Abstract Paintings

Signed lower left, 'Norden' for Frealon Norden Bibbins (American, 1926-2013) and dated 1976. Inscribed verso, 'Blue Storm', stamped with certification of authenticity and wax seal. A substantial and dynamic work by this California Abstract painter evoking organic floral forms and comprising fluidly superimposed and adjacent, flowing layers of jade, coral and magenta set against an ivory field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

An elegant, cabinet-size, American School abstract comprising fragmented structural areas of goldenrod, coral, and ebony, superimposed on a soft field of jade and sage green. Signed...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Bolder Strokes 14 Julia Marc, American Date: circa 1980 Oil on Canvas, signed l.r. Size: 48 x 84 in. (121.92 x 213.36 cm)

This mixed media work on board by Konstantin Bokov continues his series of Recycle NYC, which repurposes found materials from the streets of New York into artworks. This piece depict...

Tulips with pear. Oil on cardboard, 50x40 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art,...

"Purple Dot on Black" and "Purple Dot on Grey" are two 22.5 x 14.4 inches each, oil on board, geometric abstracts by Philadelphia artist Morris Lewis Blackman. The paintings are est...

J. James Akston Surrealism, Village scene (Mexico) Acrylic on Board Frame: 15 X 18 Image: 9 X 12 Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019. He was a Graduate of Georgetown University. He sat on the board of the Norton Museum. Exhibitions 1976 Hokin Gallery 1966 Gallery 63 NYC 1960 Gallery 63 Rome , Italy Select Public Collections National Museum, Wshington DC Boca Museum of Art Whitney Museum of Art, NYC Museum of Modern Art, NYC Museum of African Art Washington DC (Now part of Smithsonian Museum) Bibliography: 1962 Art...

Artist: Doo Shik Lee, Korean (1947 - 2013) Title: Untitled Year: 1992 Medium: Oil on Canvas, signed and dated Size: 44 in. x 57 in. (111.76 cm x 144.78 cm)

Dedication to Picasso. 1993, assemblage, cardboard, wood, acrylic, 68 x 47 cm Georgs Barkans (1925-2010) Textile artist, architect, artist Professional education: University of Latv...

Painted by Frealon Bibbins (American, 1926-2013) circa 1976. Certification of authenticity, verso, with stamped wax seal. A substantial 1970's abstract evoking graceful, oceanic forms and comprising fluidly superimposed and adjacent, diaphanous layers of scarlet, rose, lilac, and grass-green against a variegated sunshine-yellow field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

This 9 box installation by Rene Rietmeyer is bright yellow, deep layered painted oil on wood, that can be installed in any configuration or design. This Dutch artist created metaphy...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 54"H x 54"L. Duayne Hatchett was a visual artist whose work...

Cheryl Warrick (American, b. 1956), "By Ones By Twos" Acrylic mixed media on panel, 1999, Hand signed in pencil, titled and dated verso, gallery label...

Artist: Michel Caro, American XXth Title: After Sam Francis: Senza Titolo III Year: circa 1999 Medium: Oil on Canvas, signed l.r. Size: 49 x 53.5 inches

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Artist: Gustav Rehberger, American (1910 - 1995) Title: Orchestra Year: 1971 Medium: Oil on Canvas, signed Size: 48 x 96 in. (121.92 x 243.84 cm)

Artist: William Copley Title: Firecracker Year: 1975 Medium: Oil on Canvas with Match and Firecracker, signed and dated Size: 12 in. x 12 in. (30.48 cm x 30.48 cm) Frame Size: 13 x 1...

A walk in the village Oil on cardboard, 45x45 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer...

Shangri-La 54”x48” Oil on Canvas Abstract Art Bold Colors Red Shapes As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustration stu...

A colourful, unique and vivid painting on canvas. Framing on request.

Woman with Flower and Bird Al Amatulli American (1935) Date: circa 1972 Oil on Canvas, signed verso Size: 44 in. x 33 in. (111.76 cm x 83.82 cm)

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 6.75 inches condition: very good provenance: fr...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 8 x 5 inches condition: very good provenance: from ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 7 x 5.5 inches condition: very good provenance: fro...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 10.5 x 3.5 inches condition: very good provenance: ...

