Early 1900s Sculptures

Lovely biscuit porcelain bust of a young girl, named Louise Brongniart. The bust is marked on the back with 'Houdon' and the Sevres mark. Biscuit por...

Large black, red, and white marble specimen bust of Julius Caesar. Dimensions: 35"H x 29"W x 14"D.  

"The coffee maker" Viennese Vienna cold painted oriental bronze by Franz Bergmann. Extremely fine and detailed masterpiece. Both parts hallmarked.    

With underglaze blue fish as decoration.

Wax young girl bust sculpture by Mme Arondelle, 2 rue du Louvre, Paris, France, ca.1900. Polychrome wax. After the famous Wax Head from the Lille ...

Organic modern natural history specimen large sea shell as collectible or coastal decor.

A young woman in a long dress with short sleeves, softly enveloping her body, with a scarf covering her hair and falling well over her face to protect her from the burning sun, walking across the field at a leisurely pace, holding out her apron with the seeds spread out in front of her with her left hand and making a sweeping gesture with her right. On a narrow, elongated natural plinth with rounded corners, with the artist's signature ‘Schork 99’ incised on the side, as well as the Goldscheider manufactory's pressed stamp, pressed model number and incised monogram ‘AH’ on the back behind the figure. This motif is particularly well known in France, where it adorned all French franc coins and postage stamps for many years and was continued in a stylised form on all cent coins of the euro after 2001. Louis Oscar Roty (1846 - 1911) This sower is very familiar to the French: she was depicted on the fifty-centime coin and on the one-, two- and five-franc coins until 2001, when a stylised version of her appeared on the ten-, twenty- and fifty-centime coins of the euro. The figure dates back to 1887, when Roty designed a prize medal for the Ministry of Agriculture, a project that was not pursued. When the Minister of Finance commissioned new coins in 1896, Roty was among the selected artists. He drew on the Sower of 1887, but transformed his robust farmer into a slender Marianne, who wore the Phrygian cap of freedom. The traditional profile of the Republic was abandoned in favour of a more active, standing figure. This effigy was criticised, but generally very well received: ‘The seeds she generously throws into the earth are the countless ideas that may one day germinate and flourish when we are no longer here’ (La Liberté, 8 October 1898). The gesture is more symbolic than realistic – we do not sow against the wind, which nevertheless makes the hair behind the sower flutter – but it makes the composition more dynamic. Originally, ‘The Sower’ was used on the fifty-centime to two-franc coins introduced in 1897 and 1898, before appearing on postage stamps in 1903. It is thus the most widely circulated work of art in France. Although not included in the Musée d'Orsay's medal collection, this wax drawing on slate, typical of the technique of a medallist, is one of the most beautiful pieces and demonstrates the virtuosity of Roty. (Musée d'Orsay, The Collections) Design by HANS SCHORK...

Very unique and large bronze elephant sculpture. It is very skillfully done with a lot of nice details. A great accent piece for any room. Heigh...

Statuette of Don Quixote in gilded and silvered bronze, on a high alabaster base.

Beautiful girl figurine handmade in Germany circa 1900s- 1910s. A beautiful piece for decorating your kitchen. Handmade and hand painted in beautiful colors. Marked Germany.

Majolica white swan jardinière Nimy, circa 1900. A real treasure for the ceramics' collector. Small chip to top rim not visible during use see photo. Please don't hesitate to get i...

French Art Nouveau sculpture, France, ca.1900. Young Lady Bust. Alabaster & marble. In direct carving. Height : 12.2"(31cm), Width : 11.8"(30cm), , Depth : 6.7"(17cm)

Small French Majolica Terracotta Rabbit Bavent Circa 1900.

A heavy and powerfully cast Japanese bronze model of a shishi or foo lion by Hideyama / Shuzan, Meiji Period, circa 1900, Japan. The dramatic lion, known as a shishi in Japan, is ca...

A folk-art nutcracker carved in oak wood. This is an elusive antique black forest nutcracker created in northern Europe, most probably in Germ...

Terracotta Majolica Snail Bavent Normandy circa 1900.

Imagine a small but enchanting Italian bronze sculpture that captures an unexpected moment of nature's beauty. It's a delicate portrayal of Two Mating Pigs, created by a skilled 20th...

Fine German Porcelain Pig Circa 1900. H / 3 inches. L / 5.5 inches.

Antique Majolica oxen cart jardiniere circa 1900, signed Clement Massier Golfe-Juan. Reference: Page 111 "Barbotines de la cote d'Azur" of Bottero.

Beautiful Art Nouveau bronzed colored plaster bust. Bust with lots of patina, damages, as found condition, this adds lots of character to the item. A nice addition in every living ro...

Portuguese silver toothpick rabbit It features a rabbit with an umbrella and its offspring. Origin: Portugal, circa 1930. Material: silver. Stamped on the base: 833 silver and bearin...

A large Italian 19th-20th century neoclassical and Greco-Roman style architectural scagliola wall plaque depicting chariots, horses, allegorical maidens and gods, inlaid and painted ...

Spectacular bronze relief that represents the Greek motif of Leda and the swan, according to which Zeus descended from Olympus in the form of a swan towards Leda, while this queen wa...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

A Fine and Large French Early 20th Century Bronze of Napoleon Marching in Waterloo Cast after a model by Marius-Jean-Antonin Mercié (French, 1845-1916). The impressive bronze sculptu...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

Beautiful Octoberfest Lederhosen boy figure handmade in Germany circa 1900s or older. A beautiful piece for any room. Handmade and hand painted in beautiful colors.

