Art

This Blue Dog work consists of a single blue bear with a red nose on a black background. The bear has soulful yellow eyes. This pop art animal original silkscreen print on paper is ...

"Twin Kate Moss on Pink" Photography 40 x 36.5 in Edition of 25 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thou...

"Mirrors" Photography 24" x 24" inch Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available ...

Giclee print on Hahnemuhle Photo Rag Baryta paper 315g, 74 x 67 cm. Edition of 10 and 2 Artist's Proofs. The photographs are printed with a white margin of 5 cm on each side, therefo...

Print measures 29.25 in x 18 in In good condition Published by New York Graphic Society, 1943 Printed in USA

"Butterfly 14" (FRAMED) Photography 16" x 16" in Edition 1/20 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 16" x 16" Inch Framed size: 20" x 20" Inch Edition: 1/20...

This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself. The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old. The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790). Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished. The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875). Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership. Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...

"Violet" Oil painting 55" x 32" inch by Yousra Hafad Yousra Hafad is an Egyptian artist, born in March 1980. She graduated from Faculty of Art Education in 2001. Her sumptuous pain...

Giclee print on Hahnemuhle Photo Rag Baryta paper 315g. Available dimensions and editions: 42 cm x 37 cm, edition of 10 + 2 A.P. 108 cm x 94 cm, edition of 3 + 1 A.P. 147 cm x 128 c...

"Trip Along the Vytmusa River" Wall Sculpture 39" x 48" inch by Dmitry Kawarga Full name: "On the traces of the summer trip along the Vytmusa river from Lake Orenzhenskoe to Lake Sh...

"Murakami TMF6" Photography 40" x 40" inch Edition 1/4 by Giuliano Bekor Title: Murakami Inspired TMF6 Year: 2010 Print size: 40" x 40" Inch Framed size: 42" x 42" Inch Edition: 1/...

Giclee print on Hahnemuhle Photo Rag Baryta paper 315g. Available dimensions and editions: 35 cm × 46 cm, edition of 15 and 2 Artist's Proofs 64 cm × 84 cm, edition of 10 and 2 Artist's Proofs 94 cm × 116 cm, edition of 5 and 2 Artist's Proofs 128 cm × 158 cm, edition of 3 and 2 Artist's Proofs The photographs are printed with a white margin of 5 cm on each side. The price indicated applies to the print alone, without mount and unframed. For all special requests concerning mounting and framing please contact us. Miss Aniela's ‘Surreal Fashion...

Giclee print on Hahnemuhle Photo Rag Baryta paper 315g. Available dimensions and editions: 48 cm × 35 cm, edition of 15 + 2 A.P. 86 cm × 63 cm, edition of 10 + 2 A.P. 121 cm × 89 cm,...

"Butterfly 20" Photography 48" x 86" inch Edition 2/10 by Giuliano Bekor Title: Butterfly B20 Year: 2017 Print size: 46" x 84" Inch trim bleed Framed size" 48" x 86" Inch Edition:...

German artist Klaus Kampert focuses primarily on the body and movement. This series was produced for the Deutshe Oper Am Rhein, Dusseldorf and Duisbourg's common opera. The photogra...

"Shakespeare Mirror Nr 3" Photography 32" x 24" in Edition of 10 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not framed. Ships...

Giclee print on Hahnemuhle Photo Rag Baryta paper 315g. Available dimensions and editions: 35 cm × 46 cm, edition of 15 and 2 Artist's Proofs 64 cm × 84 cm, edition of 10 and 2 Artist's Proofs 92 × 121 cm, edition of 5 and 2 Artist's Proofs 125 cm × 164 cm, edition of 5 and 2 Artist's Proofs The photographs are printed with a white margin of 5 cm on each side. The price indicated applies to the print alone, without mount and unframed. For all special requests concerning mounting and framing please contact us. Miss Aniela's ‘Surreal Fashion...

161.03.11 is a work by contemporary photographer Klaus Kampert, from the 'On Body Forms' series. The work of Klaus Kampert is focused on nude photography, trying to capture an emotio...

"fkaTwigs" Photography 40" × 30" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selecti...

"TIME TA25" Photography 72" x 48" inch Edition 2/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Time TA25 Year: 2018 Print size: 72" x 48" Inches Artwork finished size: 73" x 49" Inches Limited edition 2 of 4 Artist proof: 2 Medium: The artwork is printed on the highest resolution museum-quality polished aluminum with a high-gloss finish. Infusing dyes directly into specially coated aluminum sheets The waterproof scratch-resistant surface hygienic and durable medium. Comes in a custom gallery-style floater frame in a semi-gloss silver-face finish. Comes with a heavy-duty wooden liner float mount hanger. This artwork comes with two customizable time zone clocks...

Indistinctly signed and dated In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris). In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right. The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine. Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child. In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum. It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist. We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren. A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage. Titan Fine Art

182.02.14 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series entitled Porcelain. In this series, the artist pursues his research on the abstraction of the human body. A series of feminine nudes...

The painting is unframed, acrylic on canvas. About the Artwork: Portrays the universal background radiation from the Big Bang. I call my paintings “Ima...

"Asphodel" Photography Edition 8/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2020 Unframed - ships in a tube This picture is a part of Spirit seri...

"No title (No 29)" Photography Edition 3/28 36x36 inch by Yevgeniy Repiashenko Photography Edition of 28 (36" x 36" inch) by Yevgeniy Repiashenko Year photo was taken: 2016 Unfram...

Victoria Novak's "Broken Hearts" is a striking example of contemporary still life painting, brought to life through her masterful use of oil on canvas. ...

'Tiger #7, Los Angeles, CA, 2016' is a limited-edition fine art photograph by American photographer Brad Wilson. Archival pigment print on Hahnemühle Fine Art Baryta Paper. Prints a...

