Henry Louis Dupray Art

This untitled graphite drawing on paper by Verona Burkhard (1910-2004) features a dynamic figure on horseback, serving as a preliminary sketch for a larger mural. The work highlights Burkhard’s skillful use of graphite to capture movement and form. Presented in a custom frame with all archival materials, the framed dimensions measure 29 ¾ x 22 ¾ inches, with the image size at 23 ½ x 16 ¼ inches. In very good vintage condition, this drawing represents Burkhard's early artistic process for her mural work. Expedited and international shipping options are available; please contact us for a personalized quote. About the Artist: Verona Lorriane Burkhard, born on June 8, 1910, was an accomplished American artist known for her murals, paintings, and contributions to the art community. Raised in New Jersey and New York, Burkhard studied at the Art Students League under Boardman Robinson and at Columbia University with Frank Mechau...

Drawing on paper with colored pencils and ink on a layer of dyes extracted from plants. Created before taking a flight in Bolivia, infused with the magic of the Andes. Shipped unfram...

A. Lesueur French 19ème siècle Les Mille Et Une Nuits – One Thousand & One Nights, 1892 Charcoal on paper heightened with white. Signed & dated 1892 lower right. Image size 23.6 inc...

Study of Animals is a beautiful pencil original drawing on ivory-colored paper, realized in 1974 by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed and dated " Willi Lorenz, München '74" in pencil on lower right margin. This is a preparatory study representing the profiles of a big...

Couple of Deers is an original drawing realized by Ernest Rouart in the early XX Century. Pencil on paper; signed on the lower right margin. The back of the artwork is sketched in pencil. Passepartout included (49 x 34 cm). Very good conditions. Very nice sketch representing a couple of little cute deers. The softness and the elegance of the contour lines reflect the great talent of Rouart, especially in the representation of animals. The proportions of the bodies are precise, clear, and simple. The artist realized many different sketches with deers and other animals in different poses. Ernest Rouart (Paris, 1874 – Paris, 1942) was a French painter, illustrator, engraver, and art collector. He was the son of Henri Rouart...

Playful portraits of six goats, a series arranged in panels, by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in an off-white mat. No frame. Ima...

A wonderful English watercolor painting depicting A Donkey, Lambs and a Robin in a stable the night before Christmas.. This piece was drawn ...

A wonderful English watercolor painting depicting a terrier puppy with a kitten playing with a Christmas decoration under the Christmas tree This piece was drawn as an illustration f...

Roaring Tiger is a beautiful pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil on lower right margin. This is a wonderful study representing a crouched tiger roaring, realized with a fat pencil and with the incredible freshness of line and realism. This modern artwork is in very good conditions, except for some minor pencil stains on lower margin. This is a really perfect artwork for your sophisticated home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks bears...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

A wonderful English watercolor painting depicting A Donkey, Lambs and a Robin in a stable the night before Christmas.. This piece was drawn ...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...