Pomellato Sterling Silver Honey Dish in Mid-Century Modern Style

Tiffany & Co. is one of the most prominent purveyors of luxury goods in the United States, and has long been an important arbiter of style in the design of diamond engagement rings. A young Franklin Delano Roosevelt proposed to his future wife, Eleanor, with a Tiffany ring in 1904. Vanderbilts, Whitneys, Astors and members of the Russian imperial family all wore Tiffany & Co. jewelry. And Jacqueline Kennedy Onassis preferred Tiffany china for state dinners at the White House.

Although synonymous with luxury today, the firm started out rather modestly. Charles Lewis Tiffany and John B. Young founded it in Connecticut as a “stationery and fancy goods emporium” in 1837, at a time when European imports still dominated the nascent American luxury market. In 1853, Charles Tiffany — who in 1845 had launched the company’s famed catalog, the Blue Book, and with it, the firm’s signature robin’s-egg blue, which he chose for the cover — shifted the focus to fine jewelry.

In 1868, Tiffany & Co. gained international recognition when it became the first U.S. firm to win an award for excellence in silverware at the Exposition Universelle in Paris. From then on, it belonged to the pantheon of American luxury brands.

At the start of the Gilded Age, in 1870, Tiffany & Co. opened its flagship store, described as a "palace of jewels" by the New York Times, at 15 Union Square West in Manhattan. Throughout this period, its designs for silver tableware, ceremonial silver, flatware and jewelry were highly sought-after indicators of status and taste. They also won the firm numerous accolades, including the grand prize for silverware at the Paris Exposition of 1878. Among the firm’s glittering creations from this time are masterworks of Art Nouveau jewelry, such as this delicate aquamarine necklace and this lavish plique-à-jour peridot and gold necklace, both circa 1900.

When Charles Lewis Tiffany died, in 1902, his son Louis Comfort Tiffany became the firm’s design director. Under his leadership, the Tiffany silver studio was a de facto design school for apprentice silversmiths, who worked alongside head artisan Edward C. Moore. The firm produced distinctive objects inspired by Japanese art and design, North American plants and flowers, and Native American patterns and crafts, adding aesthetic diversity to Tiffany & Co.’s distinguished repertoire.

Tiffany is also closely associated with diamonds, even lending its name to one particularly rare and exceptional yellow stone. The firm bought the Tiffany diamond in its raw state from the Kimberley mines of South Africa in 1878. Cut to create a 128.54-carat gem with an unprecedented 82 facets, it is one of the most spectacular examples of a yellow diamond in the world.

In a broader sense, Tiffany & Co. helped put diamonds on the map in 1886 by introducing the American marketplace to the solitaire diamond design, which is still among the most popular engagement-ring styles. The trademark Tiffany® Setting raises the stone above the band on six prongs, allowing its facets to catch the light. A lovely recent example is this circa-2000 platinum engagement ring. Displaying a different design and aesthetic (but equally chic) is this exquisite diamond and ruby ring from the 1930s.

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When Pino Rabolini (1936–2018) founded Pomellato in 1967, he was continuing the heritage of goldsmithing in his Milanese family but wanted to take a different approach to fine jewelry. While so many European jewelers, including Cartier, Bulgari and Van Cleef & Arpels, were designing status pieces, Rabolini turned toward women interested in everyday style. In fact, the first few pieces he designed were an homage to the women — actresses, singers and artists — at Bar Jamaica, a popular Milanese bar frequented by the city’s creative set. He wanted to craft pieces for the women of Italy (and eventually the world) who deserved to wear fine jewelry that reflected their dynamic identities, even if they were merely headed to their unassuming local bar or cafe.

Rabolini helped revolutionize the world of fine jewelry by offering women an opportunity to wear colorful gems in their daily lives. Among the brand’s innovations were its advertising campaigns, which included work by leading black-and-white photographers like Gian Paolo Barbieri in the 1970s, Helmut Newton in the 1980s and Alistair Taylor Young, Lord Snowdon and Javier Vallhonrat in the 1990s. In the 2000s, Michel Comte led the brand's shift into color photography for its campaigns.

Pomellato released numerous collections since its inception, and in 1995 added the Dodo brand aimed at a younger audience with more playful shapes and affordable designs. But it was the 2001 Nudo collection that put the brand on the international map, giving the Nudo ring design instant cult status. Nudo, which is Italian for “nude,” seemed the most appropriate name for the ring collection given its simple, prong-free setting. The Nudo ring’s solitaire stone, which has a double-face cut, is completely exposed on all sides save for the bottom. And the band, usually rose gold, is often devoid of any stones or designs. The collection became so popular that, in 2019, Pomellato expanded upon it, adding a sautoir, which can be worn three different ways: as a classic sautoir, a lariat necklace or a double-wrap chain. It also updated the original Nudo ring to include rose-gold bands set with three rows of colored pavé diamonds.

In 2013, Pomellato was acquired by the Kering Group. The Nudo collection remains the most popular collection to date as Pomellato’s team of goldsmiths continues to produce striking jewelry from its Milan headquarters.

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