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Tobia & Afra Scarpa Adjustable Fireplace Screen, circa 1970, Italy
By Afra & Tobia Scarpa
Located in Brussels, BE
Afra and Tobia Scarpa adjustable fireplace screen for Dimensione Fuoco, circa 1970, Italy. Black
Category

Vintage 1970s Italian Mid-Century Modern Fireplaces and Mantels

Materials

Metal, Brass

Tobia Scarpa 1980s Stained Glass and Oak Screen
By Afra & Tobia Scarpa
Located in Saint-Ouen, FR
Spectacular screen by Afra and Tobia Scarpa composed of six stained glass under glass in a stained
Category

Vintage 1980s Italian Screens and Room Dividers

Materials

Glass, Stained Glass, Oak

Italian Fireplace Screen by Tobia & Afra Scarpa, 1970s
By Afra & Tobia Scarpa
Located in Naples, IT
Afra and Tobia Scarpa for Dimensione Fuoco Iron folding and adjustable fireplace screen with four
Category

Vintage 1970s Italian Mid-Century Modern Fireplaces and Mantels

Materials

Metal, Brass, Steel

Dimensione Fuoco Set of Scarpa Leather Log Basket & Riccardo Dalisi Fire Screen
By Afra & Tobia Scarpa, Riccardo Dalisi
Located in Tilburg, NL
screen. Afra & Tobia Scarpa Leather Log Basket Beautiful thick leather log basket with brass
Category

Late 20th Century Italian Post-Modern Fireplace Tools and Chimney Pots

Materials

Brass, Wrought Iron

1970s Carlo Scarpa Black Lacquered Wood Screen
By Carlo Scarpa
Located in IT
Glossy black polyester lacquered screen by Carlo Scarpa from the 1970s. The screen is divided
Category

Vintage 1970s Italian Screens and Room Dividers

Materials

Wood

1970s Carlo Scarpa Black Lacquered Wood Screen
1970s Carlo Scarpa Black Lacquered Wood Screen
H 94.49 in W 125.99 in D 1.97 in
Fireplace Screen by Afra & Tobia Scarpa, Italy, 1970s
By Afra & Tobia Scarpa
Located in New York, NY
Afra and Tobia Scarpa for Dimensione Fuoco Iron folding fireplace screen with four sections, Italy
Category

Vintage 1970s Italian Mid-Century Modern Fireplaces and Mantels

Materials

Iron

Tobia Scarpa 1980s Stained Glass and Oak Screen
By Afra & Tobia Scarpa
Located in Saint-Ouen, FR
Spectacular screen by Afra and Tobia Scarpa composed of six stained glass under glass in a stained
Category

Vintage 1980s Italian Screens and Room Dividers

Materials

Glass, Oak, Stained Glass

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Scarpa Screen For Sale on 1stDibs

At 1stDibs, there are many versions of the ideal scarpa screen for your home. Each scarpa screen for sale was constructed with extraordinary care, often using metal, wood and fabric. Find 56 options for an antique or vintage scarpa screen now, or shop our selection of 32 modern versions for a more contemporary example of this long-cherished piece. There are many kinds of the scarpa screen you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 21st Century. A scarpa screen made by mid-century modern designers — as well as those associated with Art Deco — is very popular. A well-made scarpa screen has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Tobia Scarpa, Cassina and Afra & Tobia Scarpa are consistently popular.

How Much is a Scarpa Screen?

The average selling price for a scarpa screen at 1stDibs is $9,315, while they’re typically $222 on the low end and $265,000 for the highest priced.

A Close Look at Mid-century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.