Sculptures

Jacques Lerebourg hand made abstract metal sculpture in welded and polished metal with inclusion of a natural quartz or crystal mineral specimen. part of a distinguished group of Fre...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Bronze Sculpture Dencing Ballerinas. Victor Salmones (Mexican, 1938-1989) "'Pas de Quatre" Edition 1 of 10, 1976, 26 x 11 3/4 x 9 7/8 in. This sculpture was originally created and ...

Expressionist completely hand carved wood sculpture ca. 1925-1927, unknown artist. Monogrammed with C Sch on the base. Expressively carved base. Small damage on the hand. Measuremen...

Wax lost bronze. 3/8. Founder CHAPON. Michel SERRAZ was born on August 2, 1925 in Paris he knows the price and importance of work and is constantly in a harmonious relationship wi...

Playful, surreal Claes Oldenburg sculpture re-contextualizing a ceramic bicycle seat as a small mountain or geological feature, sitting on a bed of sand atop a square mahogany base. ...

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

Artist: A. Ganso Title: Lions and Deer Year: 1973 Medium: Bronze Sculpture, signature inscribed Size: 23 x 15 x 13 inches (58.5 x 38 x 33 cm)

Contemporary Aluminum Eagle Bird Sculpture Large Unique Metal Americana Folk Art Similar in design to the US Post Office logo from the 1950's. Signed "...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Chief Joseph of the Nez Perce Indians by Arnold Goldstein, American Date: 1975 Bronze, signed, inscribed and numbered Edition of 4/30 Size: 18 in. x 13 in. x 9 in. (45.72 cm x 33.02 ...

Oriental Dancer Cold-painted Bronze Figure, circa 1925 on a shaped marble plinth inset with bronze medallions 15 in high, signed to base 'Chiparus' Demetre Chiparus was a Romanian s...

Untitled Biomorphic Form Abstract Sculpture Onyx Sculpture on granite base. Artist signature Graham dated 73. Richard D. Graham is a Postwar & Contemporary artist born in 1940 know...

Hand-signed Daido Moriyama Skateboard decks: set of 2 individual works: These works originated as a result of the collaboration between ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Referenced in Uricariu & Bulat “Antonovici” on page 133, this bronze sculpture by Constantin Antonovici plays on a common shape composition of the artist’s practice. At their core, t...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Geminis 2/6 edition, signed with certificate. Edgard Negret studied at the School of Fine Arts in Cali between 1938 and 1943. The following year, he met...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to churches" This has been the mantra of Helen Webber since she began her career in the 1970’s creating hundreds of art works for public spaces throughout the United states and abroad. It was her strongly held belief that art can touch the spirit of many more people than those whose art experiences are limited to the halls and walls of museums and galleries. Her bold and richly hued art works executed in a wide variety of media, such as tapestry, glass, metal wood and clay have been installed in universities, corporations, medical facilities, cruise ships, hotels, religious spaces, community and civic centers and even in a train station. Over the years many architects and interior designers have collaborated with Helen Webber finding that her work enhanced their designed environments, giving her the opportunity to create art for well known corporations as well as multitudes of residences. It is the tapestries that she is best known for, and it is this medium that dominates the largest body of her work, which was first introduced to the design world in the mid 1970's. The tapestries utilize a fabric collage technique combining an array of designer upholstery fabrics such as velvets, brocades, worsteds, jacquards, mohair, hand woven woolens, among many others. Yarns of all kinds are integrated into the tapestries surrounding the edges of each fabric piece. Some clients, who saw that Webber’s particular art style could be expressed in a variety of media, offered her commissions in stained and etched glass, wood collage, sculpted tile...

Traces, sisal and hand spun wool, 108" x 42", 1979. This large, figurative, mid-century modern tapestry was done by Polish textile artist, Lilla Kulka...

A rare Art Deco patinated metal sculpture modelled as an athletic male walking alongside a stylized lion utlizing cubist elements. The work is set on a black polished stone base whic...

