Mid-18th Century Prints and Multiples
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Period: Mid-18th Century
Kabuki Actor in Blue Kimono - Original Woodblock Print
Located in Soquel, CA
Kabuki Actor in Blue Kimono - Original Woodblock Print
Original woodblock print depicting a Kabuki actor in a blue kimono by Suzuki Harunobu (Japanese, 1725-1770). The actor holds u...
Category
Edo Mid-18th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
The Company of Undertakers, Original period engraving
Located in Spokane, WA
Measurements
Engravings 10.5 x 7 inches sight
Framed 14.875 x 11.5 inches
The Company of Undertakers (1737) is a satirical print by William Hogarth that mocks the medical professi...
Category
Mid-18th Century Prints and Multiples
Materials
Engraving
$2,800 Sale Price
20% Off
Vue de la Bastille, Old Masters Hand-Colored Engraving after Hyacinthe Rigaud
Located in Long Island City, NY
Hyacinthe Rigaud, After, French (1659 -1743) - Vue de la Bastille, Year: of original: 1750, Medium: Hand-Colored Engraving, signed in the plate, Edition: ~1000, Image Size: 8.5 x...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Engraving
Rovine del Tempio de' Castori nella città di Cora - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 40.6x56.8.
Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764.
Beautiful first roman edition/1st state ...
Category
Mid-18th Century Prints and Multiples
Materials
Etching
"La Nouvelle" Tulip Hand-Colored Engraving
By Christoph Jacob Trew
Located in New York, NY
"La Nouvelle" is from Christoph Trew's Hortus Nitidissimis omnem per annum superbiens Floribus ... Der das ganze Jahr hindurch im schönsten Flor stehende B...
Category
Mid-18th Century Prints and Multiples
Materials
Laid Paper, Engraving
HOMANN, Johann Baptist (1663-1724) Nova Anglia. Septentrionali Americæ implantat
Located in Bristol, CT
Map Sz: 18 3/4"H x 22 5/8"W
Frame Sz: 27 1/2"H x 31"W
Nuremberg: Homann Heirs, [circa 1740]. Copper-engraved map, with full original colour.
A highly fascinating and attractive ma...
Category
Mid-18th Century Prints and Multiples
Materials
Paper
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving
Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755.
Good conditions with slight foxing.
Signed in the plate.
The artwork is depicted through confident strokes.
The...
Category
Surrealist Mid-18th Century Prints and Multiples
Materials
Etching
$228 Sale Price
25% Off
Chrysanthemums and the Rising Moon
Located in Middletown, NY
An image that originally appeared in an astrological calendar for the year 1766.
Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...
Category
Edo Mid-18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Woodcut
Johann Weinmann : Mezzotint engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...
Category
Mid-18th Century Prints and Multiples
Materials
Engraving, Mezzotint
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
Baroque Mid-18th Century Prints and Multiples
Materials
Engraving
'Bacchus' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category
Realist Mid-18th Century Prints and Multiples
Materials
Engraving
Portrait after Raphael - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Raphael is anetching realized by Nicholas Cochin in 1755.
Good conditions.
Signed in plate.
The artwork is depicted through confident strokes.
The etching was real...
Category
Modern Mid-18th Century Prints and Multiples
Materials
Etching
$246 Sale Price
25% Off
Jacob blesses his sons - Flemish School, 18th Centruy
Located in Middletown, NY
Engraving on light wove paper with a large Amsterdam Coat of Arms watermark, 9 5/16 x 7 1/2 inches (236 x 190 mm), narrow margins. Scattered lig...
Category
Flemish School Mid-18th Century Prints and Multiples
Materials
Black and White, Engraving
Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving, Mezzotint
Masinissa, King of Nubia, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Massinissa re de' Numidi'
Copper-line engraving by Carlo Gregori after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici.
Illustration of an ancient marble bust...
Category
Renaissance Mid-18th Century Prints and Multiples
Materials
Engraving
Portrait of an infamous thief
By Abraham Bosse
Located in Middletown, NY
A fascinating image of a well-known theif robbing a merchant of goods held atop her head.
Paris: circa 1670.
Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Etching
Thamas Kouli-Kan, Roy de Perse, 1742 (Nader Shah), portrait engraving, 1742
Located in Melbourne, Victoria
French 18th century engraving, published in Paris, of the Emperor of Persia, Tahmasp Quli Khan (c.1688-1747), also known as Nader Shah.
150mm by 100mm (platemark)
170mm by 120mm (sh...
Category
French School Mid-18th Century Prints and Multiples
Materials
Engraving
WERNER. A Panoramic View of London
Located in London, GB
London
[WERNER, Friedrich Bernard].
Georg. Balthasar Probst, Augsburg, [c.1730].
A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category
Land Mid-18th Century Prints and Multiples
Materials
Engraving, Handmade Paper, Watercolor
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published.
The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points.
