Stoneware Sculptures

Set of three stoneware ceramic pieces by unknown Danish artist. Made sometime around the 1960-70s. The pieces mimic the look of fossils and are beautifully hand made with different g...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen *1925 †2005 Decade: 1980s This or...

A trio of 3 hand built ceramic Modern TOTEMs from a series investigating the Totemic form. Each one is different, a soft rectangle, an oval and a circular ring on arcing legs. The s...

A tall, hand built ceramic Modern TOTEM, created by artist Helena Starcevic, this is one in an ongoing study of the totemic form. Here, there are 4 separate parts hand-formed and att...

Anthropomorphic Stoneware Vase In The Style of Jacques Pouchain, mid 20th century, probably French. Very interesting and unusual anthropomorphic stoneware vase which resembles works by the French pottery artist...

Keith Simpson, who grew up in St. John Washington, a farming Community of about 600 people in eastern WA state, always makes the underdog models of cars. He says, "They are like the ...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Alexander Struck (1902-1990) for Meissen Böttger...

A brown-glazed stoneware sculpture designed by John Andersson and produced by Höganäs Keramik c. 1950s. “HOGANAS KERAMIK” stamp on bottom

Unique stoneware sculpture by Bengt Berglund, in a whimsical, organic form reminiscent of a mushroom. Beautiful jade, brown and blue colored glaze with a glossy surface, gathering in...

Kuno Norvark (1913-1989) for Bing and Grondahl. Colossal and rare figurine of a bison in glazed stoneware. Model number 7054. Approx. 1970s Marked. Second factory quality. In very...

One of a trio of fully hand built ceramic TOTEMS in matte black under glazed stoneware. This one, "Take a Bite" has a small arc-like bite at the top. They each have their own personality which occurs when clay is hand-formed into shapes, connected together, and fired in a hot kiln. The surface is textured and coated with underglaze, giving the impression of black clay. Pictured below with 2 sister pieces: "Tall Feather" and "First Walk on the Moon...

Porcelain stonewar stylized pigeon Italian production Studiolinea COM 1970 white.

Beautiful set of three, 1970s Robert Maxwell stoneware critter sculptures for Earthgender. The set includes: three critters. Very good condition. See photos. Shows extremely well. Two of the three are signed on underside. Robert Maxwell has always worked with stoneware. Stoneware is a high-fire ware, second only to porcelain in terms of vitrification. Objects usually emerge from the bisque firing a light tan color but can be turned to rust (red-brown) by reduction (reducing the amount of oxygen in the kiln.) Maxwell generally favors the rust colored body, which he often leaves unglazed when producing his signature style animals. His animals start life just like any other object on the potter’s wheel. The difference is that midway in the process a typical vessel form morphs into an imaginary animal. The open top becomes the mouth of the beast and the base, with the addition of a tail, becomes the rear end...

Nicola Tassie – Albunea Totem, 2023 Glazed stoneware H123 x D24 cm A tall, elegant ceramic totem by acclaimed British artist Nicola Tassie, Albunea Totem continues her exploration o...

1938 - Mr. Vallien originally from Sweden had brief employment with a small Los Angeles ceramic factory in the 1960's. While there his talents were recognized and valued, and Soon a...

Cream white glazed ceramic cat made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom.

Discover this unique piece of stoneware ceramic, an exquisitely crafted lion by the famous ceramist Antonio Salvador Orodea and the renowned ASO factory. Part of a trilogy from the 1...

Article: Ceramic pottery vase Origin: Germany Designer: Gerda Heukeroth Producer: Carstens Tönnieshof, Germany Decade: 1970s This original vin...

Jørgen Mogensen, Danish 1922-2004 Rare and unique cubist-style sculpture created by Jørgen Mogensen for Royal Copenhagen. The sculpture stands 81 cm tall and depicts a nude woman, c...

This dramatic, one-of-a-kind ceramic incense holder is sculpted by hand from dark stoneware and finished in a glossy, cratered glaze reminiscent of molten rock or volcanic earth. A f...

