Henredon Midcentury Modern Oak Wood

Founded in 1945, Henredon is one of the more recently minted of the top-tier North Carolina furniture makers. Among collectors, Henredon is admired both for its sleek, sexy sofas, dining tables and other furniture of the 1970s and for its partnerships with noted designers, a program that began in the 1950s with decorating icon Dorothy Draper and architect Frank Lloyd Wright.

From the start, Henredon has been best known for its bedroom furniture and vintage case pieces, such as cabinets, dressers, armoires and credenzas. The brand was established in Morganton by former Drexel Furniture Company executives, and its name is a portmanteau term, derived from the first names of three of the company’s founders — T. Henry Wilson, Ralph Edwards and Don VanNoppen. (Sterling Collett, a fourth figure mentioned in Henredon Furniture’s history, chaired the company and served as treasurer).

Though not on the cutting edge stylistically, Henredon’s production — as well as its output under the Heritage-Henredon label — has always kept pace with contemporary tastes. 

In 1953, High Point manufacturer Heritage began a collaboration with Dorothy Draper, famed for bravura interior design commissions such as the Fairmont Hotel in San Francisco and the Greenbrier resort in West Virginia. Her taste for bold, modernized historical style is reflected in the incised baroque medallions of her España line and the geometric motif of her Viennese furnishings group. In 1955, Henredon launched the Taliesin Ensemble by Wright, named after the architect’s houses in Wisconsin and Arizona. Taliesin dressers and coffee tables are recognizable by their angular shapes and a dentil motif on their edges. In those years, Henredon had a cross-licensing agreement with Heritage, and Draper and Wright's furniture is usually labeled Heritage-Henredon.

In later decades, Henredon produced collections for such designers as Ralph Lauren and Laura Ashley. The company took a stylish turn in the 1970s, fabricating new and unusual forms like mirrored room dividers and console tables with rounded corners and burl-wood veneers. Such pieces are priced in the $3,000 to $4,000 range, as are chests of drawers by Draper. Wright furniture tends toward the higher end, priced around $7,000. Henredon was an aesthetically diverse maker, but its furniture commands attention and makes a statement in any eclectic decor.

The vintage Henredon furniture for sale on 1stDibs includes bedroom furniture, coffee tables, chairs and other pieces.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.