The Danish-born Jens Risom brought the Scandinavian modern design sensibility to a wide audience in the United States. As the first designer for Knoll Inc., Risom introduced American buyers to the region’s enduring design values of simplicity, grace and craftsmanship.

Risom trained in furniture making at the Copenhagen School of Industrial Arts and Design under Ole Wanscher, alongside classmates Hans Wegner and Børge Mogensen. In 1939, a year after graduating from business school, Risom decided to move to the U.S.

While working for an interior designer in New York in 1941, he met Hans Knoll, and the businessman and the designer hit it off. They brought out their first line the next year, despite wartime materials restrictions. The signature piece — now a design icon — was a lounge chair with a striking, undulant birch frame and a seat made of webbed sub-military grade parachute straps. Risom was drafted into the army, and served as a translator under General George Patton. When he returned from the war, Risom clashed over furniture design ideals with his business partner’s new bride, Florence Knoll, the pioneering mid-century modernist who was schooled in the Bauhaus method, which favored furniture with strict, geometric metal frames. Risom then started his own company, Jens Risom Design.

In the course of his long career, Risom developed a stylistic vocabulary that was a reflection of the life of the man himself: his furniture has Danish warmth coupled with an American air of crisp efficiency. Vintage Risom chairs are almost instantly recognizable — the arms and seat backs are set at a distinctive angle that seems to invite people to sit back and relax, yet they know they can hop up in an instant, ready to go.

As you will see on these pages, Jens Risom is one of the great men of American modern design who made furniture that is unique and timeless.

Find a collection of vintage Jens Risom furniture on 1stDibs that includes lounge chairs, desks, coffee tables and more.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Materials: brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right apothecary-cabinets for You

If you’ve been searching for a unique solution for storage or displaying your serveware or decorative objects, might we prescribe an antique or vintage apothecary cabinet?

With the advent of the modern-day pharmacy, you can often go a long time without running into an apothecary . . . or even seeing the word. Popular in the 15th and 16th centuries, apothecary shops are the predecessors of today’s typical drug stores. An apothecary, in the person sense, was a medical professional, dispensing medicines and remedies for common ailments, but also preparing and mixing said medicines in-house. Too often these shops were quite small and, like most of us constantly seeking savvy storage solutions, apothecaries needed a cabinet to store supplies and medicinal ingredients.

Apothecary cabinets are case pieces similar in size to early dressers or commodes but with uniquely sized shelving and (often numerous) drawers. Indeed, these old-world furnishings — whether it's a small apothecary cabinet or a large version — offer seemingly endless ways to sort and display or just help tidy up a room while maintaining its charm.

Decorating with a vintage metal apothecary cabinet, or one made of solid wood, is a snap.

Pay tribute to the piece’s original purpose by displaying your very own collection of apothecary jars and bottles or decorative art glass. Elsewhere, introduce the cabinet to high-traffic areas such as your living room — two smaller Victorian-era apothecary cabinets could work as side tables — or your entryway much in the way you would a console table. These functional furnishings can work as storage in your home office or as nightstands in the bedroom, and in any interior an apothecary wall cabinet can keep your space orderly and clutter-free.