Peter Max Wristwatch

Born Peter Max Finkelstein in Berlin in 1937, psychedelic Pop art icon Peter Max spent the first part of his childhood in Shanghai after his parents emigrated from Germany to flee the Nazis. While there, Max developed his deep interest in American pop culture — namely comic books, jazz and cinema. Max’s paintings, graphic design, prints and illustrations, which were inspired by these interests, were also informed by his experience with synesthesia, a sensory condition that causes him to see music and hear color.

After relocating to Haifa, Israel, then Paris, where he spent a significant amount of time in sketching classes at the Louvre, a teenage Max and his family finally moved to the United States, settling in Brooklyn. Max enrolled in the Art Students League of New York in 1956, training under Frank J. Reilly, and then the School of Visual Arts. Throughout art school, Max focused on photorealism, but he found the style too restrictive. When he graduated and opened his graphic design studio with friends in 1962, he began experimenting with abstraction and color — just in time for the psychedelic era.

The technicolor works for which Max would become known are characterized by big and bold graphic qualities — not dissimilar to what you’d find in his beloved comic books. Some deeper themes emerged across his work too: Max spent a good portion of the 1960s and 1970s creating his signature cosmic style, inspired by his fascination with astronomy and Eastern philosophies.

For Max and his partners, the graphic design business was highly successful, with commissions rolling in from advertising agencies, magazines and even Hollywood in the form of movie posters. The artist was featured on the cover of Life in 1969, and by the 1970s, he was practically a household name.

Max's body of work extended into product design, including a line of clocks for General Electric, while his domination of the commercial art scene continued for decades. He was commissioned to paint a postage stamp honoring the World’s Fair of 1974 (Expo ‘74); a Statue of Liberty series in which some proceeds went on to fund the statue’s restoration; posters and other advertising materials for major events like the Super Bowl, the U.S. Open and the Grammys; a Dale Earnhardt race car; and even the hull of the Norwegian Breakaway cruise ship.

Commercial activities aside, Max has long been the subject of many museum exhibitions, from his first solo show in 1970, “The World of Peter Max,” at the M.H. de Young Memorial Museum in San Francisco to 2016's “Peter Max: 50 Years of Cosmic Dreaming” at the Tampa Museum of Art in Florida. Today, his work belongs to the collections of the Museum of Modern Art in New York, the Philadelphia Museum of Art and other institutions.

Find original Peter Max lithographs, paintings, signed art and other works for sale on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

A sophisticated clock design, whether it’s a desk clock, mantel clock or large wall clock for your living room, is a decorative object to be admired in your home as much as it is a necessary functional element. This is part of the reason clocks make such superb collectibles. Given the versatility of these treasured fixtures — they’ve long been made in a range of shapes, sizes and styles — a clock can prove integral to your own particular interior decor.

Antique and vintage clocks can whisk us back to the 18th and 19th centuries. When most people think of antique clocks, they imagine an Art Deco Bakelite tabletop clock or wall clock, named for the revolutionary synthetic plastic, Bakelite, of which they’re made, or a stately antique grandfather clock. But the art of clock-making goes way back, transcending continents and encompassing an entire range of design styles and technologies. In short, there are many kinds of clocks depending on your needs.

A variety of wall clocks can be found on 1stDibs. A large antique hand-carved walnut wall clock is best suited to a big room and a flat background given what will likely be outwardly sculptural features, while Georgian grandfather clocks, or longcase clocks, will help welcome rainswept guests into your entryway or foyer. An interactive cuckoo clock, large or small, is guaranteed to bring outsize personality to your living room or dining room. For conversation pieces of a similar breed, mid-century modern enthusiasts go for the curious Ball clock, the first of more than 150 clock models conceived in the studio of legendary architect and designer George Nelson. 

Minimalist contemporary clocks and books pair nicely on a shelf, but an eye-catching vintage mantel clock can add balance to your home library while drawing attention to your art and design books and other decorative objects. Ormolu clocks dating from the Louis XVI period, designed in the neoclassical style, are often profusely ornate, featuring architectural flourishes and rich naturalistic details. Rococo-style mantel clocks of Meissen porcelain or porcelain originating from manufacturers in cities such as Limoges, France, during the 18th and 19th centuries, exude an air of imperial elegance on your shelves or side tables and can help give your desk a 19th-century upgrade.

On 1stDibs, find a range of extraordinary antique and vintage clocks today.