

Etching

A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
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Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving

Sir Francis Bacon: 18th C. Portrait of Philosopher, Scientist, Author, Statesman
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of Sir Francis Bacon, Viscount St. Albans, Lord Chancellor by Jacobus Houbraken in 1738 after a p...
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Mid-18th Century Prints and Multiples

Materials

Engraving

Elizabeth, Countess of Northumberland: Mezzotint After a Painting by J. Reynolds
By Joshua Reynolds
Located in Alamo, CA
This is an 18th century mezzotint portrait of Elizabeth, Countess of Northumberland, Baroness Percy by Richard Houston after a painting by Joshua Reynolds, published in London by Robert Sayer in 1763. It is a rare, full length portrait of Elizabeth, who was known as Lady Betty. Lady Betty stands, facing to the right, holding her coronet, and wearing her peeress’s ermine and velvet robes over a brocade dress. In the background are a column, a billowing drape, and the grounds of Alnwick Castle...
Category

Mid-18th Century Prints and Multiples

Materials

Mezzotint

Asparagus Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category

Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving, Mezzotint

Hearse & Coffin
By Pieter van Cuyck
Located in Houston, TX
Beautifully detailed 18th century Dutch copper engraving of hearse and coffin by PV Cuyck, 1754. Original artwork on paper displayed on a whi...
Category

Mid-18th Century Prints and Multiples

Materials

Engraving

18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
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Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category

Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving, Mezzotint

18th Century Catesby Hand-colored Bird & Plant Engraving "The Crested Titmous"
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers. This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75". Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
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Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving

Anatomy Studies Muscles - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Anatomy Studies Muscles is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident stro...
Category

Modern Mid-18th Century Prints and Multiples

Materials

Etching

Thamas Kouli-Kan, Roy de Perse, 1742 (Nader Shah), portrait engraving, 1742
Located in Melbourne, Victoria
French 18th century engraving, published in Paris, of the Emperor of Persia, Tahmasp Quli Khan (c.1688-1747), also known as Nader Shah. 150mm by 100mm (platemark) 170mm by 120mm (sh...
Category

French School Mid-18th Century Prints and Multiples

Materials

Engraving

Agenor and Cadmus, Ovid's Metamorphoses, French Classical engraving, 1768
By Binet after Charles Monnet (1732-1808)
Located in Melbourne, Victoria
Copper-line engraving by Binet after Charles Monnet (1732-1808). Agenor tells Cadmus to go and look for his sister Europae. From 'Les Metamorphoses d'...
Category

Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving

Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving
Located in Melbourne, Victoria
'Diogene Cinico' Copper-line engraving by Pazzi after Giovanni Domenico Campiglia (1692-1768). From 'Musei Capitolini' a series of engravings showing the sculpture of the Capitoline Museum in Rome. 240mm by 170mm (platemark) 420mm by 270mm (sheet) Diogenes, also known as Diogenes the Cynic, was a Greek philosopher...
Category

Renaissance Mid-18th Century Prints and Multiples

Materials

Engraving

View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762. Very precious and rare lifetime impression. Roman edition. C...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category

Other Art Style Mid-18th Century Prints and Multiples

Materials

Engraving

West Africa: 18th Century Hand-colored Homann Map Entitled "Guinea Propria"
Located in Alamo, CA
This is a scarce richly hand colored copper plate engraved map of Africa entitled "Guinea Propria, nec non Nigritiae vel Terrae Nigrorum Maxima Pars" by Johann Baptist Homann (1664-1...
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Other Art Style Mid-18th Century Prints and Multiples

Materials

Engraving

La Mort d'Hercule - Etching by by B. Picart - 1742
Located in Roma, IT
La mort d'Hercule is an original black and white etching on wire rod paper, representing the death of Hercules, realized by the old master Bernard Picart in the 18th century. Beauti...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

A Harlot's Progress - Etching after William Hogarth - 1732
Located in Roma, IT
A Harlot's Progress is an etching print realized after William Hogarth in 1732 Signature on the plate on the lower right. Good conditions, with some foxing. A Harlot's Progress" i...
Category

Surrealist Mid-18th Century Prints and Multiples

Materials

Etching

Hand-Colored Houbraken Portrait of "Henry, Prince of Wales, Son of James"
Located in Alamo, CA
A hand-colored portrait of Henry Prince of Wales, Son of James, engraved and etched by the Dutch master of portraits Jacobus Houbraken (1698-1780...
Category

Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving, Etching

Castle of Irrois in Champagne, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. du Chasteau de Irrois en Champagne' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, g...
Category

