Miami - Sculptures

Mixed media sculpture. Printed artist signature and hand numbered on the underside of the sculpture. Signed and numbered certificate of authenticity by the artist. Includes origin...

Amancio. pool. gold and black bronze. iron. EL SALTO III. original sculpture sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish scu...

"Quimeres "original steel unic piece sculpture Sculpture by the Spanish artist FERRAN SORIANO Artist well known for his large format works on the street....

Magnificent sculpture on wood by Spanish artist CODINA CORONA. Sculpture of one piece of wood . The measurements are of the sculpture without counting the base Josep Maria Codina Corona (Igualada, 1935 - Barcelona, 2006) was a Catalan sculptor. He studied at the Escola de la Llotja in Barcelona (1955) and later at the Cercle Artístic de Sant Lluc (Barcelona, 1962). He began his work as a sculptor around 1960, working in metal and wood. Towards 1977 its work adapted the way of the geometric abstraction, retaking in 1992 to its iconic figurative origins. Developing a great career as a sculptor thanks to his imagination and perseverance. With his realistic work I achieved great recognition. Prizes and awards Statue of Àngel...

Limited edition encased glass Art Deco vase with raised and etched design in frosted and cobalt blue glass colors. Holds Erte signature to lower right of figure. Stamp numbered with ...

Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bronze. 7 copies AMANCIO Gonzalez ( Leon 1965 ) Amancio Gonzále...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio Gon...

Manolo Valdes Damas y Caballeros: Manolo Valdes, 2024 This pieces consists in a resin sculpture and a book case containing: one book of etchings by the artist and a study book of his...

Mid-Century enameled steel, glass sculpture that is visually balanced from 360 degrees. All the positive and negative spaces work in total harmony which is a testament to Samuel Cashwan...

This sale is for one of them of the Cast Iron Roundels. However, we have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan if you want to buy all three... reach out to us. . Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...

Victor Vasarely Felhoe, 1989 Double-sided acrylic on wood Ed. of 100 16 x 16 x 2 in

Bronze sculpture with marble base. Incised artist signature and date. Sculpture size 13.5 x 7 x 6 inches (including base). Sculpture is in excellent condition (marble base has a c...

Monology urbancat, 2008 Resin and Pigments Polychrome on Fiberglass under Plexiglass Cap with LED 12 1/5 × 9 4/5 × 9 1/10 in 31 × 25 × 23 cm Edition of 8 Drawing on ideas of collecta...

Multi dimensional tower sculpture (polymorph screen print on folded PVC) on brass base. Hand signed by Yaacov Agam. Hand numbered 66/150 (slightly faded - see pic). Size: 34.25 x ...

Bronze sculpture by a renowned American artist - Shray Shray continues her exploration of her bronze works using a black patina that recasts her sculpture's impact on negative spac...

TECHNICAL INFORMATION: Claes Oldenburg Sculpture In The Form Of A Bicycle Saddle 1976 Glazed brown ceramic with mahogany base and sand 14 x 8 1/2 x d: 8 1/2 in. Edition of 36 Signed...

Jorge Salas You and Me Series, 2019 Carved and painted on wood Edition of 9 +AP 86,4 x 35,6 x 3.8 cm 34 x 14 x 1.5 in. The "Tu y Yo" (You and Me) series is ...

Swing. Stainless steel and chromed resin New construction and Perfect condition Limited Edition 8 copies + 4 H.C. Bernard Rives was born 1947 in Carcassonne (France). He studied i...

TECHNICAL INFORMATION Harry Bertoia Spray 1979 (year completed) Steel wire, bronze 37 h x 13 dia in. Sold with a certificate of authenticity from the Harry Bertoia Foundation and a...

Francisco Narváez Volumen (BVM-002), 1974 Bronze (1974) Edition of 25 15 x 20.5 x 10.5 cm 5.9 x 8 x 4.1 in. LITTERATURE El Proceso Creativo en Narva...

Francisco Narváez Forma (BFM-049), 1956 Bronze (1970) Edition of 25 30 x 8 x 10 cm 11.8 x 3.1 x 3.9 in. LITTERATURE Registro General de la obra de...

Pedro Ramírez Vazquez is the famous architect , designer, urbanist, writer, his work include the Aztec Stadium, La Villa (Guadalupe Shrine) and he also built the national anthropolo...

Magnificent sculpture on wood by Spanish artist CODINA CORONA. Sculpture of one piece of wood . The measurements are of the sculpture without counting the base Josep Maria Codina Cor...

Francisco Narváez Forma (BFM-002), 1956 Bronze (1970) Edition of 25 30 x 8 x 10 cm 11.8 x 3.1 x 3.9 in. LITTERATURE Registro General de la obra de...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Santiago Medina (born in 1964) is a Colombian-American sculptor. His career spans art, medicine, medical imaging, medical research, and education. Medina is best known for his stain...

Jorge Salas You and Me Series / Soto, 2018 Carved and painted on wood 125,7 x 95,3 x 6,4 cm 49.5 x 37.5 x 2.5 in. The "Tu y Yo" (You and Me) series is based ...

Felipe Ehrenberg is a Mexican Artist, he is a conceptual artist, his work belongs to the collections of different museums and institutions, like MUAC ...

La Escalera Azul, de la serie Sintesis 1979 Plexiglas and metal Ed 37 of 110 20 x 14 x 5 in Literature: Museo Guggenheim Bilbao. “Soto. The Fourth dimension”. Catalogue published on...

Epoxyclay and wood.

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. The length of the horizontal bars can be modified to your liking Fantastic piece of art representing Spanish sculpture Very p...

