Furniture

American Mid-Century 'Janus' lounge / armchair with a walnut frame and blue, beige, and brown geometric stripe patterned fabric upholstery with a button tufted back, resting on four ...

American mid-century 'Janus' lounge / armchair with a wooden frame with dark walnut veneer, a rounded caned back, and a tan leather button tufted seat cushion and round back cushion,...

American Mid-Century end / side table with a wedge-shaped beige travertine top resting on a dark wooden base with connecting stretchers and four dowel legs ending in black leather wr...

American Mid-Century square lacquered wooden end / side table with an open shelf below the square top, resting on a solid stepped base that creates as a taller lower shelf. (EDWARD W...

American Mid-Century blond wood end / side table with a rectangular top with rounded corners, a pedestal base, and an open frame design. (EDWARD WORMLEY FOR DUNBAR FURNITURE COMPANY).

American Mid-Century two-seat settee with button tufted back cushions and two removable seat cushions in white upholstery with matching piping, resting on four tapered walnut legs. (EDWARD WORMLEY FOR DUNBAR FURNITURE...

The rarely found Wedge end table designed by Edward Wormely for Dunbar, circa 1950-1959. Executed in walnut, features leather-wrapped feet. completely ...

American Mid-Century single bed headboard with a walnut frame and beige and red textured fabric channeled upholstered center panel, which pivots ...

The Model No. 294W chair by Edward Wormley for Dunbar is the intersection of sophistication and quality. The frame is crafted from mahogany and the seat is found in period upholstery.

American Mid-Century cabinet with a dark stained walnut cabinet with two hinged doors, a dovetail connected top, and key hole, resting on four ball casters. (EDWARD WORMLEY FOR DUNBA...

A classic set of three nesting tables by Edward Wormley for Dunbar ca' 1950's with original green label. Sap walnut with nice patina.

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

American Mid-Century tapered high back lounge armchair and matching wedge-form footstool, upholstered in a bright red textured fabric with button tufting on the headrest and back cus...

A Mid Century sofa attributed to Edward Wormley for Dunbar in the 1950s. This piece was reupholstered by previous owners in a beautiful blue mohair and features tufting details on th...

Rare Dunbar cabinet designed by Edward Wormley with burl wood case, mahogany frame and legs with gold / yellow Lamartine Marble top. The two doors lock with the original key and open...

American mid-century eight-drawer chest with a dark stained wooden case. (EDWARD WORMLEY)

American mid-century maple louver front chest with 6 drawers in descending size. (EDWARD WORMLEY FOR DUNBAR FURNITURE COMPANY)  

An exceptional Mid-Century Modern sideboard, credenza, or bar cabinet By Edward Wormley for Dunbar USA, 1950s Mahogany in black lacquered finish. Cabinet locks and key is in...

Edward Wormley for Dunbar mid-century model 5264 shelf bookcase. This bookcase measures: 48 wide x 14.25 deep x 74.25 inches high. All pieces of furniture can be had in what we...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

PAIR of American Mid-Century 7-drawer chests with walnut veneer, and drawers in graduating size with thin plywood drawer pulls on the sides of each drawer front, resting on a brown l...

American Mid-Century 6-drawer walnut louver front commode / chest with a dark stained lacquered finish. (Edward Wormley for Dunbar Furniture Company...

The Edward Wormley bar cart is a timeless piece of furniture that embodies both style and function. It is a versatile piece that is perfect for entertaining guests or simply enjoying...

Add some playful elegance to your space with these swiveling Dunbar chairs designed by Edward Wormley, circa 1960's. His signature style, defined by clean lines and architectural sim...

American Mid-Century 'Janus' lounge / armchair with a wooden frame with dark walnut veneer, a rounded caned back, and a tan leather button tufted seat cushion and round back cushion,...

Edward Wormley for Dunbar Mid Century nightstand This nightstand measures: 23 wide x 18 deep x 23.75 inches high All pieces of furniture can b...

American mid-century walnut low chest of drawers with three sets of four drawers, one set wider and central, flanked on either side by two narrower sets of drawers. (EDWARD WORMLEY F...

Sabine Marcelis’ new salmon pink soap column stools in matte resin are unveiled at Nomad Monaco 2018, creating a pastel and sculptural mise-en-scéne ...

Edward Wormley for Dunbar Cain front mahogany sideboard on a Plinth Base, Features: Two drawers and one double drawer with removable dividers, Four sliding doors with 3 storage compa...

A beautifully crafted table designed by Edward Worley for Dunbar.

A contemporary design classic by the Dutch designer Sabine Marcelis. Sabine Marcelis and Brit van Nerven collaborated on the project ‘Seeing Glass’ - ...