The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Engraving
The Happy Consultation, or Modern Match
Located in Santa Monica, CA
EIGHTEENTH CENTURY BRITISH CARICATURE
THE HAPPY CONSULTATION, or MODERN MATCH, 1769 (DG 4335)
...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Engraving
$325 Sale Price
56% Off
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
French School Mid-18th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Engraving
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Etching
Veduta della Basilica di S. Paolo Fuor delle Mura - Etching
Located in Roma, IT
Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome".
Signed on plate on lower-left margin "Piranesi F....
Category
Mid-18th Century Prints and Multiples
Materials
Etching
$2,991 Sale Price
25% Off
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving, Mezzotint
Il Giocolare - Etching by Giovanni Volpato - 1765 ca.
Located in Roma, IT
Etching and burin on paper.
Image dimension: 37.8x29
On the lower margin from left to right under the composition "Fran. co Maggiotto inv." and then "Gio. Volpato Sculp. appo Nic. ...
Category
Modern Mid-18th Century Prints and Multiples
Materials
Etching
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving
Located in Melbourne, Victoria
'Diogene Cinico'
Copper-line engraving by Pazzi after Giovanni Domenico Campiglia (1692-1768).
From 'Musei Capitolini' a series of engravings showing the sculpture of the Capitoline Museum in Rome.
240mm by 170mm (platemark)
420mm by 270mm (sheet)
Diogenes, also known as Diogenes the Cynic, was a Greek philosopher...
Category
Renaissance Mid-18th Century Prints and Multiples
Materials
Engraving
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Etching
L'Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
Located in Melbourne, Victoria
'L'Hostel de Chevreuse'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category
Rococo Mid-18th Century Prints and Multiples
Materials
Engraving
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving
Ancient View of Paris - Etching - 1748
Located in Roma, IT
Etching on paper realized in 1748.
Very good condition except for some minor foxing.
Includes a wooden frame cm. 27.5x41.5
Category
Modern Mid-18th Century Prints and Multiples
Materials
Etching
Elizabeth, Countess of Northumberland: Mezzotint After a Painting by J. Reynolds
By Joshua Reynolds
Located in Alamo, CA
This is an 18th century mezzotint portrait of Elizabeth, Countess of Northumberland, Baroness Percy by Richard Houston after a painting by Joshua Reynolds, published in London by Robert Sayer in 1763. It is a rare, full length portrait of Elizabeth, who was known as Lady Betty. Lady Betty stands, facing to the right, holding her coronet, and wearing her peeress’s ermine and velvet robes over a brocade dress. In the background are a column, a billowing drape, and the grounds of Alnwick Castle...
Category
Mid-18th Century Prints and Multiples
Materials
Mezzotint
The Harvest, Cherubs Disporting with a Goat, Fine Framed 18th Century Engraving
By Jean Jacques Lagrenée the Younger
Located in Cotignac, FR
Fine 18th century engraving by French artist Jean-Jacques Lagrenée. Presented with hand cut mount and gilt filet in fine wood and gilt 'ribbon and reed' frame.
Very charming renditi...
Category
Mid-18th Century Prints and Multiples
Materials
Paper, Printer's Ink
Maria Viene Aiutata da un Angelo - Etching by G.D. Tiepolo - 1753
Located in Roma, IT
Maria viene aiutata da un Angelo is an original Artwork realized by Giovanni Domenico Tiepolo (Venice, 1727-1804) in 1753.
Original Black and white etching and burin on paper.
This is the 18th plate of a series of 24 engravings by Giandomenico Tiepolo for Carlo Filippo, Prince of Greinffenklau, in which the same theme, that of the Flight into Egypt, is represented in a new and original way for each sheet.
The series entitled "Pictorial Ideas on the Flight into Egypt of Jesus, Mary and Joseph" and published in 1753 in Würzburg is considered the etching masterpiece of the old master Giandomenico Tiepolo.
Dimensions: 185 x 240 mm.
Wonderful etching in excellent impression, very fresh and bright, in a vibrant black ink.
Very good conditions.
Reference: D.V. no. 18; R. no. 84; Proutè no. 180, 1977.
Giovanni Domenico Tiepolo (Venice, 1727-1804). Tiepolo was an Italian painter and printmaker, mastering the art of etching. He is well known wolrdwide as he assited his father in Wurzburg (Germany), he made stairwell fresco in Vicenza (Italy) and at the Palace of Charles III in Madrid (Spain). La Via Crucis is among the earliest works engraved by Giandomenico Tiepolo, just about twenty years old, where he translates into etchings the namesake series of paintings realised for the oratory...
Category
Modern Mid-18th Century Prints and Multiples
Materials
Etching
Mago of Carthage, Roman bust, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Magone Cartaginese' (Magone of Carthage)
Copper-line engraving by Pazzi after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici.
Illustration of an Ancient Roman marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome.
Mago I, also known as Magon, was the king of the Ancient Carthage...
