Prints

This print is titled "RUINS OF PERSEPOLIS" and it showcases a detailed and colored engraving of the ancient ruins of Persepolis in Persia (modern-day Iran). The image portrays a se...

The print is a historical depiction of the Siege of Bergen (also known as Mons) in Hainaut in 1572, during the Eighty Years' War. This event is significant as it involved Count Lou...

Title: "Sunlit Melody: The Yellow Finch" Description: Featured in this late 18th-century hand-colored copperplate engraving is the Yellow Finch, a charming depiction from the series...

From: ‘Luz da Liberal e Nobre Arte da Cavallaria’, by Manoel Carlos de Andrade, Lisbon, Regia Officina Typographica, 1790. This work on riding and horsemanship was the first book on ...

Laser printer pigment transfer, dispersion, acrylic, glitter, and thread on canvas. Each unique edition is accompanied by the new comprehensive monograph, Michael Raedecker, published by Phaidon Edition of 10 This work is signed, titled, numbered, dated by year on verso, and comes with a Certificate of Authenticity. Phaidon and Artspace are pleased to present day at night, a new series of ten unique embroidered prints on canvas by contemporary artist Michael Raedecker. Released on the occasion of Raedecker’s new comprehensive Phaidon survey, each limited edition includes a signed copy of the publication as well as a signed Certificate of Authenticity. Since the beginning of his career as a painter, Raedecker has incorporated embroidery into his works as a means of challenging the conventional hierarchy of fine art techniques. His new day at night editions include thread, paint, and glitter hand-applied throughout, making each piece a singular work of art. Raedecker’s practice as a whole is engaged with a process of re-contextualizing familiar ideas and spaces, asking the viewer to question held assumptions. Swimming pools are a recurring subject for Raedecker, who is fascinated by the ways in which paintings of pools...

Detailed map of the Northern portion of the Philippines, extending from Batanes and Babuyanes to Mindonoro and Masbate, and centered on Luzon. One of the most detailed maps of the pe...

Antique bird print titled 'Pavone della China maschio - Pavo Sinensis mas'. Beautiful copper engraving of a peacock. This print originates from 'Storia naturale degli Uccelli' by Sav...

Set of 3 Architectural ornament engravings from the folio by James Gibbs. Published by Bowyer, London, 1728. Unframed, age toning, edge wear, small edge loss.

Antique print titled 'La Ville de Bantam capitale du Roiaume de meme nom'. A bird's eye view of the city Banten or Bantam near the western end of Java in Indonesia. Several tall ...

Title: "The Elegance of the White Stork" Description: This exquisite hand-colored copperplate engraving, hailing from the late 18th century, captures the serene grace of the White s...

An engraved portrait of Henry VIII, King of England, famous for his role in the separation of the Church of England from the Roman Catholic Church. His reign saw the Dissolution of...

This print is a colored engraving titled "VIEW in MILAN" and was published by Harrison & Co. on April 1, 1782. It is a picturesque scene depicting a tranquil landscape in Milan, It...

An original engraving featuring a view of Siam, which is present-day Thailand, specifically a view of the city of Ayutthaya with numerous boats depicted on the river. The title, "Vuë...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

RARE French 17th-18th Century Enhanced Siege of Graves Mapping Engraving BY William III, also widely known as William of Orange, The Siege of Grave in Dutch Brabant started by Monsie...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

This majestic hand-colored engraving depicts the "SHOEPANDOGE or ROYAL GOLDEN BARGE," a magnificent vessel that radiates the opulence and grandeur of a bygone era. Engraved for "Ma...

An engraving of Torquato Tasso, a prominent Italian poet of the 16th century, best known for his epic poem "Gerusalemme Liberata" ("Jerusalem Delivered"), which tells the story of th...

This original antique image is an historical map by Jacques Nicolas Bellin, depicting the Great Wall of China as it was understood in the mid-18th century. The map includes French ...

An original antique engraving of two Buddhist temples in Thailand, also known as Siam historically. The upper part of the engraving is labeled "COUVENT de Talapoins," which refers ...

One of two etching printed ancient profile print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished with a s...

These engravings are a series of detailed architectural drawings from "THEATRUM MACHINARUM UNIVERSALE of Nieuwe Algemeene Bouwkunde" by Tieleman van der Horst, engraved by Jan Schenk...

Given these specific names—Vusihyen, Hu Chew Fu, and Hou-Tcheou-Fou—it appears that the map depicts historical Chinese locations. These names are likely transliterations of Chinese names from the period. "Hu Chew Fu" might be an old Western spelling for what is known in modern pinyin as Huzhou, a city near Lake Tai in China. "Hou-Tcheou-Fou" could refer to a historical name for another city or region, also located in China. More research needed. More about the maker: Jacques-Nicolas Bellin's contributions to cartography and hydrography set a precedent in mapmaking during the 18th century. His role as Hydrographer to the French Navy and later as the Official Hydrographer to the French King placed him at the forefront of maritime charting...