"Quimeres "original steel unic piece sculpture Sculpture by the Spanish artist FERRAN SORIANO Artist well known for his large format works on the street. Iron and Steel Ferran Sori...

Alfredo Sosabravo “La soprano calva” 1998 Murano Glass 18 x 8 x 8½ in Provenance: Private Collection, Miami Literature: Alejandro G. Alonso, Sosabravo: Las Tres Dimensiones. Illust...

Screen print in colors on paper. Hand signed and numbered by the artist. From the edition on 70. Published by Galerie Zink, Waldkirchen, Germany. Artwork is in excellent conditio...

Icare is a tall abstract resin sculpture made by Patrice Breteau, a French contemporary artist. Very slender shape, this resin sculpture is available in eight different colors, all r...

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

The inspiration for the sculpture comes from a trip Garaizabal took to Havana. “I have a series of pictures of Havana’s balconies. Grandpas, grandmas, all people are speaking and tal...

Meditation has been a cornerstone of spiritual practices for centuries, offering numerous mental and physical health benefits. It involves training the mind to focus on a specific ob...

We are putting this work on Sale for only a short period of time! Great Price. Monumental Wide Flared Casiform Vessel Le Verre Francais Art Glass...

One needs to view this work as much as a sculpture as a utilitarian frame. Handmade Arts & Crafts channeled oak frame with chiseled relief farm animal decoration on each corner, pin and dovetail construction, artist cipher and date carved verso, 45"h x 31.5"w (outside), 37"h x 24"w (inside) Anna Vaughn Hyatt Huntington...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Trapped is an original cement plaque made by the street artist KAI. It is a unique prototype made aside the original edition of 20. Comes with its origi...

TECHNICAL INFORMATION Donald Baechler Black Flowers Sculpture, 2019 Shaped oxidized aluminum, mounted to aluminum base with black powder coat 26 × 16...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Ar...

Cárdenas was a descendant of african slaves from Senegal and Congo. He was born in Matanzas, a major export port for the sugar industry. Cárdenas studied under Juan José Sicre, in Cu...

Michelangelo Bastiani (1979, Italy) uses technology in his representations of water to illustrate its dynamic nature and facilitate a direct connection and tangible interaction with ...

Agustin Cardenas Spatial Light, 1989 Bronce II of III 23 x 11 x 5 in Cárdenas was a descendant of african slaves from Senegal and Congo. He was born in Matanzas, a major export port for the sugar industry. Cárdenas studied under Juan José Sicre, in Cuba, and from 1943 to 1949 at la Escuela Nacional de Bellas Artes “San Alejandro” in Havana. He was a member of the Asociación de Grabadores de Cuba (AGC) from 1951 to 1955. Also he was a member of the creative group Los Once from 1953 to 1955. Cárdenas' work was exhibited several times in 1952 "Pintura Ávila Escultura Cárdenas" at the Palacio de los Trabajadores in Havana, and in 1955 he exhibited a selection of his pieces in "Agustín Cárdenas...

In the Greek mythology, Pegasus was a handsome white winged horse. He was in charge by Zeus to bring thunderstorms and lightenings upon the Olympus Mount, known to be the Home of the Gods. In more recent times, Pigasus turned into a 145 pounds domestic pig, nominated for President in the 1960's by the Youth International Party the Yippies. This movement became popular for their stands against war and political establishment. Patrick Schumacher was inspired by this symbolic animal as a memorial of the Peace and Love era. Born in 1953, Patrick Schumacher is a German contemporary sculptor based in Nice, France. Classically trained in the foundation of Art in Strasbourg, France, he specialises in restoring art antiquities. As a result of his training, Schumacher acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. Finding inspiration in cultural origins combined with his interests in both classical and Asiatic art...

Born in La Habana, Cuba Ramon Alejandro is prominently featured in the new book "Memoria- Cuban art of the 20th Century", and the noted author Guillerm...

World renowbed Graphic Designer Ivan Chermayeff creates whimsical abstract collage characters in bold colors . Here we have Brno Mechanic. Mixed media collage on paper, 1998, signed 'Ivan Chermayeff', titled and dated lower right. on heavy Arches paper. Framed under plexi 33.5 x 25.5 Slight Staining near glove and minor scattered surface soiling. Otherwise apparently in good condition. Chermayeff & Geismar It was founded in 1957 by the two Yale graduates Ivan Chermayeff and Tom Geismar as well as Robert Brownjohn, a protégé of László Moholy-Nagy and Chermayeff's father, industrial designer Serge Chermayeff, at the New Bauhaus in Chicago.[2] Brownjohn, who struggled with heroin addiction for most of his adult life, left the partnership to join J. Walter Thompson's London branch in 1959. The firm has designed logos for such companies as Pan Am, Mobil Oil...

Follow Me is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV ...

Arabesques Horse is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This white Horse sculpture with blue "arabesques...

Cast in bronze in 1968 in an edition of 8. Wood base. Incised 'Lobo' with edition and foundry. From the edition of 8. Sculpture size not including base 5.25 x 6.25 x 4 inches. Artw...

Atlantis Egg "Zen" is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV exposure and out...

Rhinoceros adorned with a zebra skin - Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Enlargements or reductions - Edition of 8 Equipped with a portfolio of internationally renowned artists, Gauchet Fine Art...

Icare is a tall abstract sculpture with a black patina, made by Patrice Breteau, a French contemporary artist. Very slender shape, this bronze ...

Trailblazing revolutionary female illustrator/art director Bea Paul creates a three-dimensional mixed media assemblage of cut-out photos, fabric, and cut paper. It depicts two jumpi...

White onyx sculpture. Incised artist signature with date. Size includes base. Additional images are available upon request. Certificate of Authe...