Abstract Composition signed by Sally Vaughan (contemporary) dated 89' gouache painting on card, unframed measurements: 12 x 11 inches condition: very good provenance: from a large pr...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 9.5 inches condition: very good provenance: from a large private coll...

Gordon House 1932-2004 Red/Green Ornament Frieze I, 1976-1977 signed and dated on the canvas overlap acrylic on canvas 91 x 91 cm 35 7/8 x 35 7/8 in Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 5.75 x 8 inches condition: very good provenance: from a large private collection...

Abstract Composition signed initials by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6.5 x 7 inches condition: very good provenance: from a large pri...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 11 inches condition: very good provenance: from a large private collection ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 8.75 x 6.75 inches condition: very good provenance: from a large private collec...

Abstract Compositions by Sally Vaughan (contemporary) set of two gouache paintings on card, unframed measurements: 9.5 x 9.25 and 10.5 x 6 inches condition: very good provenance: fro...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 10 x 10 inches condition: very good provenance: from a large private collection ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 8 inches condition: very good provenance: from a large private collection o...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed ( frame used in photos are for display purposes only. Not including in purchase.) measurement...

Surreal abstract expressionist painting of a group of clowns in the style of Belgian painter James Ensor. Combining the macabre with the playful, the work features distorted clowns a...

Original acrylic and spray paint on metal panel. Hand signed and dated on verso by John 'Crash' Matos. Artwork is in excellent condition. Certificate of Authenticity included. All r...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the feeling lightness and joy, which i...

This painting by Frank Vaders is a unique piece from the 1990s, made in oil on canvas with the dimensions 251 × 200 cm. It is in good condition. Vaders' works have been offered at au...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

An amazing and graceful panel that has an elevating sense of movement and nature as described by its title "Soaring". Intricate taping off of triangles in this work in varying sizes...

Before the Party is an intriguing abstraction that speaks to fantasy and imagination. Wemaere is known as part of the CoBrA group in Europe and his works are sought after and distin...

This early work by Jacob El Hanani was done in 1970. It is mixed media on masonite. It is hand signed in Hebrew and English in the bottom right. The piece comes framed in a black woo...

Artist: Ruperto Cabrera (Spanish 1960 - ) Title: Composition I Year: 1999 Medium: Oil, Silkscreen, Zund UV Jet Print on Canvas, Signed verso Size: 32 x 39 in. (81.28 x 99.06 cm)

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

American School, "Tide Pools", Mixed Media on Paper, 1976, abstracted beach scene, titled lower left, illegibly signed and dated lower right, wood frame. Image: 16" H x 31" W; frame;...

Happy in ‘72 Josep Grau-Garriga, Spanish (1929–2011) Date: 1972 Acrylic and Collage on Paper Size: 24 x 32 in. (60.96 x 81.28 cm) Provenance. Arras Gallery, NYC

Sunil Das - 9 x 14 inches (unframed size) Rare Collage Series, Pen and Ink Plastic Feather Acrylic Foil on paper pasted on board Inclusive of shipment in ready to hang form. Sunil D...

Artist: Elwood Howell, American (1933 - ) Title: Neritic No. 33 Year: 1979 Medium: Acrylic on Paper, signed l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Artist's Statement "College tuitions are headed my way, so I am letting go of some things I held on to from the past. This is from my Santa Fe series, the only one I have left. To m...

Don Giffin (American, 1948-2003) Phone in the Desert, 1999 Mixed media painting Hand signed Don Giffin, titled and dated (verso) 76 x 52 inches. (including ...

Artist: Michael Knigin, American (1942 - 2011) Title: Private Showing Year: 1990 Medium: Acrylic and Enamel on Canvas on board, signed, titled and dated verso Size: 24 x 52 inches

This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...

Phenomena Celtic Fire Torc by Paul Jenkins (1923-2012) Acrylic on canvas 76 x 61 cm (29⁷/₈ x 24 inches) Signed lower left Paul Jenkins Signed, dated and titled on the reverse Executed in 1995 Provenance Private collection, Germany Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...