Wall Decorations

Please note the price is calculated for a set of (4 lines + 18 rulers) as in the images. Cover curtain, a spatial room divider meets a bookshelf. Showcasing your favorite book covers as a rhythmic mood board in space. Cover curtain works as an instrument with endless possibilities. Created small bookshelf...

Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920 Visible dimensions: 42 x 30 cm. Total dimensions: 39 x 49 cm. The frame measures: 7 cm. Signed in pencil. In e...

The wall hook is created in the ancient straw marquetry technique. RUDA Studio researches the artisan craftsmanship of our country of origin and brings traditional marquetry to conte...

This is a beautiful hand carved and gilded mirror frame. It is a dramatic wall hanging with a stunning depth of more than 3 inches. The circa 1880...

Antique Art Deco velvet fabric. Persian style woven motif. Warm red, orange and black velvety surface. Dimensions: 257W x 135H cm.

Continuing a tradition going back decades, Josef Pieper painted a series of seaside scenes with multiple nude male figures, riding and leading horses along the shore, their strong bodies...

outstanding tapestry in wool and silk, Bruxelles, second half of the 17th century. Depicting a detailed scene of The Bull Hunting. On the background of the landscape the Monument of ...

Selection of colorful modern art or gallery wall, circa 1940s-1970s. They are: Top row, left to right: 1) Color Lithograph by Sonia Delaunay, French, circa 1950s. Pencil signed at lower right. It measures 16.5" H x 13.5" W. 2) Cubist oil painting, probably American, circa 1940s. It has been framed in a vintage gilt frame. Various rubs and wear as seen in photos. It measures 22.75" H x 19" W. 3) Naïve modernist portrait painting, American, circa 1950s. Retains original gilt frame. It measures 21.5" H x 19.5" W. Bottom row, left to right: 4) Color lithograph by Jean Lurcat, French, circa 1950s. It has been professionally framed in a black lacquer gallery frame under UV resistant glass. It measures 15.5" H x 19.5" W. 5) Colorful original painting of beach scene...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Original vintage tourism poster created by Jean Hornung in 1932 to promote the high-altitude resorts of French regions such as the Alps, the Jura, the Auvergne, or the Cévennes, lead...

Italian school; second third of the 17th century. "The Healing of Tobias". Oil on canvas. Relined. very good condition Dimensions: 117.5 x 107 cm; 130 x 118 cm (frame). This canvas ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Original Vintage Poster from 1927 for Le col du Grand Saint-Bernard, Swiss Alpes, by Roger Broders. Artist: Roger Broders (1883-1953) Title: Col Du Grand St-Bernard Date: 1927 Size:...

this is an original advertising poster from the 30's. designed by H S Williamson for the GPO. coloured lithograph. Do not forget to visit our storefront where you will find a few m...

Own a piece of Los Angeles history. This large neon marquee letter "S" comes from the interior of the iconic Pan-Pacific Auditorium in Los Angeles and was removed in 1986. Each lette...

Painted by one of America's great Modernist artists -- Salcia Bahnc -- in 1925, and evoking Igor Stravinksy's "Rite of Spring" ballet and the native folk costume of Poland, where the artist grew up, this large and important piece depicts 10 figures in brilliantly-hued dress, some in dance poses that suggest the choreography and costumes of Vaslav Nijinsky and Nicholas Roerich...

This is a gorgeous antique late 17th century Flemish verdure landscape tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, with two ...

This beautiful maiolica pottery charger is from Montelupo, Italy and is boldly decorated with a soldier walking, carrying a tool of the day. Vividly painted in yellow, green, and blu...

Highly atmospheric and richly colored, this 1929 vintage landscape by a Swedish painter depicts layers of history and tradition, from the man in traditional Arab garb plowing the fie...

Original vintage advertising poster for the Paris 1937 Exposition Internationale / International Exhibition held from May to November featuring a...

Antique French Tapestry Arts & Crafts Noblemen 1890 Wool & Silk 6x7 183 x 206cm A magnificent antique French tapestry depicting a scene of noblemen dressed up amongst exotic fruit...

Wonderful image by Margery Lawrence Tipped in plate. On green card Lithograph. Published 1921 The measurement given is the card size not the actual printed image.

Art Deco French brown carved framed lithograph etching from a nude resting by the Artist Louis Icart, Paris 1928. These paintings hung in the master bedroom in the French apartments...

Artist  Leonetto Cappiello Year 1930 Dimensions 137x198cm Condition Good    

Pair of magnificent, large gilt and hand-carved wooden wall brackets in the Baroque/ Rococo style featuring elaborate and elegant foliate scrolls, measuring 22 by 14 1/2 by 10 inche...

Gorgeous ,Framed original x large painting of Venice canal in Italy with lots of colorful flowers and building. With wide black and gold fram...

Louis Icart (1888-1950). Etching on paper. "Madame Butterfly". Dated 1927. Visible dimensions: 51 x 35 cm. Total dimensions incl. passepartout: 66 x 47 cm. The frame measures: 4 c...

