Small Sculptures

Kensuke Yamada (b. 1979) was born in Kamakura, Kanagawa, Japan. He received his MFA from the University of Montana in 2009 and has a BA from The Evergreen State College, in Olympia,...

“Silent Watcher” – Ceramic Wolf Bust Sculpture, Contemporary Art, Unique Piece “Silent Watcher” is a striking and contemplative ceramic sculpture from the Misanthrope series. Captur...

In The Stride, acclaimed sculptor Lawrence Holofcener captures the essence of motion, ambition, and personal progress. Cast in bronze, the figure is frozen mid-step. One leg confiden...

Enscribed by the Artist with a signature and edition number on the bronze base. 8/65

An original carved marble sculpture by Constantin Antonovici from his Torso Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 79 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

"PANDASAN FLOWERPOWER" StainlessSteel 50cm, 2015 Stainless Steel Carved Painted & Varnished 19 7/10 × 15 7/10 × 15 7/10 in 50 × 40 × 40 cm Edition of 8. ejem 3/8 Drawing on ideas of collectability and fantasy, Japanese artist Hiro Ando combines tradition with contemporary culture in his sculpture work…. Ando’s editioned sculptures resemble enlarged toy cartoon characters and bear the names SumoCat, Samurai...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Eligible for candles or, due to good air supply, you can very quickly light a beautif...

Moving Planes dates from the period in Iommi’s body of work that corresponds to the so-called “Baroque” period of Concrete Art. This is a sophisticated work that picks up exploring i...

Chandan Das - Untitled Bronze H 21 x W 16 x D 9 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art &...

Chandan Das - Untitled Bronze H 9 x W 22 x D 4 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art & ...

My sculptural work, even with its overt use of modern materials and experimentation, actually operates within our most traditional art forms: still life, landscape, and portraiture. ...

Moon Dog, Bronze Sculpture by Emma Maiden B. 1966, 2022 Additional information: Medium: Bronze Dimensions: 40 x 54 x 10 cm 15 3/4 x 21 1/4 x 4 in Signed with initials and numbered 3...

Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art world. She was an assistant to artist Crist...

Profound Sculpture, in Excellent Condition, Authentic 1996 Bronze Creation proposed by Sculptor Lorenzo Servalli, to experience the Rigor of Duty, represented by the Tree of Life in ...

Outdoor Lamp "Ikosaeder" small and tall in a set of two. This outdoor lamp "Ikosaeder" is for the garden or entrance area. This lamp impresses her unique shadow projection. The "Iko...

"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...

JP Long's wall-mounted sculpture "Wall 38" expertly combines the rigidity and strength of steel with the fluidity and grace of lamp worked glass. The deli...

Max Bill "Endless Loop from a Circular Ring II" This work was conceived in 1947-1949 and executed in 1958 in gilded brass with a white marble base. This sculpture is very important...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

Artist: Anthony Quinn, American (1915 - 2001) Title: Zeus Year: 1992 Medium: Bronze Sculpture with Patina, signature, date and number inscribed Edition: 8/8 Size: 22 in. x 9 in. x 5 ...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor. Hayes received a B...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Spring Woman Lying Down Bronze Sculpture Female Figure KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Geneviève Claisse Title: Untitled (Blue) Year: 2016 Medium: Mixed Media on Plexiglass Signed and numbered by hand Edition: 30 Size: 15.6 × 15.6 on 19.5 × 19.5 inches COA provided Ge...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

This nude figurative sculpture, "Standing Pamela," stands with one hand on her hip and the other hand resting over the ponytail falling down her back. The bronze figure with dark pat...

"Cherry Jell-O" Sculpture 20" x 24" x 4" inch Edition 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award winning Kii Arens, is a critical dri...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Jesus Rafael Soto "Hannover" 1970 Color silkscreen on transparent plexiglass panel, metal rods on nylon threads. It has the original box. 7 x 21 x 5 in Ed. 170 of 200 Provenance: Va...

