Art

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

TECHNICAL INFORMATION Salvador Dali Tristan Et Iseult - The Giant Beliagog 1970 Etching Aquatint 18 x 12 1/2 in. Edition of 125 Pencil signed &...

Medium: Oil on Canvas Signature: Signed Lower Right Contact for exact dimensions.

Balantu Woman, 2017. Cardboard Print on Paper, 3/3 Petrus Amuthenu was born in Swakopmund and grew up in northern Namibia in Uukwaludhi. In 2002 a chance encounter with the late art...

This Blue Dog work consists of a blue dog sitting on a yellow chair with a white background. The work has writing on it in white with the artist's name in red as follows: "Rodrigue: a man and his dog...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Edition of 7

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Center Caricature by George Wachsteter (1911-2004) of Comedian and Radio Broadcaster Will Rogers...

Archival pigment ink prints with silkscreened high-gloss varnish and diamond dust on Innova 315 gsm paper

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Center On 22.00" x 15.25" illustration board with the image measuring to 14.00" x 9.50." Caricature by George Wachsteter (1911-2004) for `Father of the Bride`, CBS-TV, with Leon Ames, Myrna Fahey, Ruth Warwick & Burt Metcalf, to promote the Nov 17, 1961 episode `Maid of Honor...

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

This beautifully vibrant yellow portrait features rays of yellow and white emanating from the model. This is a limited edition color photograph. Number 1 of 4 is currently available,...

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Signed (at lower right): FJK

Medium: Oil on Canvas Signature: Signed Front of Canvas and Pencilled on Back Stretcher Possibly original magazine illustration for the Saturday Evening Post.

NEON Swimming - Vibrant Noir Abstract Photography. Swimming Pool - Bright Orange and Black Noir. Photography. Edition Print. This Photography work 23.5 inches by 35.5 inches. Pico...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

City of the Future・未来都市

Medium: Oil on Canvas Dimensions: 24.00" x 60.00" Signature: Signed Lower Left

The conversation Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty...

Craftsmen Illustrator: Megumi Oishi (BALCOLONY) Woodcarver: Sekioka Senrei III Printer: Okada Takuya Details Edition: limited edition of 200 Size: 18.9 x 13.4 inches (48 x 34 cm) Pa...

Date: 1988 Medium: Gouache and Acrylic on Paper Dimensions: 9.50" x 26.00" Signature: Signed Lower Right Image of performers in front of the word "Variety." TV Guide, April 16, 1988.

Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Pro...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the ...

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Medium: Oil on Canvas

Contemporary impressionist. New

Good eye ceramic egg sculpture for home, office decor, collector piece. handmade in the picturesque village Arsuf in Israel is an art piece for designers a...

TECHNICAL INFORMATION Roberto Matta Archer, from Transports 1976 Etching aquatint 18 x 23 in. Edition of 100 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed ABOUT THE ARTIST The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

Medium: Watercolor, Gouache and Ink on Paper Signature: Signed Lower Right Magazine Advertisement Young woman in blue and black lace dress holding and looking at flowers.

Medium: Pen & Ink, Watercolor Onionskin Overlay on Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for `The Dick Powell Show`, used as cover for The ...

Medium: Oil Board Dimensions: 40.00" x 25.50" Signature: Signed Lower Left Frank G. Slaughter 'Sword and Scalpel" Book Cover

Medium: Pen and Ink on Cardstock Signature: Signed Lower Center Double Set of Caricatures by George Wachsteter (1911-2004) for 1957 Off-Broadway Hit Revivals `The Three Penny Opera` & `The Iceman Cometh`, at the Theatre de Lys & Circle in the Square...

Oil on vintage architecture magazine paper

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

Medium: Watercolor and Ink on Paper Dimensions: 28.00" x 19.50" Signature: Signed Center

Watercolor on paper

Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Pro...

Linda Blair starred in the 1973 horror film The Exorcist, one of the highest-grossing films of all time, when she was fifteen years old, and was nominated ...

Adhesives on galvanized sheet 3 layers satin varnish Thickness 4cm Signed on the back

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Medium: Pen & Ink, Watercolor Paper Overlay on Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of Steve Allen and a personalized jester stick for `Th...

the painting is being offered with a work and authenticity certificate

Medium: Pen & Ink, (2) Color Comps on Illustration Board Signature: Unsigned, Lower Left and Lower Right This piece is on 15.00" x 20.00" illustration board, with an image that measures to 14.00" x 9.50." Includes two different color versions in watercolor on board, preliminary sketch. Includes original copies of the magazine. (3) Versions Caricatures by George Wachsteter (1911-2004) of Shirley Booth...

A co-founder of the National Women's Political Caucus in 1971 along with feminist leaders like Gloria Steinem, Shirley Chisholm, and Betty Friedan, Bella Abzug...

Oil on canvas

Cut Paper Collage Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904 – 2000) Josef Zenk was born in New York City in 1904. After graduating from high school...

Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the popular culture of his youth for ...

Donald Sultan (born 1951), is one of the leading American contemporary still life artists. He currently lives and works in New York. Sultan has been given numerous exhibitions dedica...

Encaustic and oil on canvas

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Born in 1974 in Westfield, Massachusetts, David Colton began his career as an artist while attending the University of Colorado in Boulder. Heavily influenced by the rise of graffiti in America throughout the 1980s and 1990s, he chose to create his own twist on the movement with sculpture. Using glass as his chosen medium, Colton is widely recognized by his peers for the distinct organic style he has developed since he first started in 1995. Recent accolades include being featured in The New York Times Magazine and the Corning Museum of Glass’s annual peer-reviewed journal New Glass Review in 2017. Notable exhibitions include the Architectural Digest Design Show with Chesterfield Gallery...

She did paint a lot about the small fishermen villages on the South East of Asia that today are big cities. She is fascinated by the idea of that past and that memories under the ski...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Description: Liu Gang(b.1965) 480309102 water-based and oil-based pigments on rice paper 146.5 by 145.2 cm Dated 2019 mounted and framed The artwork comes ...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...