Wall Decorations

Huge carved Italian heraldic crest over door with angels by Randy Esada. ​Note: Custom orders require a deposit and cannot be canceled. All custom o...

Pair of French School drawings in 18th century style. Hand drawn in Old Master Technique. Boucher School style Pair of Trompe l'Oeil Three-drop Panel...

Rococo paintings, circa 1900. Oil on canvas. (S-62).

A studio portrait of aristocracy, half-length, wearing a cream and pink lace-trimmed dress, holding a folded hand fan.Painted by Johann Heinrich Tisch...

A fine French 19th century Louis XV style gilt-bronze and ebonized wood wall-mounting barometer - thermometer by Molteni Frères. The elongated ebonized body surmounted with gilt-bron...

A matching pair of 18th century Italian gold leaf distressed fragments with sculpted linen canvas flowers, plaster, oils, wax, ash on wo...

Place a vase or a bust on this elegant antique wall hanging bracket. Crafted in France, circa 1920, the bombe front console table features a cente...

After Boucher. In overall very good shape. Minor scattered losses. Later frame but well carved and with an antique gilt finish. Good colors and detail ...

French Provincial-style (mid-20th century) oil on canvas painting depicting a pastoral scene of women and children next to a lake with mountains and a gazebo in the distance in a rec...

In the style of Francois Boucher (mid-18th century) Structure and materials: Warp: wool, natural, tan, Z-3-S, 19-20/in Weft: wool, Z-2-S, 50-60/in silk, Z-2-S, 50-100/in Description:...

19th century four Italian oil on panel with allegory of the four elements Dimensions with frame: cm H 34.5 x L 25; only the table: cm H 29 x L 20.5 The funny oil on panel, by an artist active in Piedmont, in the north of Ital, in the first half of the 19th century, represent the allegory of the four elements of the Earth. They are inspired by the group of four etching prints of circa 1730, made to a design by Rococo painter Jacopo Amigoni (Naples 1682- Paris 1752) and engraved in Venice by Joseph Wagner...

18th century oil on canvas of a Mediterranean harbor scene, in the manner of Claude Vernet (1714-1789) depicting a fanciful scene with castles and villas...

18th century Italian scroll fragment with chalcedony rosettes on a hand painted gallery 1-inch canvas. The canvas is distressed with gold powders used by restorers in Italy. The powd...

This stylish pair of Italian Louis XV style wall brackets are hand carved wood with a silver leaf finish.

La Jeunesse (Youth) Tapestry Polychrome wool and silk France, Aubusson, circa 1750 It measures 107.08 in height x 104.33 in (272 cm height x 265 cm). State of conservation: good The tapestry is accompanied by the engraving from which the subject was taken. The engraving measures 23.50 in x 25.86 in (59.7 cm x 65.7 cm) with the frame. The Aubusson tapestry has controversial origins: some believe that it was the Saracens who imported this type of work into Europe while other authors believe that the production began at the same time as the marriage between Louis I of Bourbon and Maria de Hainaut in 1310. It was at this time that a considerable importation of tapestries from Flanders into France began, followed shortly thereafter by the importation of their production techniques. At the beginning of the seventeenth century a royal edict from Henry IV halted the importation of Flemish tapestries, contributing to the subsequent Expansion of Aubusson production. The status of royal manufacture was to be granted only in 1665, even though the Nantes edict caused a drop in production because of the forced migration of weavers to Germany. The full recovery and the success of the manufacturing took place during the eighteenth century when the great painters and the tapestry manufacturers began to collaborate. Great French artists of the time and specialist painters, the “cartonniers”, painted “cartons de tapisserie” in oil or tempera, all of which were to be a source for the tapestries. As an alternative to the “cartons”, scenes taken from prints and engravings were freely used. The tapestry in question, made of wool and silk, is in good condition; the colors are still fresh and the silks, which give brightness to the scene, are well preserved. There are a small number of integrative restorations present, while the lining and the suspension system have been recently refurbished. The work is made with a flat-weave, according to the custom of the Aubusson manufactures, which is clearly demonstrated by this work since it shows all the technical and material characteristics typical of the first half of the eighteenth-century production: the “Jeunesse” was probably woven in the middle of the XVIII century. The scene itself is compelling: a rural clearing is depicted, centered around a tall tree with dense fronds with lance-shaped leaves. In the shade of this tree some scenes of courtship can be seen. A couple hugs each other, one is caught stealing a kiss and another, lying softly on the grass, is still at the early stages of courtship: together with the suitor the girl looks with smiling malice at the kissing couple. On the right, two young men practice archery while aiming at a target placed on top of a pole. The scene, with male and female characters intent on games and gallantry in a festive atmosphere, is taken - faithfully, but in mirror-image - from an engraving, which in turn was itself taken from the painting (now kept at the National Gallery in London, inv. NG103 and part of a series with the four ages of man) by Nicolas Lancret, produced around 1735. The tapestry is accompanied by a copy of the engraving, which bears, at the bottom, the name of the author (“N. Lancret pinxit”), the name of the engraver (“N. De Larmessin sculpsit”) and four short verses on the subject of love disputes: Pourquoi tous ces combats si chers a la jeunesse, Quels frivoles talents veut-elle mettre au jour? Non: chacun voudroit vaincre aux yeux de sa Maitresse, La Lice est une Scène ou triomphe l’Amour. Why all these fights so dear to youth, What frivolous talents does it want to bring to light? No: everyone would want to win in the eyes of his Mistress, The Lice is a Scene where Love triumphs. At the bottom we read: “A’ Paris chez N. De Larmessin graveur du Roy Rue de Noyer à la 4 (?) porte cochère a droite entrant par la Rue St. Jacques A.P.D.R. [Avec Privilège Du Roy]”. Nicolas Lancret (1690-1743), along with Antoine Watteau, was a pupil of Pierre Durin and Claude Gillot...

