Sculptures

Forrest Myers Untitled geometric abstraction, 1976 Painted aluminum Signed in the metal with the artist's incised initials (FM) and stamp numbered 52/75; bears Treitel-Gratz foundry ...

RAFAEL RUS ACOSTA Spanish, Early 20th Century ALHAMBRA FACADE MODEL PLAQUE signed "Rafael Rus Acosta" (lower left), and inscribed "Granada" (lower righ...

A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925. This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL CLIMBED ON A STOOL HOLDING A DOLL signed "Juan Clara" (on the stool seat) bronze figure 12-1/4 x 3-1/2 X 3-3/8 inches (31 X 9 X 8.5 cm.) PROVENANCE Private Collector, France Art Nouveau bronze sculpture depicting a young girl standing on a stool with a doll in her right hand, and a shovel on the left hand, the bucket dropped on the stool seat. José Clará...

Allan Houser Native American Bronze Modernist Sculpture created 1978. Beautiful, large Allan Houser bronze - female figure titled "Waiting." The...

This is an wooden sculpture by Bruce Turnbull. The sculpture is in excellent condition. The podium is made of plexiglass and comes with the sculpture. I...

Peter Max serigraph 1970s era signed and numbered. Measures 34x29. In good condition. Not sure of the titled.

Modern Bronze and Ceramic Sculpture of Silt Sandpiper in Waves. Beautiful bronze sculpture of iconic Californian Silt Sandpiper in the waves by Doris Ann Warner (American, 1925-2010...

Florencio Gelabert Y Perez (Cuban, 1904-1995) Hand carved, signed; 1979 Materials: Cuban wood (mahogany?) Dimensions 23 X 4 X 4 inches Label affixed to underside: National Registry of Cultural Assets of the Republic of Cuba Ministry of Culture. Provenance: Art Master Collection, Miami, Florida. Florencio Gelabert, with a style reminiscent of Art Deco and Art Nouveau in a Latin American Expressionist stylization. Carved wood sculpture. Depicts a modernist stylized form of a man in a streamline moderne style. José Florencio Gelabert Pérez (Caibarien, 1904 - Havana, 1995) Cuban musician, sculptor, draftsman and teacher. He graduated from the San Alejandro National Academy of Fine Arts in 1934. He received numerous awards, mentions and recognitions in Fine Arts Halls and Circles. His works are in the permanent collection of the National Museum of Fine Arts. Florencio Gelabert is a renowned sculptor, who made more than twenty solo exhibitions beginning in 1929, several in the National Museum of Fine Arts, and participated in more than thirty collectives in Cuba, Spain and Brazil, the latter in the Sao Paulo Biennial. he traveled from Caibarién to Santa Clara in 1928 to audition to enter the famous San Alejandro Fine Arts School in Havana. He obtained one of the five vacancies. Already in the Cuban capital, he combined fine arts and music. When he graduated, he became a professor in San Alejandro and the academy’s principal in 1960. With a calling common to wood sculptors –which began with his primary school carving carpentry classes and the active life of his home town’s shipyards, his chisels and gouges feverishly turned mahogany, “ácana” and ebony into female heads with black African features dating back to 1930. In 1938 he used his savings to explore Europe: France (Paris, Marseilles), Italy (Naples, Rome, Florence, and Venice), Belgium (Malina). His encounter with the works by Aristide Maillol, Auguste Rodin, Ossip Zadkine, Constantin Brancusi and even with Wifredo Lam, who was also born in another Cuban coastal area, Sagua la Grande, and his encounter with the nude marble David sculpture...

Contemporary abstract steel standing sculpture, Signed to base "Opera / DA / 87". 1987 Provenance: From the Walden Collection Dimensions: 45 1/2" H; Base: 6 1/2" Diam. Large Abstra...

Born in Winnipeg Canada, Michael Sectors work and craftmanship has been praised as remarkable. He brings contemporary techology to serve his art directing the fabrication of his work...

Maxine Kim Stussy, a prolific sculptor and painter from the late 1940’s to present. Maxine led an incredibly artistic life traveling the world with h...

Sculpture Of A Sleeping Dog. A wonderful and realistic cast bronze signed and numbered. With beautiful weathered patina Small edition of 10 Colin Webster-Watson (1926, Palmerston...

Renowned Israeli sculptor Menashe Kadishman (1932-2015), Sheep iron sculpture, Hand signed with initials in yellow paint. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Gr...

