Art

KAWS BFF 2018: Complete Set of 3 (Pink, Black, and Blue). Each, new/unopened in their original packaging: A highly collectible KAWS Companion set and variation of Kaws' large scale B...

Before You can Entertain Others... You Must First Learn to Entertain Yourself by David Shrigley 14 colour screenprint with a varnish overlay 75 x 56 cm From a limited edition of 125 ...

Sublimation printing on recycled polyester fabric stretched over wooden stretchers. These pieces are created by fading and changing old photographs from archives of Utrecht (the city Lennard works from) and his childhood. Through subliminal transfer on textile that is made with recycled plastic, he creates a soft work where the colors get all the attention. For the viewer, this gives the opportunity to be constantly shifting their perspective over the gradients. Lennard Blokker...

"Pink Lollipop" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm Sp...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

“I’ll find me a place by the river now and give up all my story lines.” – Van Morrison All of these paintings originated in the past year, but I suspect they truly began in 1955 after I returned from the army to complete my college education at Fresno State. Having discovered the heroic-scaled canvases of the abstract impressionists while away, I changed my major to art. Soon, after enrolling into a painting class taught by Darwin Musselman, I felt I’d be advancing from the old school to the new wave. Wrong. Musselman, an intense taskmaster, held me firm to the basics and taught me how to crawl first. The flying would come after I paid my dues. Musselman had studied at the Los Angeles Art Center and The School of Arts and Crafts in Oakland. Proficient in many styles of painting, he never shied away from demonstrating techniques he felt might spur a student’s progress. About the time I began to suspect he was controlling us all too tightly, he showed the class Hans Namath...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

An explosion of colour radiates from one side of the canvas in this extraordinary abstract painting dedicated to renowned NY art critic, Clement Greenberg. As a student, Joseph Drapell met and was influenced by Greenberg while studying at an American art school. This piece is rendered in thickly applied waves of shiny orange, purple, plum, white, and turquoise. Holographic materials are also used. The Czech-born artist creates remarkably vibrant paintings using trowels...

Modfellows Art Gallery presents Lovescapes, an exhibition of works by Martin Kahnle that explores the nature and humanity of the southern Blue Ridge Moun...

InstaGRAM Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25

Represented by George Billis Gallery My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and co...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

This new series aims to raise awareness about the interaction between people, social networks and technology in general. The main idea of this series is to capture the characters wit...

Composition from Alphabet series is an original lithograph realized by Rafael Alberti in 1972. Hand-signed and dated on the lower margin. Numbered on the lower margin. Numbered on...

"And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord." Love? Love? Love is not safe, my lady silk, love is dangerous. It is dec...

Abstract painting by contemporary artist Anthony Polizzi. This colorful abstract work of art would be a lovely addition to anyone’s home. Anthony Poli...

Blondie Peach - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of Debbie Harry, from Blondie. BATÍ...

An unexpectedly bright magenta wall serves as a background for a hatted passerby. In 1970 very few people were shooting in color, and just a handful of photographers exploited the co...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

This new series aims to raise awareness about the interaction between people, social networks and technology in general. The main idea of this series is to capture the characters wit...

Pink Debbie Harry - Limited Edition Mick Rock Estate Print Debbie Harry in pink, 1978 (photo Mick Rock). All prints are numbered by the Estate. Edition size varies according to pr...

South Congress View of the Capitol 60" x 48" Acrylic on Wood Panel

Artist: Elisabeth Hahn (German 1924-2021) Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studies ...

This work is part of a two panel installation sold individually or together. There are 2 interlocking panels each listed separately for the price above. The words written on the canv...

Blondie Pink - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of Debbie Harry, from Blondie. BATÍK is a London based contemporary pop art image creator and...

This is a vibrant pink encaustic (pigmented beeswax) painting on birch panel accented with a darker shade of reddish pink along the edge. Signed and titled on verso. Joanne Mattera’...

Pegah Samaie's (CA based) "Cool and Calm" is an original, handmade oil painting that depicts a woman holding a pink ice-cream cone with a pink background....

Mixed media on canvas 160 x 130 cm - frame thickness 9 cm Signed on the back

Paper Size: 32 x 53 inches ( 81.28 x 134.62 cm )?Image Size: 28 x 53 inches ( 71.12 x 134.62 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Large lithograph...

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each other w...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

Composition of pink hop, oil on paper. Signed lower left HRAIR.

Remembering Plains no.50 by Alyson Kinkade 8" x 8" oil on linen ©2011 gallery wrapped, black sides The allure of the horizon of the Great Plains, where waves of colors meet sky. AB...

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...

Mixed media on canvas 150 x 150 cm - frame thickness 5 cm Signed on front and back

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

David Ackerson 24" x 48" Acrylic on Canvas

Nicolás Guzmán shows us a selection of pieces from his new pictorial research. Traditional techniques are mixed with industrial materials such as synthe...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black femme. With the erotic and intimacy front and center on her canvases, whether they’re miniature or large, Christina’s work offers a lens into this moment in her life — a moment intentionally focused on reclamation & personal exploration. In addition to honing in on her practice, she has also carved out spaces for Black and brown femme and non-binary artists to showcase their work with a series of exhibitions, the most recent being Sapphic Summer at Brian Leo Projects. Looking forward, the self-proclaimed “AfroRomantic Lyrical Abstractionist ” plans to publish a memoir in conversation with her paintings, debut her first solo museum exhibition, and continue to co-create curative spaces for artists of color...

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...

Mixed media on canvas 120 x 120 cm - frame thickness 10 cm Signed on the back

"When oleander blooms" is a painting, oil on canvas by Maestro Natalia Yampolskaya. About the artwork: TECHNIQUE: oil painting STYLE: Contemporary Edition : Unique, signed Weight...

Contemporary abstract painting by local Houston artist Chris Cascio. Currently featured in the show "5 Artists 5 Rooms" at Reeves Art + Design in Houston, TX. Artist Biography: Chr...

Argilla compatta - Diecicomeleditadiduemani is a color silk-screen print on acetates, realized in 1973 by the artist Ennio Pouchard (1928). Signed on plate on the lower right. ...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

Signed, verso, 'di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1980. A lyrical, post-impressionist oil still-life flowers, shown loosely arranged in a shallow b...

Pink elephants - a continuation of the theme of the sky. these are dreams that we adults sometimes put in a folder of unrealizable, unreal, and do not be...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

WALERIA MATELSKA (born 1994 in Belarus) In 2012-2015 she studied at the Faculty of Painting at the Academy of Fine Arts in Krakow and in 2015-2018 at the Faculty of Painting at the A...

A New Life 03, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unfr...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Acrylic on canvas Christine Keruth is a German artist born in 1962 who lives & works in Berlin, Germany. She studied painting at the renowned Berlin-Weissensee Art Academy. Besides ...