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Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Sheffield silverplate is a durable combination of thin silver sheets and comparatively thicker sheets of copper that was used to create a variety of household objects for years. On 1stDibs, find a collection of antique and vintage Sheffield silverplate and other silverplate for all of your formal dining and entertaining needs.

A cutler named Thomas Boulsover, who worked for a cutlers company in Sheffield, England, accidentally invented what we now call Sheffield silverplate during the 1700s. While working on a decorative knife for a customer — the metalworkers guild had been tasked with repairing its handle — Boulsover mistakenly overheated the silver and noticed that the knife’s layers of silver and copper melded together, creating an impressive bond. This new material felt like silver but was substantially cheaper. It was then used to produce a variety of serveware, candlesticks, buttons, tea sets and more. For families that couldn’t afford the sterling-silver tureens that were used to serve soup in the upper-class English homes at the time, this was good news. They could impress guests with housewares that looked like sterling silver but actually weren't.

Today, just as pewter collectibles and sterling silver are popular with collectors at neighborhood flea markets, antique Sheffield silverplate housewares are sought after for their appearance and rich history. Sheffield silverplate can command high prices on the secondhand market.

Securing yourself a Sheffield silverplate piece is like acquiring a little bit of history. In order to identify authentic Sheffield silverplate, you need to look for one significant attribute of the material. A metalworker had to ensure that all of the exposed edges of a particular piece had to be covered with a rim of silver. If not, the middle layer, which comprised copper, would show through. This would reveal that the piece was not sterling silver.

Don’t just trot out your matching crystal, silver and porcelain once or twice a year. Make a habit of mixing high and low when setting the table. To pair with your everyday contemporary tableware, find antique and vintage Sheffield silverplate on 1stDibs as well as silverplate by goldsmith and tableware companies such as Christofle, Elkington & Co. and more.