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

For sale: A captivating terracotta sculpture from the esteemed Swedish artist Evert Lindfors (1927-2016), crafted in the 1970s. A connoisseur of fine arts, Lindfors honed his craft at the prestigious École des Beaux-Arts in Paris during the 1940s. Best known for his vibrant paintings, he established his studio in the picturesque Provence region of Lacoste, France, in the mid-1950s. In a daring pivot late in the 1960s, Lindfors embraced the medium of terracotta sculpture. His path crossed with Torsten...

Perspex form, vacuum formed acrylic and spray painted black, 1970, signed and dated verso, from the edition of 106, although an edition of 750 was planned it was not fully executed, published by xartcollection, Zurich, 59 x 59 x 9.8 cm. (23.2 x 23.2 x 3.9 in.) In 1970 British-Pop artist Richard Hamilton was invited to produce an edition of 750 small-scale multiples of the Guggenheim. The intention was to produce vacuum-form reliefs in Perspex and offset the costs of expensive molds by creating a large edition. In the end, the project proved more technically difficult than anticipated. Of the three colours (black, white and chrome), only a total of 271 were realised, 117 in white. The xartcollection was created in 1968 in Zurich, Switzerland by Sandro Bocola...

This wonderful bronze speaks to an important movement in the 1920's toward expression in exotic cultures and to explore not only ethnicities but celebration of that through artistic ...

Figurative abstract tribal sculpture of a creature with four arms by Nathaniel Sirles (American, b. 1956). Signed and dated "Sirles 1973" on the bottom. Sirles completed this piece ...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.

Original nickel plated over brass metal abstract sculpture by Oded Halahmy. Untitled. Signed and dated 1976. Condition is excellent. The sculpture is mounted on a thick mahogany bas...

Cheung Yee, Cast Paper painting, wall sculpture, black, edition CHEUNG YEE (1936–2019) The Chinese artist Cheung Yee, a pioneer of the contemporary art scene in Hong Kong, died in Los Angeles on December 4 at the age of eighty-three. The Hong Kong Museum of Art confirmed his passing. Best known for his paper castings; bronze relief; and wooden, stone, and bronze sculptures, which mixed Western modernism, traditional Chinese aesthetics, and elements of folklore and ancient philosophies, Cheung cofounded the avant-garde Circle Art Group with Hon Chi Fun, Wucius Wong, and several other peers. The group was active from 1964 to 1971. Born in Guangzhou, China, in 1936, Cheung was raised in Hong Kong but was forced to leave the region when the Japanese invaded China during the Second Sino-Japanese War; his family relocated to Guangzhou. When the conflict ended, Cheung returned to the region and began learning Gongbi, a realist brush technique in Chinese painting. In the 1950s, he studied art at Taiwan Normal University in Taipei, where he met his wife. Throughout his schooling, Cheung pursued his interests in archaeology and began experimenting with different materials and with approaches to copperplate etching, welding, and modeling. In 1964, Cheung’s first major retrospective was organized by the City Museum and Art Gallery at Hong Kong City Hall. The following year, he received a grant from the Institute of International Education to study in the United States and Europe. Since then, he has had solo exhibitions at the Hong Kong Museum of Art, AO Vertical Art...

Indian Ponies, realistic bronze sculpture, dark brown patina, horses, Nambe Foundry limited edition bronze solid casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

This is a Dante V. de Florio original bronze from 1977. Very heavy piece. In good condition. Measures 15x15x9

This ceramic wall-mounted sculpture features an athletic theme. The blue figure seems to be in a discus position and the horizontal figure is in motion. The geometric motifs give thi...

HAMADA SHOJI, (Tokyo 1894 - Mashiko 1978) Enso Teacup, ca. 1970. Natural clay and glaze, worked on a lathe (h 90 mm x Ø 135 mm). Mashiko Chawan tea cup, with Gosumarumon overlapping...

A fine and rare aquatic themed Del Campo Studio wall sculpture by Virgilio Bari of Torino, Italy. This piece is masterfully constructed of welded steel rod, and freeform spill-castin...

Molten Glass Plate....Triomphale ..... Blue & Gold by Salvador Dali Limited Edition Daum plate made of blue Pate-de-Verre textured glass with gilt highli...