Category
Renaissance Mid-18th Century Prints and Multiples
Materials
Engraving
Giuseppe Adora il Bambino sotto una Palma - Etching by G.D. Tiepolo
Located in Roma, IT
Black and white etching and burin on wire rod paper. Second and final state, after the numbering. Signed, numbered and dated on the lower left margin of plate. 19° plate from the ser...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Etching
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
French School Mid-18th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Laid Paper
La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Woodcut
Explorator
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Explorator', engraving, 1734, edition unknown, scarce. Signed 'Dom. Campiglia del.' in the matrix, lower left. A fine impression, on handmade antique, l...
Category
Realist Mid-18th Century Prints and Multiples
Materials
Engraving
Surgical Instruments - Etching by Lorenz Heister - 1750
Located in Roma, IT
Surgical Instruments from the Suite Heister, Lorenz, realized by Lorenz Heister in the series of Institutiones chirurgicae. Amsterdam, Janssonius-Waesberg, 1750.
Etching on paper
T...
Category
Modern Mid-18th Century Prints and Multiples
Materials
Etching
Ben Alexander - Etching by Erich Heckel - 1927
By Erich Heckel
Located in Roma, IT
Lithograph on laid paper realized by Heckel in 1927.
Signed and dated in pencil lower right.
Hand numbered 11/20 lower left.
Provenance: Galerie Vayhinger, Radolfzell, Private Col...
Category
Expressionist Mid-18th Century Prints and Multiples
Materials
Etching
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
English School Mid-18th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving
Asclepiades, Ancient Greek, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Asclepiade' (Asclepiades)
Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–...
Category
Renaissance Mid-18th Century Prints and Multiples
Materials
Engraving
Asparagus Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving, Mezzotint
Portrait - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait is an etching realized by Jean Francois Poletnich in 1755.
Signed in the plate.
Good conditions with foxing and stain.
The artwork is depicted through confident strokes.
...
Category
Surrealist Mid-18th Century Prints and Multiples
Materials
Etching
$219 Sale Price
25% Off
Lysias, Ancient Greek, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Lisia' (Lysias)
Copper-line engraving by Pietro Parrocol after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici.
Illustration of an Ancient Greek marble...
Category
Renaissance Mid-18th Century Prints and Multiples
Materials
Engraving
Jean Baptist Marie Huet Three Cherubs, Restrike from Musee du Louvre
By Jean Baptist Marie Huet
Located in Brooklyn, NY
This exquisite piece, titled Three Cherubs, is a lithographic reproduction from La Calcographie du Louvre, printed on fine Lana paper. The artwork captures the whimsical charm of che...
Category
Renaissance Mid-18th Century Prints and Multiples
Materials
Etching
$720 Sale Price
20% Off
Les Alcyons - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Alcyone.
Wonderful plate with very fresh impression and a beautiful use of chiaroscuro, from the volume “Le...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Etching
$439 Sale Price
25% Off
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Engraving
Anatomy Studies Muscles - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Anatomy Studies Muscles is an etching realized by Jean Francois Poletnich in 1755.
Signed in the plate.
Good conditions with foxing.
The artwork is depicted through confident stro...
Category
Modern Mid-18th Century Prints and Multiples
Materials
Etching
Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755.
Good conditions with slight foxing.
Signed in the plate.
The artwork is depicted through confident strokes.
The...
Category
Surrealist Mid-18th Century Prints and Multiples
Materials
Etching
Palazzo Borghese - Etching by Giuseppe Vasi - 1747
Located in Roma, IT
Palazzo Borghese is original black and white etching realized by Giuseppe Vasi .
Beautiful etching representing Palazzo Borghese in Rome.
Signed and...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Etching
Veduta del Ponte e Castello Sant' Angelo
Located in New York, NY
Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi.
2nd Roman state, 1754. Etching on laid paper with a watermark of a Fleur-de-Lys in a double circle with CB a...
Category
Mid-18th Century Prints and Multiples
Materials
Laid Paper
Hearse & Coffin
By Pieter van Cuyck
Located in Houston, TX
Beautifully detailed 18th century Dutch copper engraving of hearse and coffin by PV Cuyck, 1754.
Original artwork on paper displayed on a whi...
Category
Mid-18th Century Prints and Multiples
Materials
Engraving
Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755.
Good conditions with foxing and folding.
Signed in the plate.
The artwork is depicted through confident strokes....
Category
Surrealist Mid-18th Century Prints and Multiples
Materials
Etching
$228 Sale Price
25% Off
Agenor and Cadmus, Ovid's Metamorphoses, French Classical engraving, 1768
By Binet after Charles Monnet (1732-1808)
Located in Melbourne, Victoria
Copper-line engraving by Binet after Charles Monnet (1732-1808).
Agenor tells Cadmus to go and look for his sister Europae.
From 'Les Metamorphoses d'...
Category
Naturalistic Mid-18th Century Prints and Multiples
Materials
Engraving
Sepolcro Regio, o Consolare , inciso nella rupe... - G. B. Piranesi - 1764
Located in Roma, IT
Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764.
Ed...
Category
Mid-18th Century Prints and Multiples
Materials
Etching
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Engraving
Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category
Old Masters Mid-18th Century Prints and Multiples
Materials
Laid Paper, Etching
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