Furniture

Edward Wormley design for Dunbar furniture of Berne Indiana. Elegant design rectangular bench on tall taper legs with high sides. I am offering the bench in solid and stable as found...

Beautiful set of tables designed by Edward Wormley for Dunbar. Architectural and Mid Century Modern in design. Tables have a simple elegant design. Both tables are marked. One long short console table...

Edward Wormley stool for Dunbar. Mahogany wood and grey fabric.

An early example of Edward Wormley's sophisticated Modernism. Stepped two-tier end tables with subtle Chinoise elements to the carving of the base. These retain the original dark mah...

Six vintage Dunbar dining chairs designed by Edward Wormley. Original finish with cane backs. Naugahyde chairs seats. Very solid in very nice Vintage co...

Edward Wormley for Dunbar mid century Mahogany dining chairs - set of 8 Each armless chair measures: 20 wide x 20 deep x 33 high, with a seat height of 17 inches Each captains ch...

"Sheaf of Wheat" side table No. 5479 in rosewood with travertine top by Edward Wormley for Dunbar, American 1950's (Dunbar tag on bottom).

Tall back lounge chair designed by Edward Wormley for Dunbar furniture. Beautiful crisp lines frame the chair with grace and style. Edward Wormley’s designs are still often mimicked ...

Edward Wormley for Dunbar Bench, 1960. Restored and reupholstered in gray mohair.

Edward Wormley for Dunbar Mid Century Lounge chair and ottoman with Jack Lenor Larsen Fabric The chair measures: 32 wide x 48 deep x 42.5 high, with a seat height of 17 inches Th...

Edward Wormley for Dunbar mid-century model 5264 shelf bookcase. This bookcase measures: 48 wide x 14.25 deep x 74.25 inches high. All pieces of furniture can be had in what we...

Rare Dunbar cabinet designed by Edward Wormley with burl wood case, mahogany frame and legs with gold / yellow Lamartine Marble top. The two doors lock with the original key and open...

Add some playful elegance to your space with these swiveling Dunbar chairs designed by Edward Wormley, circa 1960's. His signature style, defined by clean lines and architectural sim...

Edward Wormley for Dunbar Mid Century nightstand This nightstand measures: 23 wide x 18 deep x 23.75 inches high All pieces of furniture can b...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

An exceptional Mid-Century Modern sideboard, credenza, or bar cabinet By Edward Wormley for Dunbar USA, 1950s Mahogany in black lacquered finish. Cabinet locks and key is in...

A contemporary design classic. In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ a series of glass objec...

Dunbar contract division Mid Century executive desk Desk measures: 72 wide x 36 deep x 28.5 inches high All pieces of furniture ca...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Floor lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2021 Resin, Neon (+transformer) Measurements 18 cm x 17 cm x 170h cm 7,08 in x 6,69 in x 66,92h in Edition Limited edition of 12 + 2AP Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin volumes which are slightly rotated on a central axis. The carved-out void where the neon light is inserted allows for a multifaceted play between the twisted planes of polished resin and light reflections. Every angle of the lights is a unique visual experience. As well as designing object pieces, the Dutch designer has a series of impressive installation projects associated with her profile including, the Aesop Vedovelle Fountain, the Dutch Pavilion at Cannes Film festival 2017, a Light installation at Biennale Interieur 2018, The Solo Sun Dial project 2018, Burberry x OC in 2018 and De/Coding ‘Alcantara in the tapestry Rooms’ in 2019. Perhaps her most famous installation was her Shapes of Water or Fendi Fountains installation, first exhibited at Design Miami 2018. The ten water sculptures designed from cast resin were a continuation of Marcelis experience and experimentation in material practices, projecting her own vision her elegant avant-garde creativity corresponded directly with the Fendi philosophy. The designers most prestigious exhibition yet, was her museum show “NO FEAR OF GLASS” in December 2019. The intervention commissioned by Side Gallery in collaboration with the Mies Van de Rohe Foundation, consisted of five original works by the Dutch designer, meticulously placed within the Pavilion. The five pieces were designed to extrude from the architecture itself; two large chaise lounges...

Etage Projects is proud to unveil the new light by the resin-whisperer Sabine Marcelis. The Curve Light is a continuation of the Dutch-Kiwi designer's stud...

The rarely found Wedge end table designed by Edward Wormely for Dunbar, circa 1950-1959. Executed in walnut, features leather-wrapped feet. completely ...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

The Edward Wormley bar cart is a timeless piece of furniture that embodies both style and function. It is a versatile piece that is perfect for entertaining guests or simply enjoying...

Edward Wormley for Dunbar Cain front mahogany sideboard on a Plinth Base, Features: Two drawers and one double drawer with removable dividers, Four sliding doors with 3 storage compa...

Mahogany dining table with one leaf designed by Edward Wormley for Dunbar, 1950s. The table is in very good condition with only light signs of use under close examination. Beautiful ...

A warm Edward Wormley for Dunbar credenza in a beautiful mahogany wood with solid brass hardware. There are nine drawers with center cabinet. The quality of the construction is very ...

Sabine Marcelis’ new salmon pink soap column stools in matte resin are unveiled at Nomad Monaco 2018, creating a pastel and sculptural mise-en-scéne ...

Cool Dunbar table/ bench/ magazine rack designed by Edward Wormley. Mahogany and brass.

