British More Furniture and Collectibles

Circa 1890 19thC English half tester double brass bed frame with lattice swing brackets to the sides and twin bars below for hanging fabric. Very high quality casting. Measures...

Great map of The World Original color. Good condition / minor foxing Published by Alexander Gross Unframed.

Of Kings' Treasuries London / Edinburgh: George Allen / Ballantyne Press, 1902. 8vo, 8 x 5 3/4 inches (203 x 145 mm), (4), 99, (1) pp. Printed on handmade Arnold paper with a flower...

This antique baby cradle is unsigned, but presumed to have originated from England and date to approximately 1880 and done in the period Victorian ...

This is a very good and complete board game of Marble Solitaire, with a hand turned hardwood board and 33 agate stone marbles, which we date to the Art Deco period of the 20th Centur...

Nautical Chart of Cape Verde Islands by J.W. Norie, 1824 Coastal Map This beautifully engraved nautical chart, titled “A New Chart of the Cape Verde Islands,” was drawn by J.W. Nori...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

This is an antique mortar and pestle duo. An English, polished brass apothecary dish or decorative jardiniere pot, dating to the Georgian period, circa 1800. Dashing Georgian morta...

G.F. Cruchley (UK, 1796-1880) London ca 1850 A magnificent pair of terrestrial and celestial globes. Equatorial table engraved with the signs of the zodiac and resting on 3 mahogany molded feet held by a compass at the spacer. With graduated brass meridian circles and time clocks. The terrestrial globe is inscribed in a cartouche: Cruchley's new terrestrial globe from the most recent and best authorities. Exhibiting the discoveries in equatorial Africa, north pole. And the new settlements and divisions in Australia, New Zealand, Californa, Texas, &c. London. Sold by Gould and Porter opticians 181 strand WC. The celestial globe is inscribed in a cartouche: Cruchleys new celestial globe on which is accurately laid down the whole of the stars and nebule contained in the astronomical catalogue of the Reverend Mr. Wollaston F.R.S. Also from the authorities Flamstead, De La Caille, Hevellus, Bradley, Herschel, Maskelyne, &c. Ands the limits of each constellation determined by a boundary line. London, published by G.F. Cruchley, map-seller & globe maker, 81 Fleet street. Signed: CRUCHLEY in London England, circa 1850 H. 125 cm Diam. 53 cm (21 inches) Diam. 25 cm compasses The two spheres are in a perfect state of freshness and are perfectly legible. The condition of both the globes is very good. There have been some professional repairs to some damaged gores. The Terrestrial globe in good conserved and legible condition, it has areas of rubbing, retouching, and slight discoloration. The Celestial globe is also in good conserved and legible condition with areas of rubbing, retouching and slight discoloration. The gores themselves have been cleaned and revarnished. The splendid mahogany legs and moulded feet are in first class condition. Each globe consists of 12 hand coloured copper engraved gores over a paper-maché hollow core, made up of two hemispheres joined at the equator and covered with a layer of plaster. There are paper horizon rings, made up of a series of concentric circles, displaying the months of the year, the signs of the zodiac and wind directions. THE TERRESTRIAL GLOBE. The globe provides much detailed information, and was accurate up to the date of production, which in this case is the mid-19th century. It shows the latest discoveries and developments that had taken place. It displays names and territories that were once familiar to the people of the age, 150 years into the future! In Asia for example, there are places like ‘Little Bucharia’, ‘Little and Greater Tartary’, ‘Russia in Asia.’ Undoubtedly, the continent that has changed more than any other is Africa. So many African countries that we know and recognise now, had different, perhaps more ‘Colonial’ names more than a century and a half ago. There was ‘Nubia’ (Sudan/Egypt), ‘Abbyssinia’ (Ethiopia), ‘Cape Colony’ (South Africa), ‘Dahomey’ (Benin) but to name a few. Australia was a little over 50 years away from its union via ‘Federation’ in 1901. This brought about the Commonwealth of Australia. However, in 1850 they were six separate British selfserving colonies, ruled directly from England. In North America, both Los Angeles and San Francisco are incorporated as cities into California - as it becomes the 31st U.S. state. Much of mid-western and western USA were known as ‘The Western Territory’ & ‘The Missouri Territory’, Florida was still refered to as ‘East & West Florida’. Canada was split into ‘Canada East’ & ‘Canada West.’ Canada East was primarily (for historical reasons) French-speaking, and Canada West primarily Englishspeaking. Much of Western Canada remained unexplored and undeveloped. In Europe, there was still the ‘Russian Empire’, the ‘Ottoman Empire’, the ‘AustroHungarian Empire’, and the German ‘Prussian Empire.’ THE CELESTIAL GLOBE. The Celestial Globe displays the stars, the constellations, clusters and nebulae in a beautiful and well thought out manner. Mythical figures and signs of the zodiac are seen. The equinoctial and solistitial colures are graduated in degrees. Although the colour is somewhat muted, it takes nothing away from the overall beauty and the undoubted aesthetic qualities of the globe. Historically, globes are among the most ancient scientific instruments known to man. They can be dated back over two millennia, and are still manufactured to this day. The earliest tradition of globe making is mainly concerned with celestial globes – man...

