Art

Medium: Oil on Canvas Laid on Board Signature: Signed Lower Left "Spring Is Here" The Country Home Magazine Cover, March (Year Unknown).

Isabel Turbán layers paintings with transfers, acrylic, charcoal, and other mixed media onto canvas or paper. Her abstract paintings manifest memory, cultural experience, and politi...

Signature: Signed Lower Left ‘Stevan Dohanos’ Medium: Mixed Media on Paperboard Laid Down on Masonite The present work was published as the cover illustration of the June 26th, 1954...

Jim’s of Lambertville is proud to offer this artwork by: Peter Sculthorpe (born 1948) Peter Sculthorpe was born in Ontario, Canada, in 1948. His talent was evident even as a child and developed rapidly in high school, where he was awarded an art scholarship in his senior year. He studied at the Pennsylvania Academy of Fine Arts, and the Hussian School of Fine Art under William Palmer Lear. He is a recipient of the Daisy Jamison Art Scholarship. Sculthorpe's work is represented in private and corporate collections including General Electric, AT&T, DuPont, and Nabisco. His paintings are in the permanent collections of the Delaware Art Museum in Wilmington, Delaware; the William Penn Art Museum in Harrisburg, Pennsylvania; and the Brandywine River Museum in Chadds Ford, Pennsylvania. He has presented his work in exhibitions including the American Watercolor Society, the National Academy of Design in New York, the Philadelphia Sketch...

Acrylic on board Board size: 20 x 30 inches Framed size: 26.25 x 36.5 inches Signed lower right

Medium: Oil on Canvas Signature: Signed Lower Left End of Track - Paperback Cover, written by Ward Weaver, Popular Library, 1951.

Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...

Cover of Liberty Magazine, November 23, 1940 Little boy trying to catch a turkey. Magazine Included

Oil on canvas Canvas size: 14 x 18 inches Framed size: 18 x 22 inches Signed lower right

Mingun Pagoda, Mandalay, Burma, 1994 - Steve McCurry (Colour Photography) Signed, affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 inch...

Signed lower right Printer's and designer's marks in margins "Tool pearls in bodice, train & headband & ribbon under bosom." Ex-collection photographer Frank Paulin...

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

Mixed Media on wood featuring the infamous Keith Richards. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media a...

Medium: Oil on Canvas Signature: Signed Lower Left

oil on canvas

James Lechay was a painter of figures, landscapes, cityscapes and still lifes who played a notable role in the tradition of avant-garde painting in New York and in the Midwest. An ar...

Enrique Chagoya Ghostly Meditations (waltzing with the forgotten), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 1...

Acrylic and pastel chalk on canvas

A joyful moment preserved. A young woman is about to land on earth. She seems very happy about it. Signed, Dated, number Lower left 3/15 recto, unframed, other size available

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This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been...

Signature: Signed Lower Right Medium: Gouache on Board

Eleanor Park Custis painted scenes as varied as the artist's travels: from her hometown of Washington, D.C., to the coastal towns of New England; from the prosperous fishing villages of Brittany, to Venice and the mountain villages and lakes of northern Italy. While Custis's subjects are diverse, her style is consistent and distinctive throughout this body of work. Her use of flat areas of color delineated by dark contours is reminiscent of the aesthetics of woodblock printing. Like many artists of the day, she was profoundly influenced by Japanese woodblock prints, and her adaptation of the aesthetic by 1924 led to her most productive artistic period. Eleanor Custis hailed from a socially prominent Washington, D.C., family. She was distantly related to Martha Custis Washington, America's first First Lady. Custis began three years of formal art training in the autumn of 1915 at the Corcoran School of Art in Washington, and was guided and inspired by Impressionist artist Edmund C. Tarbell, one of the Ten American Painters, who became the Corcoran School's principal in 1918. Custis exhibited widely in many of the Washington art societies and clubs for much of her career. She was also a frequent exhibitor at the Grand Central Art Galleries in New York City; her last one-woman show there was in April 1945. Custis's mature style emerged in scenes of the streets, wharves, and drydocks of seacoast villages from Maine to Massachusetts, which she visited during the summers of 1924 and 1925. She was working in Gloucester, Massachusetts in August 1924, and painted several gouaches of the town's wharves and winding streets, including In Gloucester Harbor and At the Drydock, Gloucester. During her stay, Custis may have met Jane Peterson or at least must have seen her work, the best of which was executed in Gloucester during the preceding ten years. The similarity between their styles is unmistakable, but, while it may be tempting to suggest that Custis was influenced by Peterson during her summer in Gloucester, the connection between their work is probably more a case of shared aesthetics and common European influences. Custis expanded her subject repertoire with three trips to Europe between 1926 and 1929, and was inspired by the Old World charm of Holland, northern France, Switzerland, and Italy, leading to such works as New Kirk, Delft, Holland, Market Day in Quimper, At the Foot of the Matterhorn, and The Town Square, Varenna. A Mediterranean cruise in 1934 introduced her to the Near East, and the bustling, colorful streets and bazaars of Cairo, captured in works like A Street in Cairo, Egypt and A Moroccan Jug...