Article: Ceramic stoneware object Designer and producer: Horst Kerstan, Kandern in Germany Information: Horst Kerstan (born March 29, 1941 in Frankfurt, † March 21, 2005 in Kandern) was a German ceramist, craftsman and internationally recognized artist. Founder of Group 83. Decade: 1980s This original vintage Studio Stoneware Object was designed by Horst Kerstan and produced in his own Studio in the 1980s in Kandern in Germany. It is made of solid stoneware pottery and has a very unique red brown beige coloration and structure. the bottom is marked with typical Kerstan Producer signature K and signed with Keratin and date 21.9.1980. a very collectible and very rare item of the Kerstan Collection. the object has a very sculptural form and in its size of 17x18cm, it is very impressive. straighforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 17cm Length 17cm Depth 18cm. Condition: This item is in a very good vintage condition with patina. VITA Horst Kerstan: Horst Kerstan grew up in Frankfurt am Main, where he became acquainted with the manufacture of ceramic products through his father Walter Kerstan, who headed the "Ceramic Colors" department of Farbwerke Hoechst AG. After a porcelain painter apprenticeship, he worked from 1956 to 1957 as a porcelain painter in the porcelain manufactory of Hoechst AG, then from 1957 to 1959 in the ceramics department of the Werkkunstschule Offenbach (today: Hochschule für Gestaltung Offenbach am Main) with Lore Kramer-Koehn, the wife of Frankfurt architect Ferdinand Kramer, the pottery to learn and incidentally at the College of Fine Arts, Frankfurt, the drawing. After Kerstan met the ceramist and painter Richard Bampi...

Scandinavian Modern unique vase by Carl-Harry Stålhane. A hand decorated glazed vase with Elephants in light brown, yellow and grey on a white ground. Executed by Rörstrand, Sweden. ...

Bust sculpture by Swedish sculptor Liss Eriksson. Made from Stoneware with oak hairpin and earring. Made during the 1950s. Signed with monogram LE and XXXV/XXXIII. Very good conditio...

A Hand Formed Chalice on Tripod Legs, one in a series of Modern TOTEMS, in matte black, underglazed stoneware. Each TOTEM is unique and has its own person...

Stoneware Clay, Ceramic Flowing Silence Sculpture by Aleksandra Krasnopolska Dimensions: W 25 x D 10 x H 51 cm Materials: Stoneware clay. Unglazed ceramic sulface. Weight: 3,8 kg. ...

Keith Simpson, who grew up in St. John Washington, a farming community of about 600 people in eastern WA state, always makes the underdog models of cars. He says, "They are like the ...

This one-of-a-kind incense holder is hand-formed from natural stoneware and glazed in a soft, creamy tone with light speckling and a subtle wave-like surface. Its organic, fluid form...

This 3-part crusty yellow-gold hand built ceramic TOTEM is a true gift from the "kiln gods", a term ceramicists often use. Here, the result was totally unpredictable and unexpected. ...

Stoneware Clay, Ceramic Tides of Serenity Sculpture by Aleksandra Krasnopolska Dimensions: W 43 x D 20 x H 14 cm Materials: Stoneware clay. Unglazed ceramic sulface. Weight: 2,6 kg....

This unique abstract stoneware sculpture, crafted by Hilbert Boxem in his Landsmeer studio in 1977, stands out for its monumental size, a rarity in the artist's oeuvre where most of ...

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1960s This original vintage...

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1970s This original vintage...

There's something about art that hangs in space rather than on the wall. This piece, "Hanging Rachis With Tail" consists of graduating stonewa...

This year I began focussing on the feet of a piece. How can I change the personality of the artwork by changing the feet it stands on? This challenging piece has many longer feet, ...

Karl Erik Iwar (1920-2006) for Nittsjö. Two figures in hand-painted glazed stoneware. Boy and girl. 1960s. Largest measures: 10.5 x 7 cm. In excellent...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

A pair of stoneware fish figures by Willi Fischer for his own company Fischer Stengods, Sweden 1970s.

This year I began focussing on the feet of a piece. How can I change the personality of the artwork by changing the feet it stands on? This challenging piece has many longer feet, ...

Article: Ceramic pottery vase set of 2 Origin: Germany, GDR Producer: VEB Haldensleben, Germany GDR Decade: 1970s This original vintage p...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Lea von Mickwitz (1884-1978) for Arabia. Large sculpture in glazed stoneware. Lama. Beautiful glaze in brown and green shades, 1940s. Measures: 28 x 25 cm. In very good condition. ...