Measures: Closed: Ø 65 x H 8 cm Open: L 65 x W 77 x H 8 cm During the Palazzo Monti x Etage Projects residency the one thing we most enjoyed was to spend time with the other de...

Historic set of lounge chair and ottoman designed by Edward Wormley for Dunbar, circa 1950-1959. Completely restored, reupholstered in embossed velvet by Holly Hunt. Walnut refinishe...

This is a wonderful example of a period sofa by Edward Wormley for Dunbar Furniture. Circa 1960s, it is a single left arm sofa and sits on two wood runne...

The Edward Wormley 5701 chair for Dunbar's Janus Collection is a true masterpiece of mid-century modern design. This stunning chair is upholstered in a Holly Hunt's Great Plains heav...

Pair Dunbar Lounge Slipper Chairs by Edward Wormley, 1960. Walnut legs restored and newly reupholstered in blue boucle.

Dunbar Leather and Brass Lounge Chairs by Edward Wormley, 1960. Original leather.

Sabine Marcelis’ SOAP Table is a dynamic dinner setting, featuring her signature resin with a soapy matte surface, now with cylinder column legs a...

A dining height Janus armchair designed by Mid-Century Modern master Edward Wormley. The chair features a sculpted dark mahogany frame and mohair upholstery with button-tufted backs....

Chic, voguish, and sophisticated coffee table designed bye Roger Sprunger for Dunbar circa 1970's. This version features an architectural metal star form base of solid bronze, which ...

Dunbar square top lamp/end table. Model #4474. USA, circa 1960. Signed with brass label. Beautifully made and simply designed in a minimal mid-century manner, showcasing the signat...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

A scarce Mid-Century Modern mahogany headboard with rattan caning designed by Edward Wormley (American, 1907-1995) for Dunbar. Stamped plaque to eac...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

Very rare and desirable high back Dunbar dining chairs designed by Edward Wormley. Both chairs are completely original. The original black leather has no tears, scuffs, or repairs and show slight stretching on the seats. The mahogany frames show light signs of use in the form of light scratches and nicks, but no distractions. These are excellent examples of this important design, clearly well cared for over the years. Acquired from the original owner. Signed with the gold Dunbar metal...

Mid-Century Modern Edward Wormley for Dunbar Stool or ottoman. This elegant stool has dark mahogany parson legs with an inside radius and original off white tufted upholstery. Origin...

Exquisite side table in African Mahogany with embedded Otto and Gertrude Natzler ceramic tiles designed by Edward Wormley for Dunbar. Look closely at ...

Edward Wormley for Dunbar "A" Frame Arm Chair, Horseshoe curved back with original leather-covered armrests, solid mahogany frame, brass exposed screws...

Pair of Ed Warley for Dunbar Deep Lounge Arm Club Chairs

An exceptional Mid-Century Modern writing desk By Edward Wormley for Dunbar Furniture USA, 1950s Patchwork bleached walnut top, with solid walnut legs and brass-capped feet....

In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ - a series of glass objects resulting from an ongoing study into optical effects created with glass as the primary material. Glass specialists allowed the designers to play around and experiment in their factory to investigate new possibilities and through the use of materials, colour and layering, unexpected effects are created which play with ones visual perception as well as the surrounding space. The Seeing Glass project involved different collections - one of them being the Off Round mirrors. The Off Round mirrors are continually evolving and expanding, and has developed into the Off Round Hue...

This pair of chairs will be perfect for any high end Mid-Century Modern interior. They used to be in every "TV room" in the USA. One for him and one for her. now they are perfect for any couple or family. The white with black chair had a Dunbar label, the other had no label, but both chairs came from the same vintage Palm Springs Estate. The bigger black with white chair is taller and a little more narrow. They look amazing together in a positive or negative high end black and white jacquard. Respectfully chosen to have a vintage feel but also look extremely fresh and modern in their new incarnation. Expertly reupholstered. Back buttons as per original chairs. Loose reversible seat cushions. These chairs are currently in our N Palm Springs showroom in a 1960s Palm Springs modern vignette. We have a beautiful wood French coffee table and a pair of Laurel brutalist lamps...

Edward Wormley for Dunbar mid century Model 452 Rosewood Tambour door executive desk This desk measures: 74.5 wide x 28 deep x 35 high, with a chair clearance of 24 inches All ...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordi...

USA, 1950s Beautiful demilune ottoman by Dunbar. The legs on this piece are really the star- they are shaped / sculpted and each ends in a golden tip....

Edward Wormley three seat on tapered walnut legs is from his Dunbar for Modern collection, one of his early fully modern furniture collections. This sofa, was reupholstered by the original owners, in the late 90s to fit their new southwest decor...

Fabulous Mid-Century Modern to Modern Dunbar square coffee or end table Parsons’s style with inlaid brass detail by Edward Wormley. Beautiful condition, keeping in mind that this is ...

Versatile set of coffee table and two side tables by Dunbar (with original sticker). The measurements below are for the coffee table. Each sid...

Vintage 1940's "Bermuda" benches model #4962 designed by Edward Wormley for Dunbar FurnitureBerne, Indiana. Playful and sculptural the bermuda bench raises the bar for stylish seatin...

Vintage mahogany vanity/writing table with corresponding naugahyde stool designed by Edward Wormley for Dunbar (ca. 1950s, Indiana, USA). Angu...