Rococo Mid-18th Century Prints and Multiples

Materials

Engraving

Combat de Bellerophon contre la Chimere, from "Le Temple des Muses"
Located in Roma, IT
Black and white etching on wire rod paper, representing the Bellerophon fighting the Chimoera. Beautiful plate with fresh impression and sharp details, from the volume “Le Temple de...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Engraving

Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category

Naturalistic Mid-18th Century Prints and Multiples

Materials

Engraving, Mezzotint

Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...
Category

Rococo Mid-18th Century Prints and Multiples

Materials

Engraving, Etching

Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category

Rococo Mid-18th Century Prints and Multiples

Materials

Engraving

Giuseppe Adora il Bambino sotto una Palma - Etching by G.D. Tiepolo
Located in Roma, IT
Black and white etching and burin on wire rod paper. Second and final state, after the numbering. Signed, numbered and dated on the lower left margin of plate. 19° plate from the ser...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Part of the City of Paris from the Rue Saint-Germain-de... - Etching - 1748
Located in Roma, IT
Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5
Category

Modern Mid-18th Century Prints and Multiples

Materials

Etching

The Harvest, Cherubs Disporting with a Goat, Fine Framed 18th Century Engraving
By Jean Jacques Lagrenée the Younger
Located in Cotignac, FR
Fine 18th century engraving by French artist Jean-Jacques Lagrenée. Presented with hand cut mount and gilt filet in fine wood and gilt 'ribbon and reed' frame. Very charming renditi...
Category

Mid-18th Century Prints and Multiples

Materials

Paper, Printer's Ink

Obelisco Egizio (Egyptian Obelisk) - Etching by G. B. Piranesi
Located in Roma, IT
Obelisco Egizio (The Egyptian Obelisk in the Piazza di S. Giovanni), erected by Pope Sixtus V, is a wonderful black and white etching on fine laid and watermarked paper (with a lily inside a double circle, watermark n. 3 according to Hind) realized by Giovanni Battista Piranesi. Signed on plate on the lower right margin "Piranesi Architetto fec." and with the address and price at lower left. Hind 53, second state of five. A lifetime Roman impression, before the Paris editions. Excellent condition, with central fold, as issued, visible only on the left margin. From one of the most important series of etchings by G.B. Piranesi, Views of Rome drawn and etched by Giambattista Piranesi...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Anatomy Studies Muscles after Titian - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Anatomy Studies Muscles after Titian is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through ...
Category

Modern Mid-18th Century Prints and Multiples

Materials

Etching

Sepolcro dè tre fratelli Curazj in Albano - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions: 39.8x60.4 cm. Sepolcro de’ tre fratelli Curazj in Albano (Tomb of the three brothers Curazj in Albano) is a wonderful etching on thick laid paper with watermark (a...
Category

Mid-18th Century Prints and Multiples

Materials

Etching

Countryside - Etching by Pierre-François Laurent - 18th Century
Located in Roma, IT
Countryside is an etching realized by Pierre-François Laurent in 18th Century. Good conditions. Signed on plate. The artwork is depicted through confident strokes.
Category

Modern Mid-18th Century Prints and Multiples

Materials

Etching

WERNER. A Panoramic View of London
Located in London, GB
London [WERNER, Friedrich Bernard]. Georg. Balthasar Probst, Augsburg, [c.1730]. A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category

Land Mid-18th Century Prints and Multiples

Materials

Engraving, Handmade Paper, Watercolor

Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Le Déluge, from "Temple des Muses" - Original Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Deluge. Beautiful plate with fresh impression, from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Z...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508) Portfolio: Histoire N...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Animal Figures - Original Etching by Various Old Masters - 1750s
Located in Roma, IT
Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters. In ...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

La Nymphe Echo - Etching by B. Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of the nymph Echo. Wonderful plate with fresh impression and a beautiful use of chiaroscuro, from the volume “...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

The Court of the Fountains in... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

Modern Mid-18th Century Prints and Multiples

Materials

Etching

The Monumental Tablet
Located in Fairlawn, OH
The Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first is...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

The Industrious Prentice - Etching by William Hogarth - 1747
Located in Roma, IT
The Industrious Prentice - Lord Mayor of London is an original etching print realized by William Hogarth in 1747 Signature on the plate on the lower right, with the description on t...
Category

Old Masters Mid-18th Century Prints and Multiples

Materials

Etching

The City of Strasbourg, or Argentin - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

Modern Mid-18th Century Prints and Multiples

Materials

Etching

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