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Matisse Jazz Series

Selection of vibrant Jazz series offset lithographs after Henri Matisse
By Henri Matisse
Located in Atlanta, GA
Selection of vibrant "Jazz" series lithographs, as published in the facsimile edition book "Henri
Category

Vintage 1980s American Mid-Century Modern Prints

Materials

Paper, Wood

Selection of vibrant Jazz series offset lithographs after Henri Matisse
By Henri Matisse
Located in Atlanta, GA
Selection of vibrant "Jazz" series lithographs, as published in the facsimile edition
Category

Vintage 1980s American Mid-Century Modern Prints

Materials

Wood, Paper

Selection of vibrant Jazz series offset lithographs after Henri Matisse
By Henri Matisse
Located in Atlanta, GA
Selection of vibrant "Jazz" series lithographs, as published in the facsimile edition book "Henri
Category

Vintage 1980s American Mid-Century Modern Prints

Materials

Wood, Paper

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Henri Matisse Jazz (Book)
Located in North Yorkshire, GB
This is a beautifully illustrated book (A3 size) of cut-out and collages done by Matisse in the late 1930s and early 1940s. The colors are very vibrant and the theme was based on the...
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Henri Matisse Jazz (Book)
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Free Shipping
H 15.5 in W 12 in D 1.13 in
Framed After Henri Matisse Cut Out Blue Lithograph Nu Bleu I
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Framed After Henri Matisse Cut Out Blue Lithograph Nu Bleu I
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Selection of Mid-Century Jazz Themed Paintings
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1984 Copenhagen Jazz Festival Original Vintage Poster
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Framed After Henri Matisse Cut Out Blue Lithograph Nu Bleu
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Framed After Henri Matisse Cut Out Blue Lithograph Nu Bleu
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H 26.58 in W 20.67 in D 0.6 in
Vibrant Color Lithograph after Henri Matisse
By Henri Matisse
Located in Atlanta, GA
Vibrant color lithograph after Henri Matisse, circa 1950s. Signed, dated 1951, and titled, all within the lithograph. It has been framed in a simple, clean lined black lacquer wooden...
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lithograph for Florilege des amours de Ronsard
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Selection of Vibrant "Jazz" Lithographs by Henri Matisse. These examples are from the limited edition folio produced by the Museum of Modern Art in 1983. They have been framed in cle...
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Jazz Inspired Original Twisted Variation Elm Burl.
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La Chute d'Icare
By Henri Matisse
Located in San Francisco, CA
Original lithograph printed in four colors (blue, yellow, red, black) on wove paper. “After Matisse” La Chute d’Icare, pochoir, from Verve, Vol. IV, No. 13, “De la couleur” Éditions...
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H 13.75 in W 10.25 in
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Selection of Vibrant Henri Matisse Jazz Series Lithographs
By Henri Matisse
Located in Atlanta, GA
Selection of Vibrant Henri Matisse "Jazz" Series Lithographs, from the limited edition of color
Category

Vintage 1980s American Mid-Century Modern Contemporary Art

Materials

Paper, Wood

Selection of Vibrant Henri Matisse Jazz Series Lithographs
By Henri Matisse
Located in Atlanta, GA
Selection of Vibrant Henri Matisse "Jazz" Series Lithographs, from the limited edition of color
Category

Vintage 1980s American Mid-Century Modern Contemporary Art

Materials

Paper, Wood

Selection of Vibrant Henri Matisse Jazz Series Lithographs
By Henri Matisse
Located in Atlanta, GA
Selection of Vibrant Henri Matisse "Jazz" Series Lithographs, from the limited edition of color
Category

Vintage 1980s American Mid-Century Modern Contemporary Art

Materials

Paper, Wood

Selection of vibrant Jazz series offset lithographs after Henri Matisse
By Henri Matisse
Located in Atlanta, GA
Selection of vibrant "Jazz" series lithographs, as published in the facsimile edition book "Henri
Category

Vintage 1980s American Mid-Century Modern Prints

Materials

Paper, Wood

Colorful Large Scale Lithograph by Henri Matisse
By (after) Henri Matisse
Located in Atlanta, GA
Colorful large-scale lithograph from the "Jazz" Series, by Henri Matisse, signed and dated 1952
Category

Vintage 1950s French Mid-Century Modern Prints

Materials

Plexiglass, Paper, Wood

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A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right prints for You

Prints are works of art produced in multiple editions. Though several copies of a specific artwork can exist, collectors consider antique and vintage prints originals when they have been manually created by the artist or are “impressions” that are part of the artist’s intent for the work.

Modern artists use a range of printmaking techniques to produce different types of prints such as relief, intaglio and planographic. Relief prints are created by cutting away a printing surface to leave only a design. Ink or paint is applied to the raised parts of the surface, and it is used to stamp or press the design onto paper or another surface. Relief prints include woodcuts, linocuts and engravings.

Intaglio prints are the opposite of relief prints in that they are incised into the printing surface. The artist cuts the design into a block, plate or other material and then coats it with ink before wiping off the surface and transferring the design to paper through tremendous pressure. Intaglio prints have plate marks showing the impression of the original block or plate as it was pressed onto the paper.

Artists create planographic prints by drawing a design on a stone or metal plate using a grease crayon. The plate is washed with water, then ink is spread over the plate and it adheres to the grease markings. The image is then stamped on paper to make prints.

All of these printmaking methods have an intricate process, although each can usually transfer only one color of ink. Artists use separate plates or blocks for multiple colors, and together these create one finished work of art.

Find prints ranging from the 18th- and 19th-century bird illustrations by J.C. Sepp to mid-century modern prints, as well as numerous other antique and vintage prints at 1stDibs. Browse the collection today and read about how to arrange wall art in your space.