Japanese Sectional Dish
2010s Italian International Style Ceramics
Ceramic
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Antique Early 18th Century Chinese Chinese Export Ceramics
Porcelain
Antique Early 1900s English Edwardian Porcelain
Porcelain
Mid-20th Century American Hollywood Regency Decorative Dishes and Vide-P...
Art Glass
Antique 1880s English Victorian Sheffield and Silverplate
Silver Plate
20th Century French Modern Pitchers
Ceramic
Late 20th Century British Modern Decorative Bowls
Ceramic
Vintage 1950s French Mid-Century Modern Decorative Dishes and Vide-Poche
Metal
Vintage 1970s Italian Mid-Century Modern Vases
Ceramic
21st Century and Contemporary Italian Modern Dinner Plates
Marble
20th Century Chinese Other Tea Sets
Paint, Porcelain
21st Century and Contemporary French Arts and Crafts Tableware
Ceramic
Early 20th Century Danish Porcelain
Porcelain
Early 20th Century German Porcelain
Porcelain
Mid-20th Century German Decorative Dishes and Vide-Poche
Porcelain
Vintage 1960s French Vases
Ceramic
Mid-20th Century Hungarian Porcelain
Porcelain
A Close Look at international-style Furniture
The International Style, a modernist movement within architecture and furniture design that was given its name by American architect Philip Johnson and historian Henry-Russell Hitchcock, was born during the 1920s and ’30s. It gained steam initially in Europe and then in the United States as a response to the first World War. Building projects associated with the movement, as well as vintage International Style chairs, tables and other furnishings, are minimal and pared back.
Pioneers of the International Style — architect Walter Gropius and his Bauhaus colleagues Ludwig Mies van der Rohe and Marcel Breuer, De Stijl advocate and Dutch architect J.J.P. Oud and visionary designer Le Corbusier — stripped away decorative elements and placed considerable value on functionality and clean lines, integrating the use of industrial materials like steel, concrete and large sheets of glass in their work. Quite aptly, this mode of design and architectural style coincided with an era now known as the Machine Age and became a global symbol of modernism. The primary motive of its practitioners was to address the changing needs of a rapidly industrializing society, especially the demand for office complexes and apartments in large cities, through economical, technologically advanced, yet aesthetically pleasing designs for furniture and buildings.
“Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep,” said Le Corbusier of the philosophy behind his practical modernist architecture.
The International Style’s designers and architects were inspired by the advantages afforded them by the era’s new technology and industrial machinery as well as state-of-the-art materials. Le Corbusier was fond of framing his buildings in steel but reinforced concrete made far more economic sense. He is probably most admired for the iconic private homes and commercial buildings that he designed or codesigned with his cousin Pierre Jeanneret, which are spread across the world, from New York City to Paris to Chandigarh, India. Today, Breuer’s Wassily Lounge chair; the elegant LC series created by Le Corbusier, Jeanneret and Charlotte Perriand; and Mies van der Rohe’s Barcelona chair, crafted with his romantic partner, designer Lilly Reich, are emblems of progressive modernist design and all make prominent use of tubular steel. Vintage originals are the prized cornerstone of collections.
“The International Style is probably the first fundamentally original and widely distributed style since the Gothic,” posited Johnson in the book that accompanied “Modern Architecture: International Exhibition,” an architectural show he cocurated with Hitchcock that featured the work of Frank Lloyd Wright, Le Corbusier, Richard Neutra and others. While the term “International Style” had previously been circulating in Europe, when the show opened at the Museum of Modern Art in 1932, it yielded a much broader application of this important style of design.
Find International Style furniture on 1stDibs.
Finding the Right ceramics for You
Whether you’re adding an eye-catching mid-century modern glazed stoneware bowl to your dining table or grouping a collection of decorative plates by color for the shelving in your living room, decorating and entertaining with antique and vintage ceramics is a great way to introduce provocative pops of colors and textures to a space or family meals.
Ceramics, which includes pottery such as earthenware and stoneware, has had meaningful functional value in civilizations all over the world for thousands of years. When people began to populate permanent settlements during the Neolithic era, which saw the rapid growth of agriculture and farming, clay-based ceramics were fired in underground kilns and played a greater role as important containers for dry goods, water, art objects and more.
Today, if an Art Deco floor vase, adorned in bright polychrome glazed colors with flowers and geometric patterns, isn’t your speed, maybe minimalist ceramics can help you design a room that’s both timeless and of the moment. Mixing and matching can invite conversation and bring spirited contrasts to your outdoor dining area. The natural-world details enameled on an Art Nouveau vase might pair well with the sleek simplicity of a modern serving bowl, for example.
In your kitchen, your cabinets are likely filled with ceramic dinner plates. You’re probably serving daily meals on stoneware dishes or durable sets of porcelain or bone china, while decorative ceramic dishes may be on display in your dining room. Perhaps you’ve anchored a group of smaller pottery pieces on your mantelpiece with some taller vases and vessels, or a console table in your living room is home to an earthenware bowl with a decorative seasonal collection of leaves, greenery and acorns.
Regardless of your tastes, however, it’s possible that ceramics are already in use all over your home and outdoor space. If not, why? Whatever your needs may be, find a wide range of antique and vintage ceramics on 1stDibs.