Furniture

78395 Vintage Moroccan Beni Ourain rug, 05'11 x 08'06. With its simplicity, plush pile, incredible detail and texture, this hand knotted wool vintage Beni Ourain Moroccan rug is a ca...

78384 Vintage Moroccan Beni Ourain rug, 06'05 x 09'09. With its simplicity, plush pile, incredible detail and texture, this hand knott...

78381 Vintage Moroccan Beni Ourain rug, 06'04 x 10'00. With its simplicity, plush pile, incredible detail and texture, this hand knotted wool vintage Beni Ourain Moroccan rug is a ca...

20296 Vintage Boucherouite Moroccan Rag Rug, 05'05 X 09'00. Embark on a nomadic journey entwined with tribal enchantment as you delve into the allure of this vintage Moroccan Bouche...

21635 Vintage Berber Moroccan Azilal rug 02'05 x 07'00. With its simplicity, tribal style, incredible detail and texture, this hand ...

21702 Vintage Zemmour Moroccan Kilim runner, 03'09 x 18'04. Full of tiny details and nomadic charm, this hand-woven wool vintage Zemmour Berber Moroccan kilim rug runner is a captiva...

78383 Vintage Moroccan Beni Ourain rug, 05'03 x 09'08. With its simplicity, plush pile, incredible detail and texture, this hand knotted wool vintage Beni Ourain Moroccan rug is a ca...

21714 Vintage Zemmour Moroccan Kilim Runner, 01'03 x 16'01. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Mo...

North African Moroccan Berber Rug Wool Hand Knotted Djoharian Design 14 x 10 ft - Sabah Collection. Berber rugs and carpets are mainly made in Morocc...

Handcrafted Moorish Moroccan polychrome decorative ceramic Bowl, dish from Fez. Bleu de Fez, very nice designs hand painted by artist in Fez. Geometrical and floral Moorish design...

Handcrafted large Moroccan Moorish polychrome decorative ceramic bowl from Fez. Bleu de Fez, very nice designs hand painted by artist in Fez. Antique ceramic handcrafted bowl with...

78385 Vintage Moroccan Beni Ourain rug, 06'01 x 09'09. With its simplicity, plush pile, incredible detail and texture, this hand knotted wool vintage Beni Ourain Moroccan rug is a ca...

21717 Vintage Zemmour Moroccan Kilim runner, 03'04 x 18'04. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Moroccan kilim rug runner is a captivat...

Moroccan tribal silver bracelet from the High Atlas of Morocco. Handcrafted by Berber women using Moroccan silver nickel. The ethnic Nomadic and Bedouin jewelry in the Maghreb and ...

21716 Vintage Zemmour Moroccan Kilim runner, 03'03 x 09'02. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Mo...

21706 Vintage Zemmour Moroccan Kilim Runner, 03'06 x 19'04. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Moroccan kilim rug runner is a captivat...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

A contemporary design classic. In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ a series of glass objec...

21710 Vintage Zemmour Moroccan Kilim Runner, 03'07 x 15'11. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Moroccan kilim rug runner is a captivat...

African Tribal Art parchment wall shade sconce featuring a large curved hide form stitched on iron and hand painted surface. These Moroccan Art pieces could be used as wall lamp sha...

21715 Vintage Zemmour Moroccan Kilim runner, 01'07 x 16'00. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Mo...

21305 Vintage Blue Beni Mrirt Moroccan Rug, 06'03 x 09'07. Beni Mrirt rugs epitomize a treasured tradition of Moroccan weaving, renowned for their luxurious texture, geometric design...

Large antique Moroccan blue and white ceramic urn with lid from Fez. Moorish style handcrafted lidded jar adorned with fine filigree silver nickel work Antique Hispano Moresque desig...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

21707 Vintage Zemmour Moroccan Kilim runner, 03'08 x 16'04. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Mo...

21711 Vintage Zemmour Moroccan Kilim Runner, 03'05 x 22'04. Full of tiny details and tribal style, this hand-woven wool vintage Zemmour Berber Mo...

