Furniture

Beautiful and rare large Maison Jansen palm tree wall lamp manufactured in France in 1970s. Two E14 sockets inside, works perfectly with US or UK electr...

A stunning vintage Brass table top palm tree. Imported from Paris by the Maison Jansen group. A great way to add a flash of glamour to any space. P...

Carlo Scarpa ceiling lamp 1938 Ceiling lamp designed by Carlo Scarpa and manufactured by Venini Murano Clear and Lattimo “ a fasce” gla...

This is a signed pair of Maison Jansen bergère chairs with some subtle yellow highlights and in good condition. The chairs each measure 35 tall x 27 wide x 27 deep and the seat heigh...

A lovely Maison Jansen side table or coffee table, 1970s, with two light points under a circular clear glass. The centre has a beautifully crafted butterfly and when the table it ill...

Hollywood regency floral wall lamp by Maison Jansen. The flower wall lamp has a E14 light points and emits a beautiful light. It is in good condition and has been tested. 19...

We are delighted to offer for sale this stunning set of three original Maison Jansen mid-century modern nested tables. A very good looking highly decorative and collectable nest o...

Pair of one drawer Russian style bronze-mounted end tables or night stands. Having been professionally polished and touched up this fine pair of Russian inspired tables are reminisce...

Maison Jansen chrome and brass Greek Key Etagere. Classic Directoire design with Greek key accents in brass to contrast with the chrome. Consisting of 5 shelves total including the t...

Shelf in black metal and golden cabochons. Receiving 4 blackened wooden trays. Jansen House. Twentieth century. Maison Jansen is an interior design house located in Paris, Fran...

Beautiful vintage Maison Jansen faux elephant console table with marble base. Brass screw on glass top. No damage but the glass is original vintage and may have minor scratches, no c...

“Poliedri” chandelier designed by Carlo Scarpa and produced by the Italian manufacturer Venini in, 1958. Made of opaline Murano glass. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

12 Light chandelier designed by Carlo Scarpa for Venini , Model 99.37 in Murano Italy. This Chandelier originally designed in 1940 was manufactured in 2009. All the pieces are in ...

A hand blown glass globe / sphere with stunning reticello glass design, wiith brass stem and canopy. Designed by Carlo Scarpa for Venini, circa 1940. A c...

A Rare and Important French Grotto Side or End Table or Gueridon by Serge Roche for Maison Jansen, France, circa 1940. This hand made, mid-century piece was part of a suite of pieces...

The set of 4 tables having a brass framed mahogany top and mahogany sides on brass legs and each stamped Jansen.

Rare pair of commodes by Maison Jansen, In original and perfect conditions. Circa's 1980.

An original Carlo Scarpa Cornaro loveseat / armchair, original fabric, Italy. Produced by Gavina in the 1970s. We can reupholster in COM at additional cost. Fast shipping worldwide. ...

This Italian dining table from the 1970s exudes timeless elegance and beauty. It was designed by perhaps one of the prominent Italian modernist designers of the last century. What im...

A vintage two tiered brass coffee table by Maison Jansen, France, 1960s. Features original glass shelves with mirror bordered details. In good condition. The brass shows some signs o...

Pair of table lamps representing flowers with their petals and leaf in a pot filled with white gravel. One source of light per lamp.

Maison Jansen phytomorphic floor lamp in polished brass and tortoiseshell bamboo. Manufactured by Maison Jansen ca 1970. PRODUCT DETAILS Dimensions: 84w x 177h x 84d cm Materials: br...

Early and Large version Carlo Scarpa Quatour table for the Metamobile series by Simon Gavina, Italy 1974.

This monumental Louis XVI style console table stamped Maison Jansen was made in the 1950s. Creme painted wood forms its legs and part of its top, with brass details, including around...

