Aria Kosta Boda

Sweden’s oldest glass company, Kosta Boda, also enjoys a reputation as the country’s most artistic and experimental glassmaker. Since the late 19th century, Kosta Boda has hired painters, sculptors and other artists for short stints — generally two or three years — designing glassware, ensuring that the firm’s aesthetic is always lively and fresh.

Two former army officers founded Kosta Boda in 1742 in Sweden’s densely forested Småland province. (Plentiful timber was needed as fuel for the melting furnaces.) The glassworks’ early products consisted of everyday glassware, such as drinking vessels and windowpanes. As the company recruited master craftsmen from Bohemia, it created fine crystal for an aristocratic clientele.

Kosta Boda began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Wennerberg worked in the Art Nouveau style and brought a lush, organic look to the company’s wares. He was followed to the firm by artists such as Edvin Ollers, who in the early- 20th century created rich geometric and abstract floral patterns that were engraved on clear crystal.

Two post-war Kosta Boda designers stand foremost in the minds of collectors. One is Vicke Lindstrand, who excelled at a technique called cased glass, in which a vividly colored or patterned section of glass is surrounded by and seems to float within a clear crystal body. The other is Erik Höglund, who had an almost artisanal eye for glass shapes, and liked to produce glass that had a textured, warped look. As you will see from the many pieces available on 1stDibs, Kosta Boda created works in an astonishing array of styles, with something to suit any taste.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.