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Thali Set

Thali, Marble Low Table, Design by Matang and Natasha Sumant
By Matang, Natasha Sumant
Located in Paris, FR
of indigo-dyed ashwood.  This table is inspired by a thali which is a set of plates used in the
Category

2010s French Modern Coffee and Cocktail Tables

Materials

Marble

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Cassandra Goad Blue Topaz Gold Indian Marriage Pendant
By Cassandra Goad
Located in London, GB
Inspired by the charms on an Indian marriage necklace (known as a Thali) in the Victoria and Albert
Category

21st Century and Contemporary British Modern Drop Necklaces

Materials

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Set of 2 Thalis Triangles by Faye Tsakalides
Located in Geneve, CH
Set of 2 Thalis Triangles by Faye Tsakalides Dimensions: 21 W x 28 L x 10 H cm Materials: Volakas
Category

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Materials

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Set of 2 Thalis Triangles by Faye Tsakalides
Set of 2 Thalis Triangles by Faye Tsakalides
H 3.94 in W 8.27 in D 11.03 in
Thali, a Marble Low Table, Design by Matang and Natasha Sumant
Located in Paris, FR
of indigo-dyed ashwood.  This table is inspired by a thali which is a set of plates used in the
Category

2010s French Modern Coffee and Cocktail Tables

Materials

Marble

Cassandra Goad Blue Topaz Gold Indian Marriage Pendant
By Cassandra Goad
Located in London, GB
Inspired by the charms on an Indian marriage necklace (known as a Thali) in the Victoria and Albert
Category

21st Century and Contemporary British Modern Drop Necklaces

Materials

Topaz, 9k Gold

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A Close Look at modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

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Eileen Gray’s Deco Designs Launched Modernism. That Was Just the Beginning

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The New York Botanical Garden, in the Bronx, has mounted a multifaceted show honoring the polymath modernist's legacy, including new work by contemporary landscape maker Raymond Jungles.