A very fine and rare lifesize French 19th century patinated metal figure of a standing maiden holding a lantern, the impressive figure depicting a young scantily dressed and barefoot...

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1960s This original vintage...

Hollow yet weighted, this contemplative ceramic sculpture is both an object to look at as well as to hold. The center opening creates negative space, suggesting the passing through o...

A hollow oval sculpture on 4 button feet. Part of a new series of related pieces, a sculptural "Family" of Modern Shapes as ceramic stoneware objects. This piece has a dark matte bro...

One in a new series of modern TOTEMS consisting of soft round or rectangular forms on small conical feet. The shapes begin as a solid piece. They are then hollowed out, stacked and i...

A beautiful glazed stoneware rhinoceros sculpture by Valérie Courtet, made around 2010. The details are truly exquisite, and the quality of the work is exceptional. Each piece by Val...

A new series of small sculptures in the Modern Totemic vein. Not exactly humanistic, but they do have feet and personality. They are abstract...

Blue Planet Sphere is a round elliptically shaped sculpture, like a flattened, angle-edged ball. Not exactly shaped like our Blue Planet, it still looks li...

Sculpture "The Owl" in stone and metal signed J. Maugeais and dated 1965. The bust of the owl is represented by a slate stone, the other parts of the body, the head, the wings and t...

Hand built Ceramic Sculpture, in Gray/Green Underglaze. The Gray/Green is hard to capture: more dark gray than green, it has the feeling of the color sage green. The piece is a composite of hollow pods, elongated, pointed oval or elliptical shapes. They are individually hand-formed, attached together and fused during the firing. White stoneware clay with gray/green underglazes create a soft, powdery surface that still shows a bit of texture from the clay. It is not glazed. The Composite Series has an earthy presence, inspired by the huge bare boulders of the Anza Borrego...

Article: Ceramic objects, set of 2 Designer and producer: Rudi Stahl, Germany Information: Rudi Stahl (1918 - 1987) / Höhr-Grenzhausen Decade: 1970s This original vintage studio object set was designed by Rudi Stahl and produced in his own Studio in the 1970s in Germany. It is made of pottery and has a very unique brown tone etc. coloration. The bottom is marked with typical Stahl Producer signature. A very collectible and very rare item of the Stahl Collection. The object has a very sculptural form and in its size of 12 and 21cm in height, it is very impressive. Straightforward and minimalistic design of the 1970s design era. This item is a wonderful addition to every modern home. Dimensions: left Height 21cm Diameter 25,5cm right Height 12,5cm Diameter 16cm Condition: This item is in a very good vintage condition with patina. VITA Rudi Stahl: Apprenticeship in pottery with Wim Mühlendyck (1936 journeyman's examination there), 1937 to 1939 studies at the State College for Ceramics in Höhr-Grenzhausen; from 1940 own workshop there; 1942 master craftsman examination; later he was chief master of the pottery guild of Rhineland-Palatinate. He received numerous awards, in 1975 Rudi Stahl (together with Wim Mühlendyck) was awarded the Federal Cross of Merit on ribbon. Collaboration with, among others, Theodor Bogler.

Article: Ceramic stoneware object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1970s and 198...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

This glazed black hand built ceramic modern TOTEM consists of a freeform open top with a middle spherical shape on tripod legs. Part of a series of Modern Totemic works. The dark brown stoneware clay is hand formed in 3 sections which are attached before firing. The rich Black Glaze on the lower forms alternates between satin and gloss and shows the texture of the clay, while the White Glazed top reveals the artist's hand and the brown clay beneath. Several ceramic techniques are used here, slab construction, coiling and pinching...

Article: Ceramic stoneware object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1980s Th...

A superb abstract tall studio cylindrical floor vessel by renowned potter Robin Welch (British 1936-2019). Stamped mark. Circa 1990's. The stepped stoneware vase has a textural two-...

Unique abstract sculptural object by Danish artist Ole Bjørn Krüger (1922-2007) made at his own studio in the 1970s. The object is made of chamotte stonew...

Keith Simpson rather instinctively made ceramic cacti for the show. They were a last minute thought that evolved out of a daydream. Keith was musing about the possibility of moving t...

This Red Ceramic Chalice is a modern take on an ancient idea, designed and hand built by the artist, Helena Starcevic. It has a glossy red glaze over a dark clay body which shows thr...