Stoneware Sculptures

Letters and characters are the continuous decoration on Kristiansen's stoneware works, dishes, bowls and vases in bright colors. Scripture is incised or in relief and is in the early...

Article: ceramic pottery vase. Origin: Germany. Producer: Walter Gerhards, Germany. Decade: 1970s. This original vintage pottery object was designed and produced by WALTER...

Large glazed stoneware Falcon designed by the Danish ceramist Knud Kyhn (KK) all the way back in 1940-50. Hugely inspired by the sung glazes applied in Axel Salto's and Bode Willumse...

After the antique “Piping Faun” now in the Louvre Museum; the result of it being bought by Napoleon from the Borghese collection. The "Piping Faun" is...

Wonderful stoneware penguin sculpture signed by artist John Seymour, 1986.

Article: ceramic pottery vase. Origin: Germany. Designer: Heinz Siery. Producer: Carstens Tönnieshof, Germany. Decade: 1970s. This original vintage pottery object was ...

Holiday vase in dusty black. Designed by Project 213A in 2021 Handmade Stoneware. The oval vase, ruffled on the edges brings about contrast of lightness. This hand made and embelli...

A fantastic, quite engaging Anagama art sculpture by American master potter/artist Peter Voulkos who is universally known for his abstract expressionist ceramic pottery pieces and sculptures. Voulkos often referred to these few, rare creations as his "dolls". They were typically constructed from scraps of clay cut from larger sculptures and combined into abstract expressionist figures loosely based on Japanese Haniwa figures...

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A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A beautiful sculpture by Elisabeth Joulia. La Borne France 1960's Signed under. Strong presence, nuance of colours stoneware because of wood fired ( Brown, purple ) In very good ...

Sung glazed stoneware Terrier by Knud Kyhn for Royal Copenhagen, designed in the 1920’s - this little dog has great character - typical of a terrier Super example of Kyhn's creativen...

Abstract stoneware sculpture on sandstone plinth by British artist Peter Hayes. Peter Hayes is one of the leading exponents of his art and his sculpt...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

Cream white glazed ceramic bull made by Bruno Gambone in the 1970s, signed Gambone on the bottom.

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

Holiday vase in shiny white. Designed by Project 213A in 2021 handmade stoneware. The oval vase, ruffled on the edges brings about contrast of lightness. This hand made and embelli...

Esther Shimazu's bald and chunky male sculpture. She uses hand-built techniques to construct clay figures using colored slips, oxides when firing, then hand sands them and rubs in pi...

Article: ceramic pottery vase. Origin: Germany. Producer: Carstens Tönnieshof, Germany. Decade: 1970s. This original vintage pottery object was designed and produced by C...

Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese homes for centuries. This pair of small cerami...

A fine library bust from the Wedgwood & Bentley period, exhibiting the fineness and quality that make this early Wedgwood so very desirable. Homer, often regarded as the greatest of...

No.44 stoneware sculpture, tonfisk by Ciona Lee One of a Kind Dimensions: W 14.5 x D 6 x H 11.5 cm Materials: Black Grogged Stoneware, Frost White Glaze ...

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1960s This original vintage pottery object was desig...

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1970s This original vintage...

Article: Ceramic stoneware object, UFO Vase Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 19...

“Dune I” Wall by Agnès Debizet, 2017 Monumental wall sculpture comprising twenty elements made of stoneware and porcelain slip with dark cracks surface, unique piece signed and da...

Adorable “Dragon Puppy” figurine by Wilhelm Kåge, made from stoneware with white cararra glaze. Fun and mischievous design, inspired by Chinese Ming era dragon sculptures and execute...

One of a trio of fully hand built ceramic TOTEMS in matte black under glazed stoneware. This one, "Take a Bite" has a small arc-like bite at the top. They each have their own personality which occurs when clay is hand-formed into shapes, connected together, and fired in a hot kiln. The surface is textured and coated with underglaze, giving the impression of black clay. Pictured below with 2 sister pieces: "Tall Feather" and "First Walk on the Moon...

Sunset Sculpture Vase by Maria Lenskjold Dimensions: H 30 cm Materials: Stoneware Maria Lenskjold’s practice is based on a consi...

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Brutalist inspired stoneware hedgehog designed by female Danish Ceramist, Artist and Sculptor Tut Fog in the mid-1970s. This particular example (7010) dates from the 1970s and is the...

Porcelain stonewar stylized pigeon Italian production Studiolinea COM 1970 white.

