Furniture

Designed in the 1970s or 80s by American design legend Milo Baughman, this very rare set of nesting tables were produced by Thayer Coggin, the manufacturer for almost every Baughman ...

This unique pair of highly styled postmodern accent chairs are covered in a richly toned durable upholstery. The chairs feature great lines with a striking fanned back and curved arm...

Clean Lined Chrome Mid Century Lounge Chairs, designed by Milo Baughman for Thayer Coggin, American, circa 1960s. These chairs are curr...

Beautiful Mid-Century Modern 3 seat long low sofa with flat bar chrome metal base designed by Milo Baughman for Thayer Coggin. Beautiful shape with herringbone cream white upholstery...

A pair of French Provincial style nightstands by Romweber Furniture, from their Marquise Collection. Solid wood painted an antique white with satinwood to the top, door fronts & side...

A book-matched olive burlwood end and coffee table with chromed "skyscraper" legs by Milo Baughman. Coffee table dimensions: H15', W40.5, D40.5 End table dimensions: H30.5', W30.5...

Pair Burl Walnut Mid Century Modern Milo Baughman Rectangle Wall Mirrors MINT!

This pair of chairs was designed by Milo Baughman in the 1980s for production by Thayer Coggin. Dubbed the "Danhauser" chair, they feature an scroll arm lounge design and take inspir...

Marvelous vintage serpentine sectional sofa manufactured for Thayer Coggin in the 1988. It was designed by Milo Baughman, it has the label...

Gorgeous dining chairs designed by Milo Baughman for Thayer Coggin. The simplistic high back chrome frame is softened by the original inset panel of caning. The set consists of four ...

Beautiful Hollywood Regency style, chrome headboard in a timeless geometric fretwork pattern, designed by Milo Baughman for Design Institute American...

By Harold Schwartz for Romweber, this rare sculptural and architectural piece is as cool as anything designed by Vladimir Kagan, Hans Wegner, or Finn Juhl. High quality construction ...

Milo Baughman for Thayer Coggin Rosewood Case Sofa. rosewood veneer with lacquer finish, chrome tubular feet reupholstered with nubby cotton-pol...

Milo Baughman for Thayer Coggin Mid Century Sofa This sofa measures: 98 wide x 30 deep x 30 inches high, with a seat height of 17 and arm height of 21 inches All pieces of furnitur...

This simple yet stylish Mid-Century Modern Walnut End Table perfectly captures the best aspects of classic mid-century style. Crafted from high-quality vintage walnut, these end tabl...

Sleek Milo Baughman black lacquered credenza or sideboard with tall brass slab legs made by Thayer Coggin in the 1970s. Elegant Modern profile. The look is powerful and upscale. Blac...

This is a set of four model 1187-110 Thin Frame dining chairs, designed by Milo Baughman and produced by Thayer Coggin. The listed price includes all 4 chai...

Pair of comfortable and stylish iron-framed Scoop lounge chairs designed by Milo Baughman for James Mfg., circa 1960, newly upholstered in comfy faux shearling. An iconic Mid-Centu...

Mid-Century Modern Milo Baughman Rosewood Dresser for John Stuart, Chrome Accent Fully refinished American mid-century dresser designed by Milo Baughman for John Stuart...

Wonderful oversized circular chaise, cuddle style chair by Milo Baughman. Perfect for that cozy corner! The original creamy white velvet shows some light wear but in our opinion co...

Offered is a vintage set of 4 Mid-Century Modern dining chairs by Milo Baughman for Thayer Coggin. These beautiful chairs have chrome framed bases and original Velvet geometric uphol...

Mid century floating top desk design by Milo Baughman for Drexel "Perspective collection" in the United States circa 1950s. This beautiful desk features a lovely green vinyl top with...

Milo Baughman for Thayer Coggin Mid Century Walnut 4 Seat Sofa This sofa measures: 100 wide x 33 deep x 28 inches high, with a seat height of 16.5 and arm height of 19.75 inches Al...

American Mid-Century Modern console table with an open polished chrome bracket form frame and having an inset glass top. (MILO BAUGHMAN) Condition Notes:

Milo Baughman curved cane back dining or side chair. If you are in the New Jersey, New York City Metro Area, please contact us with your delivery ...

Mixed-woods dining table designed by Milo Baughman for Directional's "Gallery One" line (ca. 1961, USA). Composed of alternating banding of walnut, rosewoo...

A vintage set of three, round cylindrical nesting tables, with chrome and glass tops, designed by Milo Baughman, circa 1960s. These highly functional end or side tables can be sepa...

Unique set of four Milo Baughman-designed side chairs for Thayer Coggin with architectural chrome frames and book-matched olive Burlwood backs. Freshly re-foamed and reupholstered. W...

Milo Baughman for Thayer Coggin Mid Century 2 Door Cabinet The cabinet measures: 31 wide x 18 deep x 28.5 inches high All pieces of furnit...

A beautiful pair of swivel-tilt chairs designed by Milo Baughman for Thayer Coggin, circa 1960's. The classic tub chairs are a timeless design and remains as relevant as ever. Featur...

