Jinbao Chair

Known for their sleek, sophisticated interiors and modern, sculptural furniture, Canadian designers George Yabu and Glenn Pushelberg, who collaborate as Yabu Pushelberg, continue to push the boundaries of contemporary style. “We’re always focused on what’s next and continually search for the new and innovative as we strive to conceive the memorable experiences of tomorrow,” says the couple and design duo.

Yabu and Pushelberg met when they were students at Ryerson University’s School of Interior Design (now Toronto Metropolitan University), in Toronto, graduating in 1976. They didn’t meet again until bumping into each other a few years later while both were looking for studio spaces. That chance meeting led to the founding of the company Yabu Pushelberg, in 1980, with a focus on interior design.

Their first major project was in 1984, designing Canadian fashion retailer Club Monaco’s first stores in Toronto. Yabu Pushelberg evolved from strictly interior design to adopt a multidisciplinary approach in subsequent years. The firm has since grown to a team of 100-plus creatives and professionals with offices in Toronto and New York, designing buildings, landscapes, interiors, lighting, graphics, objects and furniture. 

Yabu and Pushelberg have collaborated with many notable designers and international furniture manufacturers. For Italian silverware maker Pampaloni, the duo designed a series of tableware, serveware and home goods. Other collaborations include dining chairs for Italian manufacturer Hinge; the curvy Surf sofa for Molteni&C.; and for Glas Italia, the all-glass, bowl-shaped Nacre coffee table. Yabu Pushelberg has also designed several independent pieces such as lounge chairs, sofas, stools and console tables, to name a few.

Yabu and Pushelberg’s list of accomplishments and accolades is extensive. They have created interiors for Midtown Manhattan’s Park Hyatt hotel, Bergdorf Goodman in New York, Lane Crawford in Hong Kong and Shanghai, the Waldorf Astoria Beijing, the Rosewood Guangzhou, Edition hotels in New York, London and Miami Beach and several boutiques for Louis Vuitton, Carolina Herrera and David Yurman. The pair were also appointed Officers of the Order of Canada for their contributions to design and have been inducted into the Interior Design Hall of Fame.

On 1stDibs, discover a range of George Yabu and Glenn Pushelberg seating, tables, case pieces and mirrors.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.