Oil on canvas Canvas size: 6 x 12 inches Framed size: 13.5 x 17.5 inches Signed

Acrylic, canvas cloth and twine on canvas

Medium: Oil on Canvas Laid on Board Signature: Signed Lower Right Sight Size 14.50" x 13.00;" Framed 23.75" x 21.75" The Subdivision, Liberty Magazine Cover, June 18...

Oil on Burlap painting by Alexander Evgrafov Rastral Columns

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

Oil on canvas

Date: 1880 Medium: Oil on Board Dimensions: 18.20" x 24.00" Signature: Signed Lower Right

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Medium: Watercolor Painting Signature: Signed on Verso Sight Size 10.00" x 13.00;" Framed 17.00" x 21.00" Saturday Evening Post Advertisement

Richard Saba, the American abstract painter, is best known for works that relate to Lyrical Abstraction and Abstract Expressionism. He is renowned for his colorful palette, appearing vastly open yet concise and analytically conceived. The artist’s abstract works juxtapose geometric forms with organic splashes, much like celestial bodies seen through the Hubble Telescope...

Medium: Ink, Watercolor, Gouache on Paper laid to Paperboad Signature: Inscribed Collier's Cover Weekly/Sept. 1914/Belgian Automobile Troops/Fighting German Dragoons (on the reverse)...

Date: 1907 Medium: Oil on Canvas Dimensions: 10.00" x 12.00" Signature: Signed Upper Right

Abstract Painting. Vibrant Colors. Movement. Acrylic on Canvas. About the Artist: "Growing up in England during the 80s, the influence and love of American sub cultures through TV, and being surrounded by large non-spaces of US air bases around East Anglia, gave me a slightly odd and romantic view of America. I finished the Masters Degree bronze-casting course at the Royal College of Art in 1999 and have pursued my passion for Art ever since. I have built up a body of work that follows the theme of a journey into abstraction, inspired by Robert Smithson, Donald Judd, Fiona Banner, Cornelia...

Mrs Daisy Fellows, c.1930s - Cecil Beaton (Portrait Photography) Inscribed 'Mrs Reginald Fellowes' in unknown hand and stamped with Sotheby's Cecil Beat...

Medium: Oil on Canvas Signature: Signed Lower Right Du Pont Safety Calendar, 1941, June # 2270 in the Catalogue Raisonné, 2009

The painting is being offered with a work and authenticity certificate

Medium: Oil on Canvas Dimensions: 20.00" x 27.00" Signature: Signed Lower Right

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #clay #sun #energy #moon #female JUANA MARTÍNEZ (Tlalpujajua, Michoac...

Oil on canvas Canvas size: 8.5 x 12 inches Framed size: 13.75 x 17.25 inches Signed lower right

Alan Reid (born 1976) is a contemporary American artist who lives in New York City. His gauzy, colored-pencil representational images of heiresses, bored fashionistas and aquiline b...

Polyurethane cast, ebony, acrylic, taxidermy snake, 2017, numbered from the edition of 10, 17 x 10 x 10 cm. (3.9 x 6.9 x 3.9 in.)

Satyr and Pan Life Magazine Cover, April 26, 1923 Benjamin Sayre Cory Kilvert was the son of the mayor of his birthplace: Hamilton, Ontario, in Canada. Kilvert migrated to New ...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

Confusion

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #stone #color #energy #seed #ambar #wood JUANA MARTÍNEZ...

Leora Armstrong grew up on the West Coast of Scotland surrounded by the sea, hills and Scottish weather. It was this changing light of the West Coast, upon the landscape, which happe...

ADDISON THOMAS MILLAR American, 1850-1913 The Sword Merchant Signed Addison T Millar Oil on board 10 in x 8 in Framed: 18 in x 10 in

God help the Rhinos of Namibia, 2019. Cardboard print on paper. Edition of 10. Elia Shiwoohamba was born in 1981 in Windhoek, Namibia. He graduated from the ...

Meraud Guinness, 1930s - Cecil Beaton (Fashion Portrait Photography) Inkwash signature on mount Stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Silver gelatin print m...

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Peter Lodato offers new oils on canvas, whose layers of paint and scumbled surfaces resonate like tuning forks to the soul.

Good eye ceramic egg sculpture for home, office decor, collector piece. handmade in the picturesque village Arsuf in Israel is an art piece for designers a...

Unique oil on Burlap paint by Alexander Evgrafov Sunny Capri

Omaha Sketchbook: North Omaha Power Station, Omaha, NE, - Photography Signed on reverse Digital chromogenic print 22 x 18 inches From a limited edition of 7 prints For the last fifteen years, Gregory...

Medium: Charcoal and Watercolor on Board Signature: Unsigned "Introducing Heidi." Original illustration for page 11 of "Heidi" by Johanna Spyri (Philadelphia: David McKay Company, 1922). Charcoal and watercolor on board. 10 1/2x8 inches, on 20x15-inch board. Unsigned but captioned "Chapter I" in lower margin with publisher's label on verso. an original drawing from smith's final fully-illustrated work. Heidi was "a perfect showcase for Smith's illustrative art...