Vesuvius 19.5 x 15 x 14" hand fabricated steel with patina, 4 inch tall powder coated steel base, shown in picture There are two sides to any circle: the inside and the outside. In ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

This artwork titled "Wave" 1975 is a metal and glass sculpture multiple by noted Israeli artist Menashe Kadishman 1932-2015. It is signed, numbered 1/7 and dated under the main metal part. The size assembled as intended by the artist is 21 inches long, 10 inches high and 3 inches wide. The all metal and the glass and metal part disunited are 18 x 10 inches each. The rectangle part at the top is movable and can be oriented in different position (see picture #1 and #7) It is in very good condition. The large version of this sculpture is referenced in the two following publications: Pierre Restany, Kadishman, Tel Aviv, 1996, illustration of the large version pp. 76-77 Jacob Baal-Teshuva (ed.), Menashe Kadishman, Munich, 2007, no. 22, illustration of the large version p. 17 About the artist: Menashe Kadishman (August 21, 1932 - May 8, 2015) was an Israeli sculptor and painter. Menashe Kadishman was born in the British Mandate Palestine in 1932. His father, who was a pioneer, died when Kadishman was 15 years old. The young Menashe left school to help his mother with housework and to earn money. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he attended Saint Martin's School of Art and the Slade School of Art. During 1959 and 1960 he also studied with Anthony Caro and Reg Butler. He remained there until 1972; he had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style, On May 8, 2015, Menashe Kadishman died after he was hospitalized at Sheba Medical Center in Tel Hashomer. EDUCATION 1947-50 Studies with sculptor Moshe Sternschuss, Avni Institute, Tel Aviv 1954 Studies with sculptor Rudi Lehman, Jerusalem 1959-61 St. Martin's School of Art, London 1961-62 Slade School of Art, University of London PUBLIC COLLECTIONS Art Gallery of Ontario, Toronto, Canada Bass Museum, Miami, FL Buhsnami Sculpture Garden, Burton, TX Centro d'Arte Contemporaneo, Prato, Italy City of Tel Aviv, Israel City of Breda, The Netherlands City of Kirchheim, West Germany City of Seoul (Olympic Park), South Korea City of Toronto, Canada Columbia University, New York Ein Herod Museum, Yizre'el Valley, Israel Faret Tachikawa, City of Tachikawa, Japan Hara Museum of Contemporary Art, Tokyo Hebrew University, Jerusalem Heichal Hatarbut, Tel Aviv High Museum of Art, Atlanta, GA Hirshhorm Museum and Sculpture Garden, Washington, D.C. Israel Museum, Jerusalem Jewish Museum, New York Lehigh University, Allentown, PA Louisiana Museum, Denmark Metropolitan Museum of Art, New York Montgomery Museum of Fine Arts, Alabama Museo de Bellas Artes, Montevideo, Uruguay Museum Haus Lange, Krefeld, West Germany Museum of Modern Art, New York Museum of Modern Art, Munich, West Germany Museum of Modern Art, Skopje, Yugoslavia Open Air Sculpture, Kirchheim, West Germany Philadelphia Museum of Art, Philadelphia, PA Rabbinical Seminary, Cincinnati, OH Storm King Art Center, Mountainville, NY Tate Gallery, London Tel Aviv Museum, Israel Uffizi Gallery, Florence, Italy Weizmann Institute of Science, Rehovot, Israel Wilhelm-Lehmbruk Museum, Duisburg, West Germany PRIZES AND AWARDS 1960 America-Israel Cultural Foundation Scholarship 1961 Sainsbury Scholarship, London 1967 First Prize for Sculpture, 5th Paris Biennale 1978 Sandberg Prize, The Israel Museum, Jerusalem 1981 The Eugen Kolb Prize, The Tel Aviv Museum 1981 Prize of the Jury, Norwegian International Print Biennale, Fredrickstad 1984 The Pundik Prize, The Tel Aviv Museum 1989 King Solomon Award, America-Israel Foundation, New York ONE-PERSON EXHIBITIONS 1965 Harlow Arts Festival, Harlow, England 1970 The Jewish Museum, New York 1972 Museum Haus Lange, Krefeld, West Germany 1975 Israel Museum, Jerusalem, Israel 1978 Venice Biennale, Venice 1979 Israel Museum, Jerusalem: The Kadishman Connection 1981 University of Haifa Art Gallery, Haifa, Israel 1981 Tel Aviv Museum, Tel Aviv 1983 Muhlenberg College, Allentown, PA 1983 ICC, Antwerp, Belgium 1984 Fabien Booulakia, Paris 1984 The Jewish Museum, New York 1986 De Beyerd, Centre of Contemporary Art, Breda, The Netherlands 1986 Gemeentemuseum, Arnhem, The Netherlands: Installation 1987 The Tel Aviv Museum, Myth Transformed: Painting and Monumental 1987 Sculpture of Menashe Kadishman, Tel Aviv 1988 Kammermusiksaal, Menashe Kadishman: Sacrifice of Isaac, Berlin, Germany 1988 Lehigh University, Bethlehem, PA 1988-89 Kniestedter Kirche Stadtmuseum, Salzgitterbad, Germany 1990 Israel Museum, Jerusalem 1994 Giuliano Gori, Fattoria di Celle, Pistoia, Italy SELECTED GROUP EXHIBITIONS 1980 International Sculpture Symposium, Washington, D.C. 1980 Contemporary Art Meeting, Tel Hai, Israel 1980 The Israel Museum, Borders, Jerusalem 1980 David's Tower, The Jerusalem City Museum, Jerusalem the Israeli 1980 Printmaker, Jerusalem 1981 Henie-Onstad Kunstsenter, Young Art from Israel...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Jesús Curiá Perez Horse I bronze and artificial stone 23h x 19.75w x 8.25d in 58.42h x 50.16w x 20.95d cm JCP061 It is seemingly easier to identify with the ideas and thoughts of a...