Beautiful brass coffee table from Maison Jansen France. Made in the 1960s, the legs are beautifully finished with goat legs, at the top the well-known rings with a cool round glas...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delivery needs! They offer a reasonable flat-rate fee for delivery and set up to the ground floor of your home. They deliver to the vast majority of the lower 48 states. They offer a flat rate for most of our items with exclusions for the largest or most complex items such as breakfronts or crystal chandeliers or other items of greater complexity. For those items please ask for a shipping quote prior to purchase as these rates are different from our stated pricing. For those items please ask for a shipping quote prior to purchase. Most deliveries to the East Coast will be 295.00, to the mid-west and Southern mid-west 395.00. To the areas west of Kansas 495.00 and the farthest points to the West coast will be 595.00. Again, some areas we can't cover, however we can deliver to most of the lower 48 states so please inquire to be sure! Delivery times range from as fast as 1-4 weeks for the east coast to 5-9 weeks to the farthest areas of the west coast, sometimes longer and sometimes even shorter. If it is a time sensitive purchase, we may be able to accommodate you for a higher price. It is our goal to please each and every one of our customers with the highest standard of service possible. You must realize and accept that we are shipping antique, vintage and quality used furnishings to your home. We cannot control traffic, weather, and acts of God. There will be times when additional patience will be necessary. This is a fantastic console table and absolutely one of the most iconic Directoire or Louis XVI designs we have seen in a long long time. The table is absolutely beautiful and has every single bell and whistle Jansen ever offered on their consoles. The brass trimmed drawers...

This chest of drawers is made of black lacquered wood with bronze handles. This is a French work by famous designer Guy Lefèvre for Maison Jansen. circa 1970.

Palm tree lamp with 3 heads in gilded brass, fixed and welded with tin in a plinth of wood covered with black laminate. Distributed by Maison Jansen Paris.

French midcentury rocking armchair with an ornate polished nickel scroll design frame with black leather upholstered seat and back. (Maison Jansen)(Available in white leather: REG521...

Simple lines point to this two-tier coffee table's French mid-century roots. Designed by Guy Lefevre for Maison Jansen, it features smooth steel legs with a brass top and accents, an...

A French Modernist low table / large cocktail table, attributed to designer Guy Lefèvre (French, 1933-2018) for luxurious Parisian design house Maison Jansen, circa 1970s, France, co...

Alain Delon coffee table is a stylish and elegant piece of furniture designed by the famous French actor, Alain Delon in collaboration with Maison Jansen....

Solid steel and brass elegant Modernist mirror by Guy Lefevre for Maison Jansen, French 1970s. Oxidation spots on steel frame (please see pictures), otherwise in great vintage cond...

Maison Jansen brass and steel desk, silver and gold patina with a rectangular Glass top resting on a cylindrical X-frame base connected by a stretcher. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. Jansen is considered the first truly global design firm, serving clients in Europe, Latin America, North America and the Middle East. Throughout the firm’s history, it employed a traditional style drawing upon European design, but with the influence of contemporary trends and materials. Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie’s Leeds Castle in Kent, England. The firm’s most published work was a project by Stephane Boudin...

This pair of neoclassical style side tables is made of silvered brass. These end tables with 2 tiers have nice finials, Beaded legs. This is a French work in ...

Small floor lamp made by Maison Jansen, made of a square brass and resin base, brass water lilies, and two other tropical plants, each holding one sour...

More than just a bookcase but rather a small architectural masterpiece that is the focal point of any space, the Model 795 bookshelf (sometimes called the “Serie 1935” or “Liberia 19...

This neoclassical style 3 tiers side table is made of mahogany and brass. This is a French work by famous designer Maison Jansen. Circa 1940.

Alain Delon for Maison Jansen, three seat sofa, fabric, France, 1970s. This ornate, comfortable sofa has a strong and playful design. The high, webbed back gives perfect support for...

Maison Jansen, Living room set including a sofa and 2 armchairs circa 1940 Sofa Size: Size of armchairs: can be separated patina and fabric to redo.