Torso of a Woman by Marcel GIMOND (1894-1961) Avery fine nuanced brown chamotte sandstone sculpture raised on a dark grey marble base signed on the arm with the monogram "MG" for Marcel Gimond inscribed with the monogram "GS" for Georges Serré stamped by the galerie Rouard France 1927 total height 50 cm width 20,5 cm depth 20 cm After a model by Marcel Gimond, this bust was made in 1927 by Georges Serré at the Manufacture de Sèvres, sold exclusively by the Rouard Gallery, and exhibited the same year at the Paris Fall Fair (Salon d'Automne). Reproduced in "Sculpteurs nouveaux, Marcel Gimond", Paul Fierens, Nrf, 1930, cover. Biographies : Marcel Gimond (1894-1961) was a French sculptor. He studied in Lyon, then at the School of Fine Arts in Lyon where he graduated in 1917. Finally he arrived in Paris the same year and settled in Marly-Le-Roi. Student of Aristide Maillol, he also met Raoul Dufy and Auguste Renoir. Gimond worked with Maillol until 1920, and left him to settle in Paris and regain his independence. He then moved into Renoir's former studio, made available by Jean Renoir. He exhibited at the Salon des Indépendants and the Salon d'Automne in 1922. In 1940, Gimond left Paris to settle in the South zone, in Lyon, then in Aix en Provence; He spent his summers at Saint-Félicien, at the house of poet Charles Forot. At the Liberation, in 1944, he returned to Paris and his workshop rue Ordener, he left only a few months before his death. From 1946 to 1960, he directed a workshop at the Ecole des Beaux-Arts in Paris. Marcel Gimond was known for his busts of political and artistic personalities. He also owed two bas-reliefs located in the lobby of the newspaper "L'Humanité", in tribute to Marcel Cachin and Gabriel Péri. Georges Serré (1889-1956) was a French ceramist. He worked at the Sèvres factory until 1914, when he was mobilized to go to war. He then went to Indochina where he taught ceramics at the art school of Bien-hoa for five years. On his return to France, he moved to Sèvres, rue Brongniart, but encountered difficulties in producing his works, until the intervention of the ceramist Emile Decoeur who obtained him help to build an oven for firing his ceramics. It was Georges Rouard and his gallery located on avenue de l'Opéra in Paris, who had noticed him at the International Exhibition of Modern Decorative and Industrial Arts of 1925, which presented him during his "exhibitions of contemporary French artisans". Georges Serré's taste for these sandstones came to him, among other things, from Khmer sculptures...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 20...

An abstract modern cubist rendition of a mother playing with her child by Chaim Gross (Austrian, 1904 - 1991). Chaim Gross is known for these playful works and similar works can be f...

Matrix White Carrara Marble on marble base, singed and titled in plate. Created 1972 Solo exhibition in 1976 Le Galeria De Arte Moderno Dominican Republic. It will be shipped in tw...

A unique wall piece that is a great gift for any avid gardener or lover of horticulture. Sit Hamo Thornycroft would become one of the youngest members of the Royal Academy, achieve the Medal of Honour at the Paris Exhibition in 1900, and be knighted in 1917. Working in a transitional style between that of the neo-classicists of his parent’s generation and the Modernist style of the 20th century, Thornycroft carved out a niche as a figurative sculptor and noted modeler of public monuments in and around London. Toogoods and Sons, Ltd, established in the early nineteenth century, had, by the turn of the century, grown to become the largest seed company...

A tall dynamic chipped wood standing nude torso mounted on a stone base. Great form and patina. Stone, wood and ceramics sculptor Lorrie Goulet, who also makes drawings and lithograp...

Max Kalish The Road Builder inscribed M. KALISH 23, with Meroni-Radice foundry mark, on top of base bronze with dark brown patina, on an ebonized rectangular plinth Height: 13 1/8 in. not including base Provenance: Spanierman Gallery, New York BIO Max Kalish (1891 – 1945) Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

A pair of African carved wood and cloth ancestral figures from Nigeria. Meant to be sold as a pair, these ancestral figures are meant to convey the achievements of those they represe...

Sculpture art déco en céramique d’après un modèle du sculpteur Maurice Guiraud-Rivière (1881-1947), réalisée dans l'usine de Boulogne d'André Fau et Marcel Guillard Céramique craquel...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

Modern Cubist sculpture by Pearl Amstel of a Horse and Rider. Artist: Pearl Amsel (1931 - ) Title: Untitled - Horse and Rider Year: 1974 Me...