Sharon Beals Lithograph of a Song Sparrow Nest. It is one of a limited edition of only 25.

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according ...

An antique map by Jacques Nicolas Bellin titled "Plan de la Ville de Peking Capitale de l'Empire de la Chine," published in Paris in 1754. This finely engraved plan shows the detai...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

One of two etching printed ancient profile print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished with a s...

Title: "Baroque Elegance: Van der Horst's Staircase Engravings" Description: These detailed engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" are a remarkabl...

A trio of architectural engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" from 1739. Each panel dissects the intricate design and structural mechanics of ba...

Beautiful reproduction of the most famous illustration made by Pietro Fontana ("Pietro Fontana incise Roma") depicting the bust of the Roman emperor Septimius Severus. This extra la...

The image is an original engraved portrait, depicting King Edward IV of England. This engraving was created for "Harrington’s Edition of Rapin’s History of England." The text below...

This original antique hand-colored engraving by Johann Michael Seligmann is a representation of the Golden Thrush, derived from George Edwards' "Natural History of Uncommon Birds" and "Gleanings of Natural History." The artwork was part of Seligmann's own work, "Sammlung Verschiedener Auslandischer und Seltener Vogel," which translates to "Collection of Various Foreign and Rare Birds," published in 1749. The engraving contains several lines of text in different languages, likely identifying the bird and giving references to the work it was derived from. Here’s the transcription and translation of the visible text: - "Gallula Bengalensis." - This is Latin, likely the scientific name of the bird at the time, which translates to "Bengal Gallula" or "Bengal Thrush." - "N:o 80./VII.Heft." - This seems to be a reference to the plate number and the volume or issue number of the collection. - "Le Grive Dorée, Icterus." - In French, this means "The Golden Thrush, Icterus." 'Icterus' refers to the genus that includes birds commonly known as orioles, which are often characterized by their yellow and black plumage. - "Goldbrostel." - This could be an old or regional name for the bird in German, which might translate to something like "Gold Breast" referring to the bird's golden chest...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

Title: "Ornate Baroque Stairs: Van der Horst's Design Mastery" Description: These original antique engravings are from Tieleman van der Horst's comprehensive architectural work, illustrating the intricacy and grandeur of Baroque staircase designs. Engraving XVII reveals a dual staircase...

A beautiful hand-colored engraving from Johann Michael Seligmann's collection, which was based on the earlier works of George Edwards. The text on this image is in German, Latin, a...

An engraved portrait of Edward VI, who was King of England and Ireland from 1547 until his death in 1553. Edward was the son of Henry VIII and his third wife, Jane Seymour, and he ...

Title: "Architectural Grandeur: Van der Horst's Baroque Ornaments" Description: This collection of six engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" show...

This image is an engraved portrait of Mr. Rapin de Thoyras, created for Harrington's edition of "Rapin's History of England." The individual in the portrait is Paul de Rapin, Lord ...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

Beautiful reproduction of the most famous illustration made by Giovanni Battista Leonetti ("Giov Batta Leonetti incise Roma") depicting the bust of the Roman emperor Septimius Severus. This extra large print...

Title: "Architectural Grace: Van der Horst's Staircase Artistry" Description: The engravings, drawn from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE," are masterful rep...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669. The coat...

Title: "Baroque Splendor: Van der Horst's Staircase Visions" Description: These engravings from "THEATRUM MACHINARUM UNIVERSALE" exemplify the grandeur and complexity of Baroque sta...

These engravings are a series of detailed architectural drawings from "THEATRUM MACHINARUM UNIVERSALE of Nieuwe Algemeene Bouwkunde" by Tieleman van der Horst, engraved by Jan Schenk...

This is an original antique print that features an intricate engraving from 1698, depicting Charles XI, the King of Sweden, titled "Carolus XI, Suecorum Gothorum Et Vandalorum Rex,"...

The image is an ornate botanical and ornithological illustration from one of Johann Michael Seligmann's collections, which were based on George Edwards's natural history studies. Th...

This is a hand-colored engraving from Johann Michael Seligmann's work, depicting a butterfly and a two-headed snake. Below is the transcription and translation of the text: - "Di...

These are a set of TWO digitally remastered prints of Citrus Fruit studies, hand coloured and framed, originally from American water colours from Circa 18...

A fantastic and quite engaging Primordial Life offset lithograph print by renowned contemporary Japanese artist Takashi Murakami the founder of the Superflat aesthetic art movement w...

This composite image features three separate engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE," a pivotal work in the field of architectural design published ...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

The image is a colored print depicting a "Lady of Quality in Burgundy in 1577," as indicated by the title below the illustration. The lady is dressed in a fashion typical of the late...

Sharon Beals Lithograph of a Swainson's Thrush Nest. From a limited edition of only 25.