Floor lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2021 Resin, Neon (+transformer) Measurements 18 cm x 17 cm x 170h cm 7,08 in x 6,69 in x 66,92h in Edition Limited edition of 12 + 2AP Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin volumes which are slightly rotated on a central axis. The carved-out void where the neon light is inserted allows for a multifaceted play between the twisted planes of polished resin and light reflections. Every angle of the lights is a unique visual experience. As well as designing object pieces, the Dutch designer has a series of impressive installation projects associated with her profile including, the Aesop Vedovelle Fountain, the Dutch Pavilion at Cannes Film festival 2017, a Light installation at Biennale Interieur 2018, The Solo Sun Dial project 2018, Burberry x OC in 2018 and De/Coding ‘Alcantara in the tapestry Rooms’ in 2019. Perhaps her most famous installation was her Shapes of Water or Fendi Fountains installation, first exhibited at Design Miami 2018. The ten water sculptures designed from cast resin were a continuation of Marcelis experience and experimentation in material practices, projecting her own vision her elegant avant-garde creativity corresponded directly with the Fendi philosophy. The designers most prestigious exhibition yet, was her museum show “NO FEAR OF GLASS” in December 2019. The intervention commissioned by Side Gallery in collaboration with the Mies Van de Rohe Foundation, consisted of five original works by the Dutch designer, meticulously placed within the Pavilion. The five pieces were designed to extrude from the architecture itself; two large chaise lounges...

Etage Projects is proud to unveil the new light by the resin-whisperer Sabine Marcelis. The Curve Light is a continuation of the Dutch-Kiwi designer's stud...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Moroccan handcrafted metal lantern pendant. Amazing Moorish light fixture hand-pierced with thousands of small holes to diffuse the light through. Tear drop shape adorned with Mooris...

Moroccan Tamgroute vintage, 1960's green olive jar with handles, or planter. Handcrafted by the Berber people in Tamgroute Morocco. Great glazed earthenware with different hues of green and black. A pair is available, slightly different glaze Top diameter is 10" inside opening is 7" D. Jar is 38" H x 20" D in the widest part. Wonderful green and brown shimmering that can be found only in south Morocco in the village of Tamgroute. The color and texture is a result of the particular alchemy created by the potters of Tamegroute and remains a family affair handed down through the generations. Each pottery piece is completely unique and no two are ever the same. Please note that the traditional method in which the plates are fired involves stacking which result in tiny ‘scars’ inside the plate and in the glaze making, each bowl is unique the beauty is found in the imperfection of each piece. Tamegroute pottery are true showpieces showing that even imperfect can be perfect. Tamegroute remains the only rural pottery in Morocco using oxidized copper which creates its famous green color. Its potteries are also the only location where you will find their unique forms. The process however remains much the same. Clay is dug up from the local Draa river banks, thrown by hand & fired inkilns built into steep slopes using a single firing. Vintage green glazed pottery...

Moroccan Berber ethnic handwoven tribal throw pillow made from a vintage rug. The front and the back are made from a different rug, front is more...

Sabine Marcelis’ new salmon pink soap column stools in matte resin are unveiled at Nomad Monaco 2018, creating a pastel and sculptural mise-en-scéne ...

Vintage African Moroccan leather handcrafted Tuareg bag with fringes. Wall decorative Art. Collectible vintage Real work of art hand made by the Berber trib...

Measures: Closed: Ø 65 x H 8 cm Open: L 65 x W 77 x H 8 cm During the Palazzo Monti x Etage Projects residency the one thing we most enjoyed was to spend time with the other de...

Classic aged Moroccan silver plated tea pot. Handcrafted in Morocco. Our gently vintage Moroccan teapots come from the older areas of the brass market of Marrakesh and though not ant...

Vintage Moroccan Berber tribal bracelet Moroccan tribal bracelet from the High Atlas of Morocco. Handcrafted by Berber women using Moroccan silver nickel. The ethnic Nomadic and Bedo...

Sabine Marcelis’ SOAP Table is a dynamic dinner setting, featuring her signature resin with a soapy matte surface, now with cylinder column legs a...

Handcrafted Moorish Moroccan Bleu de Fez decorative ceramic Bowl, dish. Ceramic bowl in Bleu de Fez, very nice designs hand painted by artist in Fez. Geometrical and floral Moorish ...

An under-glazed painted pottery bowl with abstract naive design, blue, ochre, brown. Moroccan antique pottery bowl of deep rounded form with flattened rim rising on a low ring foot, hand-painted on the exterior with black decoration, the interior in polychrome painted, having abstract design in blue and ochre with turquoise accents, crack lure. Handcrafted antique ceramic dish, Fez, Morocco, Circa 1880, Museum quality piece. Antique Mokhfia (couscous bowl...