Beautiful antique carved marble relief depicting flowering grapevine, mounted in later giltwood frame supplied by Saxon & Clemons of the D&D Building in New York City, circa 1960s.

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

French Terra Cotta Majolica Dog Normandy Circa 1900. decorated with Cornflowers called Barbeaux in France. in the style and period of Emile Galle.

Model #8190. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an opt...

Featuring a Dog with Pups Rare Swiss Black Forest Dog group. The group modelled as a smooth coat St. Bernard female with her three puppies. The...

An unusual large art pottery figure of a grotesque smiling cat with glass eyes from an original design by Blanche Vulliamy made by Charles Hubert B...

Beautiful pair of men's leather riding boots with stretcher inserts created from maple. Inserts are made up of 3 puexes which interlock. Boot is 11.5 x 4 x 18 H. Great for display. L...

Meissen rarest Art Nouveau item: The wave Size: Height 3.34 inches Depth 6.10 inches Width 8.26 inches Manufactory: Meissen Hallmarked: Blue Meissen sword mark (glazed bott...

Art Nouveau Majolica frog who playing mandolin signed Delphin Massier circa 1900. The Massier are known for the quality of their unique enamels and paintings.

Beautiful large scale bronze sculpture depicting a silver dollar by Anthony de Francisci C. 1900 on a custom black metal stand. Most like...

Incredible PIERRE POUGET french art nouveau "Faun" bronze circa 1900 on marble base.

Terracotta bulldog Bavent signed Filmont, circa 1900.

Welded cast iron toy from the Indian 900s depicting a chariot with a square canopy and conical dome. We can identify this toy-statue as a depiction of Krishna’s Rath Gita (Bhagavad Gita...

French Majolica elephant pitcher signed Sarreguemines, circa 1900.

Terracotta bust of a Chinese man, "Chih Fan Han Yang" by artist, Jean Mich. The high quality bust depicts an image of a smiling Chinese man. It was created by Hungarian born artist, ...

A large and impressive Meiji period bronze bison by Sano Takachika for the Kakuha Company, the animal powerfully modelled with his head low and turned s...

19th century Zinc French butchers “Boucherie” trade sign. Referred to as a Boucherie, this handcrafted zinc horses head sign would have hung above a...

Large Palissy wall platter a large catshark on the center surrounded by four fishs, two frogs, two crawfishs, two lizards, shells and different greens plants, circa 1900, this platte...

19th century carved pine folk art farmer and his oxen model We are proud to offer a unique example of a late 19th century hand carved pine folk art model of a farmer and his oxen. R...

Charming Plaster Sculture by Ruth Milles (Sweden, 1873-1941). A young girl with a bag. Art Nouveau, dated 1906. Ruth Milles is the sister of the world famous sculptor Carl Milles. S...

An unusual antique/vintage Indian Khond tribe attributed stylized patinated metal, possibly bronze, seated dog figure sculpture believed to date to the late 19th or early 20th centur...

A striking early 20th century Austrian bronze group of an Bedouin man standing next to his camel by the side of a palm tree on a naturalistic raised base, the saddle on the camel ope...

French Aqua Majolica Donkey Vallauris with Basket Clement Massier , circa 1900.

An antique sculpture (zink alloy) of a guard dog - a Staffordshire Terrier or Bandog type - guarding the property of its owner behind a wooden fe...

Set of three wooden child size shoe forms mounted on an iron base.

A French Art Nouveau "Fairy" or "La Fée" bronze sculpture by Louis Chalon. A nude female figure stands on an open flower with complex, textured roots. On her back are four "wings" in...

Meissen rarest group of figurines: Three Girls Playing Hide and Seek by Theodore Eichler. Size: height 25.0 cm (= 9.84 inches) width 20.0 cm (= 7.87 inches) depth 12.5 cm (= 4...

Louis Chalon (1866-1940) A Gilt and patinated Symbolist Art Nouveau Bronze Sculpture of an Egyptian Nymph Incredible emotion when standing in front of this beauty, not only the impre...

Charming sculpture of a young woman carrying a jug, signed by Bonnal on the back and inspired by “Rebecca at the Well” by 19th-century Italian School artist Guglielmo Pugi. The sculpture in fine white Carrara marble, created between the end of the 19ᵉ century and the beginning of the 20ᵉ century, depicts a pensive, lascivious young woman dressed in the fashion of the turn of the century: she wears a turban from which escapes curls of hair and a bracelet characteristic of the period; the cut of her dress is also very elaborate for a simple peasant woman. The finely embroidered motifs on the dress and turban are further evidence of the sculptor's mastery. A delicate, feminine piece that will look great in a hallway or on a dressing table, and will make a lovely gift for an aesthete woman. Guglielmo Pugi lived in Florence, where he ran a sculpture workshop with his two sons. Their workshop, “Guglielmo Pugi e Figli”, was mainly dedicated to exports, particularly to the United States. Guglielmo Pugi's work, emblematic of the Art Nouveau style, is characterized by direct carving in alabaster and Carrara marble (often white or veined). Some of his sculptures are now housed in Volterra's Historical Alabaster Museum. Many of his works were shown at major international exhibitions, such as the 1901 Pan-American Exposition in Buffalo and the 1904 Exposition...

This set of rare antique sugar cane presses stand as a striking example of early agricultural craftsmanship, preserved in their true, unrestored form. Made from solid teakwood, they ...

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

Chi wara is a ritual headdress used by the Bambara people in Mali. Portrayed as both male or female figures Chi ware is associated with agriculture. This fema...