Fabulous seventies design by the iconic Milo Baughman, showcasing the elegant juxtaposition of chrome and cane. Recently reupholstered lush black and white fabric, the chairs are gor...

Clean Lined Tufted Chrome Lounge Chair, designed by Milo Baughman, American, circa 1960s. It is very heavy and well made. This chair is currently being reupholstered and can be compl...

Mid-century barrel chairs were designed and manufactured in the United States circa 1970s. These beautiful pair of lounge chairs feature a barrel shape design on top of a chrome base...

Milo Baughman for James Inc. Mid Century Lounge Chair with Ottoman The chair measures: 32 wide x 34 deep x 35.5 high, with...

Milo Baughman designed by this mid-century headboard for the Directional Furniture Company. Crafted of .75 inch-thick walnut, attached to sturdy ebonized legs, it fits a king-size be...

American Mid-Century wood bar cart featuring a lower shelf and a top having a hinged fold out small draw and a pull out top shelf supported on 4 round brass legs (Milo Baughman)

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

A rare and important American Art Deco Century of Progress Sideboard by iconic designer Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana. circa 1933-1936 Created for the 1933 Chicago World's Fair, fine quality craftsmanship and construction, having a rectangular exotic rosewood veneered top over conforming solid wood case fitted with four drawers affixed with horizontal pulls, the top drawer opening to reveal felt lined divided interior for silverware, flanked by cabinet doors opening to shelved interior, subtle geometric lines add interest. Rosewood, mahogany, richly figured blonde - golden birch or primavera. Signed, top drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching display case - vitrine cabinet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic Collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

By Harold Schwartz for Romweber, this rare sculptural and architectural pair of nightstands or end tables is as cool as anything designed by Vladimir Kagan, Hans Wegner, or Finn Juhl...

Pair of American Mid-Century large light grey suede club chair with a square back and low arms resting on 2 double supported chrome legs (PRICE AS PAIR) (MILO BAUGHMAN)

Oversized Milo Baughman for Thayer Coggin circular swivel lounge chair. This wonderful chair measures 27.5"t x 40" in diameter with a seat heigh...

A pair of midcentury modern 1188 '"Thin Line' armchairs by Milo Baughman for Thayer Coggin. Designed in 1970’s, these chairs feature Baughman’s signature style; thin, airy, squared off tubular chromed steel frames which support the seat. The seat pad, seat back, and seat arms have been reupholstered by The Selby House...

Milo Baughman for Thayer Coggin Mid Century 3 Drawer Chest The cabinet measures: 31 wide x 18 deep x 28.5 inches high All pieces of furniture can be had in what we call restored vi...

Milo Baughman for Thayer Coggin Mid Century 2 Door Cabinet and 3 Drawer Chest The 2 door cabinet measures: 31 wide x 18 deep x 28.5 inches ...

Wonderfully architectured Occasional table on a cruciform base designed by Milo Baughman. Versatile design, can be used as end or side table, nightstand. This piece has just been pro...

Amazing pair of large 1970s walnut case with Bouclé fabric club chairs by Milo Baughman, fully restored and newly re-upholstered with minor wear and patina due to age and use.

By Harold Schwartz for Romweber, this rare sculptural and architectural piece is as cool as anything designed by Vladimir Kagan, Hans Wegner, or Finn Juhl. High quality construction ...

SET of 10 American Mid-Century dining / side chairs with flat bar polished stainless steel frames, upholstered in a textured purple fabric with button tufted backs. (MILO BAUGHMAN) (...

American Mid-Century lounge armchair with a polished chrome flat bar frame, upholstered in a lightly textured beige / taupe fabric. (MILO BAUGHMAN)(Similar chair in purple upholstery...

American Mid-Century 3-drawer commode / chest of drawers finished in rosewood veneer and a brass veneer band around the base. (MILO BAUGHMAN) Minor scuffs to finish on both wood ...

Oversized large scale swivel chair designed by Milo Baughman for Thayer Coggin. Original upholstery is present, recommended to be replaced. Chrome base is present. Piece retains orig...

PAIR of American Mid-Century armchairs with polished chrome flat bar frames, upholstered in a textured tan fabric with removable seat cushions. (MILO BAUGHMAN FOR DIRECTIONAL)(PRICED...

Clean Lined Chrome Mid Century Dining Table, designed by Milo Baughman for DIA (Design Institute America), American, circa 1980s.

This stunning Serpentine two-piece sectional was designed by Milo Baughman for Thayer Coggin. It has been professionally restored and reupholstered in jaw-dropping cream white boucle...

This is a great pair of Milo Baughman designed end tables for Glenn of California with a magazine shelf and book cubby. Numbers 26 and 30 Classic mid century design. Functional. Spa...

American Mid-Century lounge armchair with a polished chrome flat bar frame, upholstered in a pinstriped raspberry purple velour fabric. (MILO BAUGHMAN)(Similar chair in beige / taupe...

Pair of scoop form slipper chairs on chrome bases by Milo Baughman, circa 1970s.

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...