Maroc. Tapis de tribus (French) Paperback Moroccan Tribal Rugs Language: French Maroc Tapis De Tribus C.BOULLOC / H.CROUZET / A.MAURIERES / M-F VIVIER Published by Edisud, 2001...

21184 Blue Abstract Berber Moroccan Rug, 09'07 x 13'06. With its visual complexity, incredible detail and texture, this hand knotted wool contemporary Berber Moroccan rug is a captiv...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Handcrafted Moroccan hand-painted glazed ceramic plate with a yellow background and adorned with geometric black Moorish designs. Signed in the back in Arabic “Safi", which is the ci...

African Tribal Art parchment wall shade sconce featuring a large triangle hide form stitched on iron and hand painted surface. These Moroccan Art pieces could be used as wall lamp s...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

21416 Vintage Beni Ourain Moroccan Rug, 06'05 x 11'00. Nomadic charm meets global chic in this hand knotted wool vintage Beni Ourain Moroccan rug. The meticulously detailed tribal de...

21157 New Berber Moroccan Rug with Organic Modern Style 09'00 x 11'00. With its simplicity, plush pile and Modern style, this hand knotted wool Berber Moroccan rug provides a feeling...

Large African Tribal Art parchment wall shade sconce featuring a large triangle hide form stitched on iron and hand painted surface. These vintage hand crafted Folk Art pieces could be used as wall lamp shade or just decorative wall Art. Iron frame covered with hide parchment which has been hand painted with red, safron, yellow and tan in henna tribal tattoo designs and has a decorative iron surround are perfect for soft subtle lighting. These Folk Art lamp shades sit over your existing wall light fitting. There are no electrics within the lampshade. They will look great over an electric fitting or just as an African Tribal Art wall decoration. Large African Tribal wall shade: 23" H x 11" W x 6" D. Handcrafted and hand painted in Marrakech, Morocco by women artist. Great conversation curiosity Tribal Art piece. One of a kind design, there are 3 pieces available in the same shape they are listed individually. Art & Craft from Morocco. African Wall Decor...

Moroccan handcrafted metal lantern pendant. Amazing Moorish light fixture hand-pierced with thousands of small holes to diffuse the light throug...

21457 Vintage Berber Moroccan Azilal Rug 05'00 x 09'00. With its simplicity, incredible detail and texture, this hand knotted wool vintage Berber Moroccan Azilal rug is a captivating...

In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ - a series of glass objects resulting from an ongoing study into optical effects created with glass as the primary material. Glass specialists allowed the designers to play around and experiment in their factory to investigate new possibilities and through the use of materials, colour and layering, unexpected effects are created which play with ones visual perception as well as the surrounding space. The Seeing Glass project involved different collections - one of them being the Off Round mirrors. The Off Round mirrors are continually evolving and expanding, and has developed into the Off Round Hue...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordi...

Antique large Moroccan handcrafted glazed polychrome ceramic bowl. Moroccan, Fez or Meknes bowl Jobbana with geometric Moorish designs. Hand painted ceramic Jubbana bowl, handcrafted by skilled Moroccan artisans in Fez Morocco...

20982 Vintage Boujad Moroccan Rug, 05'06 x 11'04. Embark on an enchanting odyssey of Moorish elegance with each step upon this hand-knotted wool vintage Boujad Moroccan rug, originat...

21613 Vintage Berber Moroccan Azilal Rug, 03'11 x 06'03. With its simplicity, boho chic style, incredible detail and texture, this hand knotted wool vintage Berber Moroccan Azilal ru...

Berber rugs and carpets are mainly made in Morocco, Tunesia and Algeria. Largest producer are the tribal and nomadic Berber people of Morocco. Different areas produce very beautiful ...

In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ - a series of glass objects resulting from an ongoing study into optical effects created with glass as the primary material. Glass specialists allowed the designers to play around and experiment in their factory to investigate new possibilities and through the use of materials, colour and layering, unexpected effects are created which play with ones visual perception as well as the surrounding space. The Seeing Glass project involved different collections - one of them being the Off Round mirrors. The Off Round mirrors are continually evolving and expanding, and has developed into the Off Round Hue...