Mid-Century Modern Settees
Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.
ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN
- Emerged during the mid-20th century
- Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
- A heyday of innovation in postwar America
- Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe
CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN
- Simplicity, organic forms, clean lines
- A blend of neutral and bold Pop art colors
- Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
- Light-filled spaces with colorful upholstery
- Glass walls and an emphasis on the outdoors
- Promotion of functionality
MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW
- Charles and Ray Eames
- Eero Saarinen
- Milo Baughman
- Florence Knoll
- Harry Bertoia
- Isamu Noguchi
- George Nelson
- Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa
ICONIC MID-CENTURY MODERN FURNITURE DESIGNS
- Eames lounge chair
- Nelson daybed
- Florence Knoll sofa
- Egg chair
- Womb chair
- Noguchi coffee table
- Barcelona chair
VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS
The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.
Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.
Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.
Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.
The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.
As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.
Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.
As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.
Mid-20th Century Brazilian Mid-Century Modern Settees
Steel
1950s Italian Vintage Mid-Century Modern Settees
Velvet, Beech, Fir
Mid-20th Century Italian Mid-Century Modern Settees
Metal, Brass, Iron
Mid-20th Century French Mid-Century Modern Settees
Wool, Oak
1940s Vintage Mid-Century Modern Settees
Fabric, Rattan
1960s Italian Vintage Mid-Century Modern Settees
Aluminum, Steel
1940s Italian Vintage Mid-Century Modern Settees
Fabric, Walnut
1970s Danish Vintage Mid-Century Modern Settees
Aluminum
1950s Italian Vintage Mid-Century Modern Settees
Brass
2010s Mid-Century Modern Settees
Fabric, Wood
Mid-20th Century Italian Mid-Century Modern Settees
Plastic, Rubber
Mid-20th Century British Mid-Century Modern Settees
Leather, Rosewood
1940s Danish Vintage Mid-Century Modern Settees
Wool, Beech
Mid-20th Century Unknown Mid-Century Modern Settees
Cane, Rattan
Mid-20th Century American Mid-Century Modern Settees
Brass
1950s American Vintage Mid-Century Modern Settees
Fabric, Wood
1950s Italian Vintage Mid-Century Modern Settees
Wood
1970s Danish Vintage Mid-Century Modern Settees
Leather
1960s Vintage Mid-Century Modern Settees
Chrome
Mid-20th Century Italian Mid-Century Modern Settees
Metal
20th Century Indian Mid-Century Modern Settees
Cowhide, Teak
Mid-20th Century Italian Mid-Century Modern Settees
Brass
Mid-20th Century American Mid-Century Modern Settees
Upholstery, Cane, Walnut
1960s Vintage Mid-Century Modern Settees
1970s American Vintage Mid-Century Modern Settees
Upholstery, Walnut
Mid-20th Century Dutch Mid-Century Modern Settees
Metal
1970s Italian Vintage Mid-Century Modern Settees
Synthetic, Faux Leather
1950s American Vintage Mid-Century Modern Settees
Metal
1940s Danish Vintage Mid-Century Modern Settees
Wool, Oak
1970s American Vintage Mid-Century Modern Settees
Rattan
Mid-20th Century American Mid-Century Modern Settees
Brass
1940s Danish Vintage Mid-Century Modern Settees
Elm, Wool
1940s American Vintage Mid-Century Modern Settees
Brass
2010s British Mid-Century Modern Settees
Fabric, Wood
1970s French Vintage Mid-Century Modern Settees
Leather
Mid-20th Century Italian Mid-Century Modern Settees
Leather, Wood
1960s French Vintage Mid-Century Modern Settees
Fabric, Oak
1970s Italian Vintage Mid-Century Modern Settees
Leather
1970s American Vintage Mid-Century Modern Settees
Upholstery, Wood
Mid-20th Century Unknown Mid-Century Modern Settees
Upholstery, Beech
1940s American Vintage Mid-Century Modern Settees
Rattan
1960s French Vintage Mid-Century Modern Settees
Aluminum, Iron
1940s Danish Vintage Mid-Century Modern Settees
Wool, Beech
20th Century American Mid-Century Modern Settees
Upholstery, Ash, Rosewood
1990s Italian Mid-Century Modern Settees
Wood
Mid-20th Century American Mid-Century Modern Settees
Walnut
Mid-20th Century European Mid-Century Modern Settees
Metal
1950s Danish Vintage Mid-Century Modern Settees
Wool, Beech
1960s French Vintage Mid-Century Modern Settees
Oak, Wool
1960s Italian Vintage Mid-Century Modern Settees
Fabric, Wood
2010s American Mid-Century Modern Settees
Stainless Steel
Mid-20th Century American Mid-Century Modern Settees
Steel
1960s American Vintage Mid-Century Modern Settees
Velvet, Bamboo, Oak
1960s British Vintage Mid-Century Modern Settees
Wool, Teak
20th Century Danish Mid-Century Modern Settees
Leather, Rosewood
1950s French Vintage Mid-Century Modern Settees
Raffia
Mid-20th Century American Mid-Century Modern Settees
Birch
1950s Italian Vintage Mid-Century Modern Settees
Bouclé, Walnut