A large set of unique antique tiles, with a beautiful Art Deco pattern, Hemiksem circa 1940, Belgium. The dimensions per tile are 4,7 (12 cm)× 4,7" (12 c...

One of the most beautiful and tender depictions of maternal love from the Art Deco period that we have ever seen, this richly-toned oil painting by Gino ...

For your consideration is a stunning, hand signed lithograph by artist Erté, father of the Art Deco movement. Size is 13.5” H x 6.5” W. In excellent vintage condition. Romain de T...

Antique French Tapestry 1920 Handmade Fountain 6x8 Wool Foundation 1920 6'2" x 7'5" 188cm x 226cm A magnificent antique French tapestry depicting a scene of people among a founta...

Poster for the real culinary potteries of Vallauris created by Eugène Vavasseur around 1920. Artist: Eugène Vavasseur (1863-1949) Title: Poteries culinair...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Antique French Tapestry Verdure Birds Wool & Silk 1920 6x7 6' x 7'3" 221cm x 183cm "A magnificent antique French tapestry depicting birds amongst a verdure setting. Beautiful colo...

A 1930s futurist watercolor painting of a motorbike race by Italian futurist artist Aris Bacci. Mounted in original geometric cream mottled frame, with stun...

This highly decorative rare Italian cut velvet tapestry panel is finished on all edges and ready for hanging on a wall or using as a bed cover. It coul...

Antique French Tapestry Wool & Silk Masquerade Vase Exotic Flowers 4x5 1920 4' x 4'8" 122cm x 142cm "A magnificent antique French tapestry depicting an ornate vase full of flowers....

Poster published by the Ministry of Public Works, Transport and Tourism and created by the artist Dubois in 1950 order to promote tourism to the French mountains. Artist: Dubois Je...

Italian school table of the 16th century "Crucified Christ with the Virgin, Saint John and Mary Magdalene" Oil on board Period frame 16th century ( gold frame parts ) Measures: 41cm ...

Original vintage cruise travel poster for Cunard White Star - America This Year by RMS Queen Mary - featuring a colourful Art Deco design by Tom Curr (1887-19...

Shield form with a crown over a coat of arms with different symbols, the frame carved and gilded in the baroque style. From the Michael Kittredge collection.

Rare Art Deco hook beside the door for shopping bags Nickel-plated.

Beautiful Art Deco wall coat hanger from 1920s Very good original condition - cleaned and polished.

CARTIER Jacques. (1907-2001) Art Deco LITHOGRAPH color on paper, depicting "a panther on the lookout". Signature Jacques Cartier lower right. In its original frame (the glass is c...

Original vintage travel poster for Egypt / Misr Egyptian Airlines featuring a stunning Art Deco design by the first international Turkish graphic artist Ihap Hulusi Gorey (1898-1986)...

Reduced forms create fascinating wall sculptures, a play with translucently, ambient light and color. The mirror objects float in front of the wall and create fascinating sculptures...

Original vintage advertising poster - New flats to let Hampstead Gardens Suburb Lyttelton Court Lyttelton Road - featuring a stunning bird's eye view illustration of the new homes in...

A brilliant example of Cubist-influenced Art Deco painting, this view of a young flamenco dancer, with a wide-brimmed hat and roses on her hair, was painted by Jules Schyl, one of Sw...

Beautifully sculpted and glazed in tones of indigo, straw and burnt orange, this very fine and rare octagonal tile was made in Italy. Depicting a nude male water carrier in Egyptian dress, this piece gives evidence of the Western world's infatuation with all things Egyptian after the discovery of King...

Reduced forms create fascinating wall sculptures, a play with translucently, ambient light and color. The mirror objects float in front of the wall and create fascinating sculptures...

This strong and confident drawing of a standing male nude was made by Allyn Cox, probably for one of an array of murals he painted in the 1920s, 30s and 40s, starting with an series of paintings for the William Andrews Clark Memorial Library at UCLA in 1925. Son of Kenyon Cox...

This is a gorgeous antique Early 17th century Flemish Verdure landscape tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, and bird...

P.L.M. (Paris-Lyon-Mediterranean) poster produced by Roger Broders in 1929 to promote winter sports in the Alps. Artist: Roger Broders (1883-1953) Title: Winter Sports in the French...

Golden wall plaque made after the model that decorates the facade of the revue theater “Folies Bergère” in Paris. This meter-high relief dates from 1926, by the French architect and ...

Baroque and Rococo Architecture and Decoration Book by Alastair Laing, Anthony Blunt, and Christopher Ernest Tadgell. A study of a period in art ...

Art Deco decorative panel in wood veneered with different kind of woods, representing a mountain lake landscape. French polish. Signed Pierre Rosenau i...

Silver colored wall plaque made after the model that decorates the facade of the revue theater “Folies Bergère” in Paris. This meter-high relief dates from 1926, by the French archit...

Art deco engraving from 1933 signed louis Icart modern model Ève version ll In very good condition, some light stains in the margin. Width: 57 cm Height: 72 cm Depth: 2,5 cm Weight: ...