Beautiful steel sculpture for indoor or outdoor use. This stunning satin stainless steel contemporary sculpture is a timeless and elegant piece. Circular lines are shaping the matte ...

Arrighini Nicola (Pietrasanta 1905-1977) a sculptor of Pietrasanta (Italy) in 1930 decided to create, in white Carrara marble on black marble basis, the Mask of Leopoldo Fregoli, o...

Morning by Carol Gold Abstract Figurative Bronze 22x8.5x4.5" ed/10 ABOUT THE ARTIST: Carol Gold was born in Hartford, Connecticut and grew up on a dairy farm in western Massachusett...

BB10022022 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand cut cardboard elements finished with ...

"Black Hat II" by Joel Perlman Abstract sculpture in cast bronze Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While m...

"Tall Jar with Figures" is an original ceramic by Christine LePage. The artist signed and dated the piece on the bottom. It features silhouettes of figures as...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

assemblage sculpture: handmade & painted wooden men, hand-carved & painted wood eagle, 1 old wood puppet, old birdcage remade into the US Capitol, antique wrought iron church candle holder...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psychedelic characteristics. Nakashima, mostly known for beautifully structured, odd g...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Title: Screaming Warhol Date: 2021 Technique: Recycled Resin (PETG), Chromatic Paint, Granite Dimensions: 50 x 20 x 20 cm Signature: Hand Signed (Bottom, Right Side) Condition: ...

"My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and patterns, reflecting the complex and ever-changing nature of...

Title: Screaming Koons Date: 2020 Technique: Recycled Resin (PETG), Chromatic Paint, Granite Dimensions: 50 x 20 x 20 cm Signature: Hand Signed (Bottom, Right Side) Condition: Exc...

Manolo Valdes Damas y Caballeros: Manolo Valdes, 2024 This pieces consists in a resin sculpture and a book case containing: one book of etchings by the artist and a study book of his...

Burner insert with 3 burners for sphere d=55cm. Through the separately available burner insert, the bowl can also be operated with bioethanol. Since pure bioethanol, also called bioa...

12 Zodiac - Tiger 《12生肖系列 - 虎》 12 Zodiac - Tiger is one of a series of tabletop sculptures created by Chinese artist Zou Liang. Artists try to materialize the zodiac in creative and imaginative ways. Vibrant colors and different facial expressions are used to express the artist's reflective attitude towards how animal sculptures feel. 2022 is year of Tiger...

Mother and Child, with a base by Baltasar LOBO (1910-1993) A bronze group with a dark brownish green patina Signed on the base " Lobo " Cast by " Susse Fondeur Paris " (with the fou...