Holly Hunt Peso

The success of Holly Hunt — both the designer and her eponymous empire of textile and furnishings showrooms — is based on instinct.

The Chicago-based Hunt trusts her own tastes, reflected in her signature lines of elegant, low-key furniture, lighting and fabrics. She also trusts her judgment about the wants of the buying public, and this savvy sensibility has allowed her to cultivate and market the work of a range of contemporary talents, from minimalists like Christian Liaigre to eccentrics like Christian Astuguevieille.

Hunt is a design world impresario — a prominent arbiter for stylish modern interiors and known foremost for fabrics, seating designs and light fixtures. Modern sophistication, attention to detail, and a desire to cultivate talented contemporary designers are at the crux of the company’s success.

Born in central Texas to schoolteacher parents, Hunt was a creative girl who made her own clothes and bickered with her mother about decor. After graduating from Texas Tech, Hunt worked as department-store buyer and costume jewelry designer before marrying and helping her husband build a multimillion dollar transport company. Her hobby was decorating their homes. After the two divorced, Hunt purchased a showroom in the Chicago Merchandise Mart in 1983. Within 10 years, she was winning applause for her understated designs, her lavish showroom parties and her eye for rising design stars. Liaigre was her first discovery. Correctly surmising that his pared-down furniture in dark wood would play well in the United States in the aftermath of the go-go ’80s, Hunt began marketing the French designer’s work in 1994.

Over the subsequent years Hunt has added a half-dozen showrooms and, following her own style barometer, has taken on other fresh talents, including glassmaker Alison Berger, French designer Christophe Pillet and couturier Ralph Rucci, making a foray into home design.

One constant over that time have been the aesthetics of Hunt’s own designs. Her fabrics — the first choice of many dealers when re-upholstering vintage seating — are understated, mixing muted colors and updates of classic patterns. Her furniture is simple and refined. As you will see on 1stDibs, the name Holly Hunt represents a sense of timelessness and sophistication.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

No matter your furniture style of choice, a shared meal is one of life’s true rewards. Why not treat your family and friends to a luxurious dining experience? Browse our top picks to find the perfect antique, new or vintage dining room table for this important occasion.

Modern furniture design borrows significantly from the trends of yore, and this is especially apparent in dining tables. Ancient Egyptians made practical use of the earliest four-legged tables of wood and rock — their models bear striking similarity to the dining tables of today — while common large medieval dining room tables in England were made of oak or elm. Romans and Greeks, renowned for big banquets that involved entertainment as well as good food, used early dining room tables made of marble or wood and metals such as bronze for meals. 

On 1stDibs, find a range of dining room tables that offers no shortage of options to accommodate modest interiors, midsize family homes and even lavish banquets (entertainment not included).

Beginning in the mid-19th century, more American homes featured dining rooms, where families could gather specifically for a meal together. In the States, upper-class families were the first to enjoy dining room tables, which were the centerpiece of the dining room. 

Dining room tables of the Victorian era were created in a range of revivalist styles inspired by neoclassical, Renaissance, Gothic and other traditions. Furnishings of the period were made of various woods, including oak, rosewood and mahogany, and referenced a variety of decorative arts and architectural motifs. Some dining room tables finished in the Rococo style feature gorgeous inlaid marble tabletops or other ornamental flourishes handcrafted by Parisian furniture makers of the 18th century.

In many modern spaces, there often isn’t a dining room separate from the kitchen — instead, they frequently share real estate in a single area. Mid-century modern dining room tables, specifically those created by designers such as Osvaldo Borsani, Edward Wormley and Alvar Aalto, are typically clean and uncomplicated designs for a dining area that’s adjacent to where the cooking is done. Furniture of this era hasn’t lost its allure for those who opt for a casual and contemporary aesthetic.

If you’re of the modern mindset that making and sharing meals should be one in the same — and perhaps large antique dining tables don’t mesh well with your style — consider a popular alternative. Working with a tighter space may mean that a round or oval dining room table, a design that references the festive meals of the medieval era, may be a better fit. Round dining room tables, particularly those that originated in the Art Deco period, still endure as a popular contemporary substitute for traditional rectangular dining tables. Giovanni Offredi’s Paracarro table for Saporiti Italia is a striking round table option that showcases the magnificent Italian industrial design of the 1970s.

Find a collection of antique, new and vintage dining tables on 1stDibs.