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

Valérie Courtet, by. Fennec in greige-colored enameled stoneware. Work of a French artist. Unique work. Dimensions: H 33 x W 18 x D 24 cm Reference: LS6422959P

Valérie Courtet, by. White bear in enameled stoneware, holding 3 animals in its arms. Work of a contemporary French artist. Dimensions: H 59 x W 28 x D 14 cm Reference: LS64211605M

Beautiful set of three, 1970s Robert Maxwell stoneware critter sculptures for Earthgender. The set includes: three critters. Very good condition. See photos. Shows extremely well. Two of the three are signed on underside. Robert Maxwell has always worked with stoneware. Stoneware is a high-fire ware, second only to porcelain in terms of vitrification. Objects usually emerge from the bisque firing a light tan color but can be turned to rust (red-brown) by reduction (reducing the amount of oxygen in the kiln.) Maxwell generally favors the rust colored body, which he often leaves unglazed when producing his signature style animals. His animals start life just like any other object on the potter’s wheel. The difference is that midway in the process a typical vessel form morphs into an imaginary animal. The open top becomes the mouth of the beast and the base, with the addition of a tail, becomes the rear end...

Valérie Courtet. Sculpture in chamotte stoneware representing a crocodile carrying hippos. Work of a contemporary French artist. Dimensions: H 56 x W 30 x D 22 cm Reference: LS64...

Valérie Courtet, by. White bear, in glazed and chamotte stoneware, standing. Work of a contemporary French artist. Dimensions: H 61 x W 28 x D 14 cm Reference: LS64171309P

Miniature stoneware turtle sculpture by Meissen Boettger, circa 1970s. The piece is in very good condition with no chips or cracks and measures 2.25"W x 3""D x 1.5"H. Great detail a...

Porcelain stonewar stylized pigeon Italian production Studiolinea COM 1970 white.

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La Linda Nedra by Elena Rakochy Artist Bio and Statement Elena Rakochy is a sculptor from Chicago, specializing in clay and drawing inspiration from nature and interpersonal connect...

Playful unique bird sculpture in glazed chamotte ceramics by Rolf Hansen, Norway. The sculpture was handmade by Hansen at Konsberg Keramikk in the early 1950s. Rolf Hansen was a Norwegian ceramist. From 1947 he attended Kongsberg Keramikk until his death in 2004. Rolf Hansens works make people feel easy to mind, and motives of roosters and bulls were closest to his trademark. The source of inspiration for Rolf Hansen was Pablo Picasso. In 1949 he was in Vallauris in France and became acquainted with Picasso's pottery, and in the early 1950s Rolf Hansen made dishes and jars with abstract decor in his spirit. Rolf Hansen was one of Norways most popular ceramics...

Slashed Crumpled Form No 60 is a unique ceramic sculptural vessel by the British artist Nicholas Arroyave-Portela, made from white St.Thomas ...

Raw glazed ceramic horse made by Bruno Gambone from 1975, signed Gambone on the bottom. Very rare in the raw version.

Article: Ceramic pottery vase Origin: Germany Designer: Fritz van Daalen Producer: Fritz van Daalen, Germany Decade: 1960s This original vinta...

A wonderful stoneware pottery model of a Monkey designed by Knud Khyn for Royal Copenhagen. Knud Khyn (1880-1969) was a Danish sculptor and painter. He was an important, long-term...

Stunning, unique dragon sculpture by Wilhelm Kåge, made from stoneware with beautiful green glaze. Rare, large size. Very expressive and lively design, inspired by Chinese Ming era d...

Coloured Kohiki slip on stoneware H15.5 x W20.5 cm

SWALLOWS Wall Ornament Designed by Rodrigo Vairinhos The SWALLOWS wall ornament set is a truly artistic and symbolic addition to any home. This unique set of 6 ceramic swallows...

Black crumpled form No 10 is a unique ceramic sculptural vessel by the British artist Nicholas Arroyave-Portela. Nicholas Arroyave-Portela...

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Unique stoneware sculpture by Bengt Berglund, in an abstract, organic form with a hole with frayed edges. Blue, aubergine and ochre colored glaze.

Article: Ceramic pottery vase Origin: Germany, GDR Producer: Strehla, Germany GDR Decade: 1970s This original vintage pottery object was designed and ...

Glazed stoneware. Footed oval-shaped vase with applied forms & blue glazes. Artist signed on underside.

Large ceramic figurine. Designed by Johannes Hansen (1903-1995) and manufactured by Knabstrup ceramic factory in Denmark. Boy playing harmonica. The figurine are made of dark cham...

One in a new series of Modern TOTEMS consisting of soft round or rectangular forms on small conical feet. The shapes begin as a solid piece. They are then hollowed out, stacked and t...