"Diamond Dust Shoes (Black and White)" is a screen print by American pop artist Andy Warhol. It is signed and editioned verso, " 18/60 Andy Warhol" Stamped verso, "© Andy Warhol 1980...

"L2-3D Louis Vuitton" Photography 36"D Edition 3/8 by Giuliano Bekor Title of artwork: Lips L2 Louis Vuitton 3D Year created 2018 Print size 36 Inch...

"Angelina. Red Bound" Photography 56" × 40" in Edition 1/1 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtfu...

Alfil #1 (2018) by contemporary Venezuelan artist Alejandro Vega Beuvrin. Weathering steel sculpture, 60 cm × 25 cm × 22 cm. Limited edition of...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

"Untitled B_W" Abstract Acrylic Painting 44" x 40" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

Spinning-top is a unique ceramic sculpture by contemporary artist Tien Wen whose work revolves around the idea of abstraction and the pureness of shapes. 57 cm × 24 cm × 24 cm. Thank...

"Shadow" Photography 29.5" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Ava...

"SKGT-LED Transparent" Photography 50"D Edition 3/8 by Giuliano Bekor From the SKULL series Edition 3/8 Year created 2018 Print size 48 Inches diameter trim bleed Artwork finish siz...

"L6B Chanel 3D" Photography 24"D Edition of 8 by Giuliano Bekor Edition OF 8 Year created 2018 Print size 24 Inches diameter trim bleed Artwork finish size 25 Inches diameter trim b...

"Evening at Singeorz" by contemporary Romanian painter Marcel Lupse is a framed oil on canvas representing a tranquil Transylvanian landscape in the e...

Care Home by contemporary artist Gina Soden. Prints are available in two dimensions: 44.64 cm × 44.64 cm, edition of 15 + II AP 80.2 cm × 80.2 cm, edition o...

"No title (No 70)" Photography 32x26 in Edition of 25 by Yevgeniy Repiashenko No title (No 70) Photography Edition of 25 (32 x 26 inch) by Yevgeniy Repiashenko Year photo was tak...

Sculpture in polymer sheathed with crocodile skin, 17 x 30 x 13 cm. Edition of 8 plus 4 artist's proofs. Sculpture is numbered, signed and delivered with certificate of authenticity. This sculpture also exists in bronze in other dimensions. This hippopotamus sculpture by French contemporary artist Jacques Owczarek...

Artist: Jack Graves III (American, 1988-) Title: "Princess Diana Icon V" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 40" x 32" Condition: The stretched canvas was custom built by the artist himself. In mint condition Notes: Diana, Princess of Wales (1961-1997), was a member of the British royal family. She was the first wife of Charles, Prince of Wales—the heir apparent to the British throne—and mother of Princes William and Harry. Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

"Modernismo M32 LED" Photography 50"x50" in Edition of 1/6 by Giuliano Bekor Year created 2018 Print size 50 Inches diameter Trim Bleed Artwork finish size 52 Inches diameter Edi...

"FAST_01" Abstract Acrylic Painting 48" x 36" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

"Cactus by Night II" Oil Painting 35" x 26" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 197...

'Buffalo #3, Santa Fe, New Mexico, USA, 2019' is a limited-edition fine art photograph by American photographer Brad Wilson. Archival pigment print on Hahnemühle Fine Art Baryta Pape...

Artist: Todd Connor (American, 1964-) Title: "Where's Pa?" *Signed by Connor lower right. It is also signed and titled by Connor lower center on verso Year...

"Choice who to be 2" Abstract Painting 30" x 40" inch by Tetiana Kalivoshko Acrylic painting Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installations. Graduated from the L’viv National Academy of Art and Shanghai's East China Normal University. She decided to devote herself to the world of art in 2015 after seeing the exhibition "In Love With Art" which motivated her to begin developing her art and ideas and to travel across the world. Tetiana's debut project installation, "Peace," was shown in several Ukrainian cities. The installation “Peace”. Her work materialized spectacular shapes of Chinese hieroglyphs that mean "Peace". In 2016, Tetiana presented her first collection, "War...

This painting uses simple geometric shapes and color harmony to explore balance and the relationship between positive and negative space. Cool blues and warm green shapes bring a sen...

Polyester sculpture, 2019. 100 cm × 80 cm × 30 cm. Available colors: white, black, red and blue. Limited edition of 8 + 4 artist’s proofs.

Antonio De Ignacio (1944 - ) Spanish artist. His works are widely represented in the multiple private and commercial galleries. “Los Esponsales Opus Pictórico N* 5, Otelo” Oi...

"Killing for Cookies" Print 28" × 34.5" in Ed. 1/10 by Kate Garner Signed and numbered by the artist. Not framed. Ships in a tube. Kate Garner is an English photographer, fine artist, and singer. Garner has photographed a wide range of musicians and celebrities, including Dr. Dre, Leigh Bowery...

Indian Autumn 3 Original photography Edition 1/7 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2014 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak ...

'Orangutan #1, Los Angeles, CA, 2011' is a limited-edition fine art photograph by American photographer Brad Wilson. Prints are available in 3 different sizes, all signed and numbe...

Polyester sculpture, 2019. 130 cm × 80 cm × 90 cm. This functional sculpture of wild cat can be used as an armchair. Available colors: black, red, blue and white. Limited edition of ...

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida. Estate stamped and hand numbered edition o...

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 47 1/5 × 23 3/5 in - 100 × 120 × 60 cm The artwork is signed by the Artist , carved with edition number and date und...

Stahlwerk 014, limited-edition photograph by German contemporary artist Bernhard Lang. Since 2010 Bernhard Lang dedicates himself to aerial photography, traveling around the world a...