Art Deco Dancing Lady Table Strikers By Josef Lorenzl (Austrian, 1892-1950) For Beney Of London 1930's

A handsome English dome-topped steamer or traveler's luggage trunk, circa 1858 - 1880, featuring a toleware enameled tin body, nail-head accents, brass hardware, and original opposin...

For your consideration, a pair of Warfedale speakers in walnut wood that can be used as side tables. Mid-Century modern period. Dimensions: 14.5 H x 23.75 W x 13 D Delivery within...

19th Century dinner gong, having acorn finials above the turned frame supporting the large brass gong. All raised on shaped feet. Dimensions Height 48.5 Inches Width 28.5 Inches Dept...

This is a set of 3 antique Badminton Library Books. An English language, hard bound reference title on sporting topics, dating to the late Victorian ...

Grafonola, the Dulceola, with wooden case. With a classic and elegant design, the device is made of varnished wood, with a refined finish and well-crafted details. The lid is open, r...

This is an antique reference book, The Carpenter and Joiner's Assistant. An English language illustrated architecture and design title, dating to the Victorian period, circa 1860. F...

Matching Pair of Art Deco limed oak, carved oak marble topped nightstands with two drawers & cupboard 1920s Measures: height to top: 58 cm height to top of marble: 60 cm.

Cosmography & Astrology Large oval engraved plate with inscriptions outlining the various parts of cosmography and astronomy; below, two emblematic figures with scientific instruments either side. Lettered with title, dedication, and various inscriptions. To his Excellency Roger Palmer, Earle of Castelmain and Baron of Limerick in Ireland, Embassador Extraordinary from his majesty King James II to his Holyness Pope Innocent 11th anno dom 1686. This plate is humbly DD by Richard Blome. On paper and retaining its original coloring. Sheet width 26 ½ cm., 10 ½ in., height 41 ½ cm., 16 ½ in., In a part-gilded Sansovino frame...

20 Volumes.Robert L. Stevenson. The Works. "Pentland Edition" With Bibliographical notes by Edmund Gosse. Bound in full red morocco, marbled endpapers, top edges gilt, raised bands, ...

Salmon Bros London, A beautiful cased instrument for measuring the sight to determine the need for glasses.

Late 19th century oak umbrella or cane stand from England. This is a lovely umbrella stand, made solidly from nice English oak. The back legs are simple, to allow for easy placemen...

Geoffrey Bennison Master Decorator by Gillian Newberry and Sir John Richardson hardcover book.Extremely rare, limited edition, collectible out of print.The first monograph on the wor...

Quality antique Victorian brass scales having a quality set of brass scales with 2 circular brass pans standing on a brass tripod base Quaint examples in...

A beautiful hand carved coquille nut egg box. Beautiful carving, great patina, unscrews at center to open. The original use was a flea trap, things were d...

Good late 19th century English oak and brass umbrella stand with serpentine brass rail on brass rope twist support and shaped base, retaining original rain catcher, the back with pie...

Large 19th Century Camphor Brass Bound Campaign Travelling Trunk with Stunning Rich Patina A large late 19th-century camphor wood brass-bound travelling campaign trunk with brass mo...

This is a distinguished late Victorian dinner gong, evoking the grandeur of a Scottish Highland country estate, circa 1880. This superb antique chime fe...

Northele is a sloop, length 14 m, made by Berthon Boats in Lymington Dorset in 1949 on shipyard project. Measures: 103.5 x 61.3 (H) cm, inches 40.74 x 24.13 (H). Project coming from ...

Pair of Terrestrial and Celestial Globes G & T London 20th Century This extraordinary pair of 32-inch terrestrial and celestial globes, crafted by G & T London, pays homage to the m...

AUTHOR: CHURCHILL, Winston. TITLE: A History of The English-Speaking Peoples. PUBLISHER: London: Cassell and Co, Ltd., 1956-8. DESCRIPTION: ALL FIRST LONDON EDITIONS. 4 volumes, ...

A beautiful mahogany framed scoring cabinet by Cox & Yeman circa 1890, featuring hand painted sliding panels ,revolving numbers and a central slate panel....

19th century bedside bed head decorated with a painting representing a wedding in the taste of Renaissance standing out in a green background. Dimensions: 122 x 200.5 x 128 cm.

Our iconic Cherub Bed was the first bed we created in our venture to achieve beautifully hand-carved furniture with the aim of capturing all the nuances of antique fine-carving. Thes...

Having a handled backrest used for movement and a galleried tray for stacking books, with original brass casters.

19th century painted child's chair with repairs made in metal. Detail turning of the arms. Charming example of English country Folk Art.

A superb set of poetical works by Samuel Rogers (1763 – 1855) from the esteemed library of bookseller/collector William A. Foyle. The verses in "Italy" were the fruit of Rogers' trav...