A bronze sculpture by Allan Clark originally casted in 1927. A nude figure sculpture of Parvati, the Hindu goddess of love. Artist: Allan Clark (after), American (1896 - 1950) T...

An original unique mixed media painting and sculptural creation by well listed artist Enrico Embrolli. Enrico Embroli is a mixed media artist born in the small Western New York town...

Alfred Van Loen 1978 (1968 in casting?) signed 18 1/2" x 5 1/2" abstract stainless steel sculpture "Grand Kabucki", mounted on wood base, overall size 21 1/2" x 7" If there are any ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

The bronze sculpture of a woman by Charles Rumsey is undated, but was created at a point in his career where he began to transition from realism to more modern, looser depictions of ...

Sculpture conceived in 1926 by Renée Sintenis ( 1888-1965 ). Bronze with brown patina. On hind foot monogramed: Renée Sintenis Dimensions; Height: 3.54 in ( 9 cm ), Width: 5.31 in ( ...

Theseus and the Minotaur by Baltasar LOBO (1910-1993) A bronze group with a greenish dark brown patina Signed at the lower backside " Lobo " Cast by " Susse Fondeur Paris " (with th...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

William Haendel framed 16.75 X 17 paper 11.5 X 12.5 Bas relief on hand-made molded, cast, paper; Visual statement of modernist society’s role in conformity of the individual and acquiescence to nationalism. Toy Soldiers in tin, lead or plastic, cast into the paper. Bill Haendel...

An impressiv sculpture by Joseph Wackerle ( 1880-1959 ). One of a kind from 1920, Germany. Wood, carved. Height: 59.06 in ( 150 cm ), Width: 12.6 in ( 32 cm ), Depth: 12.6 in ( 32 cm )

This carved wood sculpture, a "Garuda Head," was made by an unknown Indonesian sculpture. The face sculpture is 12 1/2" x 9". The Garuda is a legendary bird or bird-like creature in Hindu, Buddhist and Jain mythology. He is variously the vehicle mount (vahana) of the Hindu god Vishnu, a dharma-protector and Astasena in Buddhism, and the Yaksha of the Jain Tirthankara...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 16 Tall x 18 across Medium: Bronze Sculpture 1977 "Those That Plunder" Known fo...

Bird on a branch by Ferdinand PAUTROT (1832-1874) Bronze with a nuanced old gilded and brown patina Signed on the base " F. Pautrot " old cast Underneath, label of the Resaler-Deco...

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...

Orange, pink, and blue geometric abstract painting/ wall sculpture by Gary Jurysta titled "Ripple Corner". Meant to be hung in the corner of a room. Acrylic on stretched canvas, cir...

Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes Petite etude pour Iris, douzième épreuve Ed. 12/12 pcs 1973 Bronze with brown and black patina Marked around the left thigh : A.Rodin n°12 c by Musée RODIN...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...

"Louis Armstrong Blowing His Trumpet" is a unique painted fiberglass sculpture depicting the jazz musician Louis Armstrong. The sculpture is 32" x 48". Louis Daniel Armstrong was a...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

The present work personifies high-end Art Deco. It has a wonderful deep, rich green patina and commands the eye in any room. It looks better in person and is quite heavy. signed an...

The Hungarian word, Iboya, meaning a small forest violet, has been chosen by Vasarely to identify his astonishing series of vertical sculptures for intereior use. The Iboya consist ...

Harriet Whitney Frishmuth (American, 1880-1980) The Vine, 1921 Bronze with brown and green patina Height: 11.5 inches (29.2 cm) high on a 3/4 inches (1.9 cm) high marble base Inscrib...

French centerpiece from the first half of the 20th century. Finely chiseled terracotta object with masks (faces with different expressions, see photo) and figures of lateral cherubs ...

Woman nude sculpture, 1922 by Victor Heinrich Seifert ( 1870-1953 ), Vienna. Bronze on marble base. Signed on the base: Victor H. Seifert. Height: 27.56 in ( 70 cm ), Width: 8.07 in...