French midcentury rocking armchair with an ornate polished nickel scroll design frame with quilted white leather upholstered seat and back. (Maison Jansen)(Available in black leather...

A rare and elegant Italian and French midcentury dining table designed by Giovanni Banci (Italy) for Maison Jansen (France) in the Modern Neoclassical Style. The piece is composed of...

This very nice and elegant neoclassical style coffee table is made of brass with a black lacquered glass top. This is a French work by famous Maison Jansen. Circa 1940.

Wonderful French Jansen commode with marble top. This is unusually large and most likely custom made at 75" wide. This item is standard for a sideboard but very special for a commode. The graceful design and proportions make this a vey unique dresser...

A very rare and unique 1970's Hollywood Regency style brass palm tree floor lamp designed by Maison Jansen in France. With 10 bulbs nestled within the leaves, combined with the eff...

Pair of Guy Lefevre for Maison Jansen two-tiered lacquered and bronze tables. Rare examples that are unique to the market. Beautiful patina to the bronze found in the original state....

Pair of French neoclassical Maison Jansen lounge chairs circa 1960. 2 Pairs available. Priced by pair Original velvet fabric, very good condition. Sturdy and very comfortable.

Simple lines point to these two-tier end tables with French midcentury roots. Designed by Guy Lefevre for Maison Jansen, it features smooth steel legs with brass top and accents, and...

A fabulous pair of French Empire style demilune paint-decorated wood console tables by iconic Parisian luxury design house Maison Jansen (Paris, France; 1880-1989) Finished in Mid-20th Century glitz and glam Hollywood Regency taste, the rare, possibly custom one-of-a-kind design, having demilune red-painted top, over conforming fluted apron, rising on elegant parcel gilt figural swan-form supports, ending on claw and ball feet. Signed, the rear supports signed JANSEN in stylized font. circa 1970 Provenance / Acquisition: From an important Guadalajara, Mexico Estate...

Newly reupholstered in mohair velvet in a soothing sand colour, this sofa is a beautiful example of Maison Jansen neoclassicism from the 1960s and 1970s. With inventive, extendable a...

Signed unique high cabinet by Jansen. Bespoke order for Mme Landenauer avenue Henri Martin's home in Paris. Fruitwood veneer with darker "liseret" wood marqueterie. Extremely elegant...

Hollywood Regency Coffee Table by Jansen. This beautiful Parcel Gilt and Paint Decorated French Sage Coffee Table is wonderfully carved handcrafted and represents an excellent exampl...

Extraordinary yet elegant oak wood chairs by Carlo Scarpa. Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect, influenced by the...

With painted, distressed wood and leather seats. ? Height ? 37" ? Width ? 20" ? Depth ? 19"

Pair of Jansen sconces in lacquered wood. France, circa 1940.

Stylish pair of Maison Baguès brass and crystal wall sconces. Unwired. These mid-century 2 arm wall sconces are designed and made by Maison Baguès would enhance any contemporary or modern setting. The fine gold gilding, ironwork and crystal makes these wall lights especially beautiful. Rock crystal and foliage on brass frames. The pair comes with faux candles but can be modified and wired to accommodate for the light bulbs. Very good vintage condition with a beautiful patina. Measures: 17" High x 18" Wide x 5 1/4" Deep History of Maison Baguès: Since its establishment in 1860, the Maison has been an emblem of French sophistication in luxury lighting design. Each piece the firm makes is hand-assembled using traditional techniques in order to emphasize the elegance and excellence of their detailed artisanal work. Still the epitome of savoir-faire, Maison Baguès’ luxurious pieces are prized for their craftsmanship, beauty and harmony. The master metalsmith Noël Baguès founded the company as specialists in liturgical bronzes, but by 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters, gates and accessory tables...

Carlo Scarpa and Hiroyuki Toyoda for Simon Gavina, conference table, fabric top, chromed steel, Italy, design 1973 Elegant conference table was initially designed by Carlo Scarpa in...

“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...