PRESENTING AN EXTREMELY RARE EDITION hardback copy of ‘Bibliomania or Book Madness; A Bibliographical Romance. Illustrated with Cuts’, by Thomas Frognall Dibdin, D.D. New and Improve...

We are delighted to offer for sale this lovely handmade in England Burr Walnut ornately carved Half Tester Canopy bed A very good looking, extremely...

The ILLUSTRATED LONDON NEWS 1954 Vol 2 and 1956 Vol 1 Vol 2 Set of 3 Books. Each book stamped: "Malcolm Forbes Esqu." see picture attached. Probably from the estate of the Library of...

Architectural quartersawn English oak & American black walnut pillar end tables or nightstands. Designed and handcrafted in England using traditional furniture...

19th century oak hall stand from England. The top has a lovely crown molding, over a hand carved central panel, flanked by carved sides, which have three brass hooks on each side fo...

This is a bright orange and black color train-steam locomotives metal toy. It has four black tires and a little silver metal bell in the front top of...

This is an antique military trunk. An English, camphorwood chest or blanket box, dating to the late Victorian period, circa 1900. Appealing la...

AUTHOR: Dickens, Charles. TITLE: A Christmas Carol. PUBLISHER: London: William Heinemann, 1964. DESCRIPTION: 1 vol., 7-15/16" x 5-13/16", illustrated with full page color p...

This is a tall antique taxidermy specimen showcase. An English, glass and pine collector's dome, dating to the Edwardian period, circa 1910. Impres...

Christies 2004 Chirk Castle Wales. 1st Ed auction catalog. 656 lots on 296pp. color photos and fully described, with results. The construction of Chirk Castle began around 1295 durin...

Complete Set of Six Graduated Copper Haystack Measures, English, Early Victorian An exceptional and complete set of six antique graduated copper haystack measures, dating to the early Victorian period, circa 1830–1860. These traditional English measures range from 1 gallon down to ⅛ gill and retain their classic conical 'haystack' form, each with a bold flared rim and side handle. Each vessel is fitted with a lead verification plug stamped by a local authority, affirming their use as standardised liquid measures. The set exhibits a handsome warm patina with polished surfaces, highlighting the rich pink hue of the copper. Some historical repairs and light dinks are visible, consistent with age and practical use. Volumes: 1 Gallon 1 Pint ½ Pint 1 Gill ½ Gill ⅛ Gill Heights: From approximately 10 cm to 29 cm. A fine and increasingly scarce complete set, ideal for collectors of antique weights and measures...

AUTHOR: MILTON, John. TITLE: A Defence of the People of England, by John Milton: in Answer to Salmasius's Defence of the King. PUBLISHER: n.p., n.p., 1692. DESCRIPTION: FIRST EDI...

This is a royal commemorative earthenware (pottery) beaker celebrating the planned coronation of King Edward V111th on May 12th 1937. The tapering...

This is an antique book, Bones & I by George Whyte-Melville. An English language, bound novel, dating to the late Victorian period, circa 1880. First published in 1868, Bones & I is a humorous novel written about a man - Jack Raggles - who gains possession of a human skeleton. Written by George Whyte-Melville (1821 - 1878), the book is a comedic and macabre blend of satire and class division. Nicely presented example of this unusual title Displays a desirable aged patina, lightly time-worn but intact Bound with cloth over board in navy blue with gold...

AUTHOR: DICKENS, Charles. TITLE: A Christmas Carol In Prose Being A Ghost Story of Christmas. PUBLISHER: London: Chapman and Hall, 1844. DESCRIPTION: NINETH EDITION. 1 vol., 6-5/...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

Fine Chinoiserie Decorated 8 piece Bedroom Suite circa 1900 Waring & Gillow Badges [1] 4 door wardrobe centre hanging space, fitted shelves each side,...

This is a small antique display dome. An English, glass and ebonised mahogany taxidermy specimen showcase, dating to the Victorian period, circa 1880. Charmingly petite and offerin...

A rare alligator stick or umbrella stand , the skin forming a really pleasing bow shape, the back with cut out hand aperture to wooden board.   Attributed to Roland Ward  Early Twe...

AUTHOR: NOLHAC, Pierre De. TITLE: Maria Antoinette. PUBLISHER: London: Arthur L. Humphreys, 1905. DESCRIPTION: IN A FINE COSWAY STYLE BINDING. 1 vol., 8-1/2" x 6-1/8", bound in f...

Vintage Style Photography, Framed Alpine Ski Photograph, The Race. 'THE RACE', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The...

A wonderful late 19th-century leather steamer trunk. The trunk is made of canvas and has been leather-mounted around a wicker dome top. Two large buckles to the front of the trunk s...

Shapland and Petter. An Arts and Crafts oak bedside cabinet with stylized floral inlaid decoration in the form of Albalone flower heads.

Royal House Antiques is delighted to offer for sale this absolutely enormous 9 feet 9 inch tall Antique circa 1880-1900 hand carved English Burr Oak Emperor size Tester bed frame whi...