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Gio Ponte Mobile

"Centro" revolving bookcase, by Claudio Salocchi, Ed. Sormani, Italy, circa 1960
By Claudio Salocchi, Luigi Sormani
Located in Paris, FR
Salone Internazionale del Mobile that same year. That year, Salocchi presented the Ellisse collection for
Category

Vintage 1960s Italian Mid-Century Modern Bookcases

Materials

Metal

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Bookcase Claudio Salocchi, Sormani 1960
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Claudio Salocchi for sale on 1stDibs

Born in Milan 1934, graduated in Architecture at the Milan Politecnico University. He has been Vice-President of ADI (Associazione per il Disegno Industriale), and has taught at the State Professional Institute of Furniture and Furnishings in Lissone and the School of Architecture of Milan Polytechnic. On an international level, Salocchi’s work covers the fields of architecture, interior and industrial design. A great deal of his works and projects were chosen and exhibited through selections or invitations at the most important exhibitions, events or museums, worldwide.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right bookcases for You

As long as curious people have collected stories, we have needed a place to stow them away and preserve them. When auction houses and book dealers proliferated by the late 17th century, the bibliophile was born. And, of course, as with any treasured objects, a book lover’s volumes were suddenly worthy of a luxurious display — enter the bookcase. Americans of means during the 19th century took to amassing art as well as rare books, and antique bookcases of the era, rife with hand-carved decorative accents and architectural motifs, were ideal for displaying their handsome leather-bound wares.

Although our favorite titles may change over the years, the functionality and beauty of their home within our home is timeless. Whether you proudly shelve your books in regal mahogany or behind glass cabinet doors, a bookcase — or perhaps more than one — is essential to creating a cozy nook for any book lover. Even those who don’t covet the perfect home library can benefit from an attractive display case, as bookcases can easily double as charming étagères

Contemporary and customizable options make it easier for you to find the perfect bookcase for your style and stacks. If you don’t wish to fill your storage piece so that your collection is snug within its confines, incorporate extra space to allow for additional displays and decorative objects. And by introducing a striking dark wood Art Deco bookcase or low-profile mid-century modern design by Paul McCobb into your living room, your signed first editions won’t be the only items making a statement. 

Find your dream bookcase on 1stDibs now.