18th century French Rococo Painting Circle of François Boucher This idyllic pastoral oil painting shows Boucher’s impact on this f...

Drawings, one representing San Geremia on the Grand Canal, the other La Salute on the Grand Canal. Both drawings are in a style evocative of Francesco Guardi (1712-1793) specialist o...

Carved wall brackets in the style of Serge Roche with scroll form and brushed gilt finish.

A portrait painting of a woman on green. This wonderful painting is large and in charge. At 23” tall, it is is painting on a stiff white paper. The subject of the piece is a woman in...

An early Louis XV green stained horn and gilt bronze-mounted bracket clock, the clock second quarter of 18th century, the dial inscribed 'Causard Her du Roy a l...

Impressive pair of gilt Rococo style carved wood wall brackets.

A wall-mounted sculpture using an 18th century Italian gold distressed fragment with geode slices, chalcedony rosettes, crystal quartz points, and kyanite on a hand painted gallery 1...

German KPM porcelain plaque of an interior bedroom scene German, late 19th century Dimensions: Frame height 38cm, width 44cm, plaque height 26.5cm, width 31cm This fine porcelai...

18th century Italian fragment with gold leaf shells and gold-plated crystals on a hand painted gallery 1-inch canvas. The canvas is distressed with gold leaf powders used by restorers in Italy in the 18th and 19th centuries. They are no longer available. The powders coordinate with the gold leaf shells. The 18th century fragment is originally from Liguria. The Italian artifact...

18th century Italian fragment with gold-plated crystals on a hand painted gallery 1-inch canvas. The canvas is distressed with gold powders used by restorers in Italy in the 18th and 19th century. The powders coordinate with the gold-plated crystals and fragment piece. These powders are no longer available. The 18th century fragment originally came from a church in Liguria. The Italian artifact...

18th century Italian scroll fragment with elestial quartz crystals on a hand-painted gallery 1-inch canvas. The canvas is distressed with gold powders ...

A Danish Rococo giltwood and painted corner vitrine cupboard, arched top adorned with shell ornament, the curved front with two glass doors inclosing shelves, flanked by columns with...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). An allegory of the love Omnia vincit amor...

Large vintage Lanvin silk scarf pale blue butterflies fruits French Beautiful and rare vintage silk scarf Very pretty with butterfly and d...

Early 19th century Northern European Genre Painting of a Wedding, unsigned, late 18th or early 19th century, an oil on canvas finely detailed view of many celebratory figures in an i...

Elegant pair of ornately carved wall brackets having a chippy off-white and natural patina. Mark on back reads Design Source, 1999.

18th century Italian fragment with tangerine quartz crystal points on a hand painted gallery 1-inch canvas. The canvas is distressed with gold powders...

The enema of Louis XVI style amazing subject treated to the watercolor erotica or curiosa in the style of the 18th century illegible signature.

Nude male academy. Red chalk on paper. While the artist who drew this drawing is not known, the confidence in the trait along with the fascinating perspect...

Finesse Original Rococo figural cherub grapevine large fiberglass art frame. Item features multiple cherub angels surrounding frame, flowers and leaves, fruit and vines, frame made o...

Eight-line etching portraits by Jacobus Houbraken (Holland, 1698-1770). From Thomas Birch (1705-1766), 'The Heads of illustrious persons of Great Britain', published in 1747. Comprised of: Lieutenant General Fleetwood, Geoffrey Chaucer, John Tillotson, Archbishop of Canterbury, Sir William Morice, Henry Bennett, Earl of Arlington, Thomas Howard, Earl of Arundel, Samuel Clarke...

Set of twelve exceptional rose plates, each painted with different roses Artist-signed Harrison. The paintings of roses are surrounded by a gold decorative border on a cobalt blue ba...