Martin Schreiber (1924-2005). White Fins, 1972. Painted steel. 9" h., 16" w., 6" d. Signed and dated on base. Minor staining, oxidation and paint loss evident. Metal structure itself is in perfect condition with no bent areas or conservation. Born in Berlin, Germany, after his family moved there from Poland, Martin Schreiber immigrated to the United States in 1939 to escape war-torn Europe, and later served as a US Army soldier in WWII. He was a student of the late Reuben Tam...

A beautiful, high polished sculpture of a goose with outstretched wings by Dale Eugene Schoth (American, 1925-1984). Appropriate to view in the round. Signed and dated by the artist "Dale Schoth '79" on the base. He was a carpenter and wood carver in Twin Falls Idaho. His grave stone...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow...

Salvador Dali for Daum (French, Nancy, founded 1878), "Ceci n'est pas une assiette" or “This is not a plate” plate in dusky rose pink glass pate de verre with gold lettering and des...

Eilene, bronze portrait, female by John Waddell, Arizona sculptor Waddell was born in Des Moines, Iowa in 1921 and moved to Evansville, Indiana at the age of ten. There he began to ...

"Kota Reliquary Figure Nigeria" is a wood and copper sculpture created in Nigeria circa 1970. A head is made with wide red eyes. Their hair is in...

Signed and numbered (lower right). Steel and cast iron base (10 x 10 cm). Bibliography: Giuseppe Appella, I Multipli di Consagra, Ed. La Cometa, n. 19. Ver...

“Busto Gacela” by Juan Huerta – Spanish Mid-Century Elegance Busto Gacela is a striking 17-inch-tall sculpture titled Busto Gacela, created by acclaimed Spanish sculptor Juan Huerta....

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

The width dimensions are variable. the tallest height is 11.5 inches. Family group. A suite of three bronze sculptures. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Modigliani, Pascin, Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Antokolski, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; Zorach, Gross and Harkavy from the United States; and most of the outstanding sculptors of Israel : Ben-Zvi, Lishansky, Ziffer, Lehmann, Feigin, Sternschuss, Palombo ( who executed the iron gate...

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

Really lovely bowl by this well collected and exhibited British potter Good condition 17cm high diameter 38cm 1980s

Bust of a woman is a sculpture made by Emilio Greco (1913-1955) in the second half of 20th century. Woman with her hair up and a hint of a smile. The bust is made of bronze with a...

Running Horse - Sculpture is an original sculpture realized by the Italian artist Costanzo Mongini (1918-1981) during the 20th century. Edition of 99 exemplars realized in bonded br...

A bronze sculpture by Reuben Nakian from 1978. An abstract-figurative sculpture representing the Greek myth of Leda and the Swan- in which the Greek god Z...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

This Art Deco stylized work is by one of America's greatest sculptors. This is a wonderful and unique depiction of Motherhood different than a mother cradling a single child, here w...

Artist: Paul Von Ringelheim, Austrian/American (1933 - 2003) Title: Bust of Alberto Giacometti Year: Circa 1970 Medium: Painted Plaster Size: 29.5 x 13 x 17.5 inches

Jim Leedy “Torso Vessel” (Fish Head Woman) Stoneware Sculpture, Glaze Year: 1979 Size: 34.75 x 16 x 11 Signed COA provided Ref.: 924802-1364 Jim Leedy was a...

Contemporary Aluminum Eagle Bird Sculpture Large Unique Metal Americana Folk Art Similar in design to the US Post Office logo from the 1950's. Signed "...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

The Sails is a contemporary artwork realized by the artist Tatiana Pomus in 1974. Wood and iron sculpture. Signature of the artist engraved on the base. 

Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel This is a beautiful sterling silver commemorative plate. It was spec...

Dudley Vaill Talcott, American (1899-1986), Child's Restaurant Waitress, circa 1929. Number 1 of 12, cast 2011. Stamped with the artists' initials; DVT and dated on base. Other ve...

PIERRE LE FAGUAYS "WATER CARRIER" BRONZE AND ALABASTER, SIGNED ELECTRIFIED FRANCE, C.1925 15.5 INCHES A French sculptor of lithe female f...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

"Volti", Italian for the word "faces", is a playful ceramic pottery charger that makes an exquisite table piece or decorative object to hang for any home due to it colorful and natur...

State of Siege is a sculpture realized by Valeriano Trubbiani (Macerata 1937) in 1972. Zinc and chromed metal. EXHIBITIONS: - Venice, XXXVI International Art Biennial, 1972; - Ro...