Edward Wormley for Dunbar by Mobilier Universel, armchairs model '5762', lacquered black wood, red leather, Belgium, design 1957 This pair of grand armchairs by Edward Wormley desig...

An exceptional Mid-Century Modern extension dining table By Edward Wormley for Dunbar Furniture USA, 1950s Book-matched walnut top, with ebonized walnut banding and legs. ...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

Mahogany dining table with one leaf designed by Edward Wormley for Dunbar, 1950s. The table is in very good condition with only light signs of use under close examination. Beautiful ...

Floor lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2021 Resin, Neon (+transformer) Measurements 18 cm x 17 cm x 170h cm 7,08 in x 6,69 in x 66,92h in Edition Limited edition of 12 + 2AP Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin volumes which are slightly rotated on a central axis. The carved-out void where the neon light is inserted allows for a multifaceted play between the twisted planes of polished resin and light reflections. Every angle of the lights is a unique visual experience. As well as designing object pieces, the Dutch designer has a series of impressive installation projects associated with her profile including, the Aesop Vedovelle Fountain, the Dutch Pavilion at Cannes Film festival 2017, a Light installation at Biennale Interieur 2018, The Solo Sun Dial project 2018, Burberry x OC in 2018 and De/Coding ‘Alcantara in the tapestry Rooms’ in 2019. Perhaps her most famous installation was her Shapes of Water or Fendi Fountains installation, first exhibited at Design Miami 2018. The ten water sculptures designed from cast resin were a continuation of Marcelis experience and experimentation in material practices, projecting her own vision her elegant avant-garde creativity corresponded directly with the Fendi philosophy. The designers most prestigious exhibition yet, was her museum show “NO FEAR OF GLASS” in December 2019. The intervention commissioned by Side Gallery in collaboration with the Mies Van de Rohe Foundation, consisted of five original works by the Dutch designer, meticulously placed within the Pavilion. The five pieces were designed to extrude from the architecture itself; two large chaise lounges...

Cool Dunbar table/ bench/ magazine rack designed by Edward Wormley. Mahogany and brass.

Bar cart by Dunbar. Glass top with two leaves. Made of mahogany.

Etage Projects is proud to unveil the new light by the resin-whisperer Sabine Marcelis. The Curve Light is a continuation of the Dutch-Kiwi designer's stud...

A rare set of ten armchairs designed by Edward Wormley for Dunbar. Fully restored with refinished walnut bases and upholstered in Designtex / Lambert fabric.

Edward Wormley design for Dunbar furniture of Berne Indiana. Elegant design rectangular bench on tall taper legs with high sides. I am offering the bench in solid and stable as found...

Dunbar Leather and Brass Lounge Chairs by Edward Wormley, 1960. Original leather.

Pair Dunbar Lounge Slipper Chairs by Edward Wormley, 1960. Walnut legs restored and newly reupholstered in blue boucle.

A contemporary design classic. In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass’ a series of glass objec...

The Edward Wormley 5701 chair for Dunbar's Janus Collection is a true masterpiece of mid-century modern design. This stunning chair is upholstered in a Holly Hunt's Great Plains heav...

A dining height Janus armchair designed by Mid-Century Modern master Edward Wormley. The chair features a sculpted dark mahogany frame and mohair upholstery with button-tufted backs....

A beautifully restored set of four matching Janus lounge chairs with walnut frames and green velvet upholstery. Designed by Edward Wormley for Dunbar.

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordi...

Edward Wormley for Dunbar Mid Century Lounge chair and ottoman with Jack Lenor Larsen Fabric The chair measures: 32 wide x 48 deep x 42.5 high, with a seat height of 17 inches Th...

A round ottoman on casters with removable center cushion designed by Edward Wormley for Dunbar. Beautifully restored and upholstered in silk velvet.

Edward Wormley three seat on tapered walnut legs is from his Dunbar for Modern collection, one of his early fully modern furniture collections. This sofa, was reupholstered by the original owners, in the late 90s to fit their new southwest decor...

Historic set of lounge chair and ottoman designed by Edward Wormley for Dunbar, circa 1950-1959. Completely restored, reupholstered in embossed velvet by Holly Hunt. Walnut refinishe...

Mid-Century Modern Edward Wormley for Dunbar Stool or ottoman. This elegant stool has dark mahogany parson legs with an inside radius and original off white tufted upholstery. Origin...

A large button tufted ottoman Hand printed original Velvet upholstery

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aēsop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

1950s Dunbar, designer Edward Wormley extention dining table with 2 leaves model 5462 with 6 chairs model 5480. Rare Mid-Century Modern 1950s Edward Wormley extension dining table...

A rare model 5316 sofa designed by Edward Wormley for Dunbar in 1953. Floating back with exposed mahogany frame. Fully restored and upholstered in Holly Hunt / Vladimir / Silver Fog ...