Limoges enamel plaque in the Rococo style French, late 19th century Measures: Frame: Height 34cm, width 32.5cm, depth 3cm Plaque: Height 17cm,...

A German portrait of a young Noble, attributed to Johann Heinrich Tischbein the Elder (1722-1789) Relined Measurements canvas only: H 25 1/4 " x W 2...

Detailed 18th century style framed pastel bouquet drawing. Intricate burl wood and ebonized wood period frame. Very decorative.

French Louis XV style painted and gilt Trumeau mirror 19th century Louis XV style elegant French Trumeau wall panel with original glass plate and period 18th century French oil pain...

Louis Quinze style wall mirror with beautiful, hand carved details. If this beautifully handcrafted mirror is the right style to fit your interior and the size is correct for your n...

A delicate Italian étagère with four shelves on turned columns with finials on top. The étagère is made in walnut and has intricate inlaid designs in mahogany that is also called int...

Antique Limoges enamel plaque of a fête galante French, late 19th century Measures: Frame: Height 27cm, width 28.5cm, depth 3cm Plaque: Height 14cm, wi...

This lovely French 19th century oil painting on square canvas has a sky blue background, a fluffy cloud fills the central part of the painting where a woman is lying down playing the lyre, while a graceful cherub seems to twirl over her. This oil on canvas painting represents the allegory of music - with a woman dressed in classical clothes and a putto- a very popular theme during all the neoclassical age, with its lively scene inspired by the Rococo period. The composition creates a awesome trompe-l'œil effect thanks to the color palette scheme. Well painted white and gray shadings (chiaro scuro) that stands out from the light blue background. This painting originally was an over door frieze...

18th century Italian hand-carved gold leaf mirror with 18th century Italian wood carved figure of Christ on original mirror. The gold leaf mirror is originally from Liguria. The 18th century Italian figure of Christ is placed onto the mirror to create a contemporary relief sculpture on the mirror. It originally came from an 18th century crucifix...

Detailed 18th century style framed pastel bouquet drawing. Intricate burl wood and ebonized wood period frame. Very decorative.

Ornate Italian Florentine giltwood hand carved wall bracket. With feather plume motif.

Drawing of children playing besides a basin of water. Framed in a Louis XVI giltwood frame. Typical of the style and subjects of Francois Boucher. Chalk and pencil on paper.

18th century Italian fragments decorated with aragonite and pyrophyllite with a sculpted canvas, strata of oil paint layers, finished with Italian raw umber glaze and pozzolana (dry ...

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after the model by Jean-François Oeben currently at Versailles, a young boy delivering a game bird as a gift, all inside an ornately paneled and upholstered wall room with parquet floors and centred with a white bear skin rug...

18th century portrait of a boy from the rococo period, Signed A. Eklund, oil on canvas, circa 1770, Sweden. Good condition with historical ...

77153 Vintage Turkish Silk Metallic Souf Hereke Tapestry, 01'11 x 02'08. Turkish Silk Metallic Souf Hereke Tapestries are exquisite masterpieces blending silk's luxurious elegance with the shimmering allure of metallic threads, originating from Turkey's renowned town of Hereke and crafted through traditional techniques passed down through generations. They boast intricate designs inspired by Turkish cultural heritage, featuring elaborate floral patterns, geometric shapes, and motifs symbolizing wealth, prosperity, and spirituality. The addition of metallic threads like gold or silver enhances their opulence, creating a radiant glow that mesmerizes viewers. Highly prized for their craftsmanship and historical significance, these tapestries adorn palaces, museums, and private residences, serving as cherished heirlooms and symbols of luxury and refinement, embodying the essence of Turkish culture and inviting admiration from all who encounter them. In a graceful homage to Louis XIV style, this hand-knotted Turkish silk metallic souf Hereke prayer rug...

Jean Antoine Watteau (1684-1721) circle of. 18th century old master painting, France. With great pride we offer an extremely rare masterpiece from the 18th century, France. This painting is unsigned as most of his works. It has no provenance, but carries with it all the earmarks of the great Rococo style school of Watteau. It pictures one of his famous outdoor parties with a group of frolicking young people. In the background is a reference to a swing, a favored subject in his paintings. The composition of the painting, colors, brushstrokes (especially in the fabric) is clearly Watteau’s studio. This large 18th century canvas...

Lovely etching on paper in back ink by Giovanni Antonio Canal (Canaletto). Measurements: 22" x 15" Hand-numbered in pencil at the bottom right with the number 6. Part of a co...

77024, this opulent antique Turkish silk and gold Hereke tapestry with flower of the seven mountains. Featuring a central medallion of cinnamon-red floating in a cut out medallion of...

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

Jan Miel (follower of) The bambocciante scene Oil on panel , cm 38,5 x 51. frame 66 x 53,5 x 4,5 cm The bright painting, with great chromatic impact thanks to the technique of oil ...