Fferrone Minimal Revolution

Chicago native Felicia Ferrone (b. 1972) studied architecture at Miami University in Ohio before moving to Milan, where she worked as an architect for six years. “This experience taught me how to blur boundaries and make deeper connections,” Ferrone says. “It is there that I began to realize how the different disciplines of architecture and design overlap, how the roles of commerce and design history are intertwined and how the artistic process and the final outcome must be in balance. Milan taught me how to see and be inspired.”

Currently working on a private commission, new glassware collections and the research and design for an “ideal home,” Ferrone launched a serveware collection to mark the 10th anniversary of her brand in 2020.

“I think there is beauty in the utility of an object, just as there is something remarkable about a piece that is stunning first and practical second — it’s not an either or,” she tells 1stDibs. “I try to give my designs both qualities without insisting that one overshadows the other. I also create pieces that live in the present. While we see a lot of design referencing past eras or riffing on a particular vintage detail, I try to keep my focus on the form as an expression of today and the future.”

Find Felicia Ferrone serveware, decorative objects and other furniture today on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Whether you’re seeking glass dinner plates, centerpieces, platters and serveware or other items to elevate the dining experience or brighten the corners of your living room, bedroom or other spaces by displaying decorative pieces, find an extraordinary range of antique, new and vintage glass on 1stDibs.

Glassmaking is more than 4,000 years old. It is believed to have originated in Northern Mesopotamia, where carved glass objects were the result of a series of experiments led by potters or metalworkers. From there, the production of glass vases, bottles and other objects proliferated in Egypt under the reign of Thutmose III. Later, new glassmaking techniques took shape during the Hellenistic era, and glassblowing was invented in contemporary Israel. Then, on the island of Murano in Venice, Italy, modern art glass as we know it came to be.

Over the years, collectors of glass decorative objects or serveware have sought out distinctive antique and vintage pieces of the mid-century modern, Art Deco and Art Nouveau eras, with artisans such as Archimede Seguso, René Lalique and Émile Gallé of particular interest for the pioneering contributions they made to the respective styles in which they worked. Today, long-standing glassworks such as Barovier&Toso carry on the Venetian glasswork tradition, while modern furniture designers and sculptors such as Christophe Côme and Jeff Zimmerman elsewhere test the limits of the radical art form that is glassmaking.

From chandeliers to Luminarc stemware, find a collection of antique, new and vintage glass on 1stDibs.